FILM AND TELEVISION | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | SOC4007 | ||||||||
Ders İsmi: | Contemporary Sociological Theories | ||||||||
Ders Yarıyılı: |
Spring Fall |
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Ders Kredileri: |
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Language of instruction: | English | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | No | ||||||||
Type of course: | Non-Departmental Elective | ||||||||
Course Level: |
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Mode of Delivery: | Hybrid | ||||||||
Course Coordinator : | Assoc. Prof. ULAŞ SUNATA ÖZDEMİR | ||||||||
Course Lecturer(s): | |||||||||
Course Assistants: |
Course Objectives: | The course is designed to make students familiar with recent theories, issues, and debates in the field of contemporary social and critical theory. It presents a critical review of contemporary sociological theoretical positions by way of examining major themes. |
Course Content: | Special attention will be paid to some fundamental readings in the so-called “postmodern theories” concerning modernity, semiotics, unconsciousness, feminism, re-reading Nietzsche and Marx, deconstruction, orientalism, and postcolonialism. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Introduction to the Course: Going over the Syllabus | |
2) | Classical Sociological Theory | D. P. Johnson (2008) “Classical Stage European Sources of Sociological Theory”, ch 1, in D. P. Johnson Contemporary Sociological Theory: An Integrated Multi-level Approach New York: Springer. (23-51) |
3) | An Introduction to Postmodern Social Theory | G. Ritzer (1997) “Postmodern Social Theory, Sociology and Sociological Theory”, ch 1, in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (1-17) G. Ritzer (1997) “The Development of Postmodern Sociology”, ch 2, in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (18-36) |
4) | Ferdinand Saussure: Semiotics and Structuralism | Ferdinand Saussure, Selection from Course in General Linguistics (8-17, 65-9, 110-9) John E. Joseph “The Linguistic Sign”, Cambridge Companions Online, Cambridge University Press. (59-75) |
5) | Frankfurt School | Erich Fromm “The Method and Function of an Analytic Social Psychology”, in A. Arato and E. Gebhardt, eds., The Essential Frankfurt School Reader. (477-96) Wilhelm Reich “The Authoritarian Ideology and the Family in the Mass Psychology of Fascism”, The Mass Psychology of Fascism. (34-74) Max Horkheimer “Authoritarianism and the Family”, in R. N. Anshen, ed., The Family: Its Function and Destiny (359-74) |
6) | Psychoanalysis and Jaques Lacan | Kaja Silverman “The Subject”, The Subject of Semiotics. (127-193) |
7) | The Postmodern Condition | Thedor W. Adorno (1968) “Late Capitalism or Industrial Society?” (1-11) Fredric Jameson (1991) “Postmodernism or, The Cultural Logic of Late Capitalism” in F. Jameson Postmodernism or, The Cultural Logic of Late Capitalism Verso. (1-14) Jean-Francois Lyotard (1979) “The Postmodern Condition: A Report on Knowledge” in J.F. Lyotard The Postmodern Condition: A report on Knowledge, Manchester: Manchester University Press. (1-14) Bary Smart “The Postmodern Paradox”, Modern Conditions and Postmodern Controversies. (141-82) |
8) | Jacques Derrida and Deconstruction | Elizabeth Gross “Derrida and the Limits of Philosophy” (26-42) Jonathan Culler “Deconstruction”, On Deconstruction: Theory and Criticism After Structuralism. (85-110, 165-91) |
9) | Michel Foucault: Panopticism, Discipline, Surveillance, Discourse, Body, Population (1) | G. Ritzer (1997) “Michel Foucault Part1: Archaeology of Knowledge, Genealogy of Power” in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (37-62) |
10) | Michel Foucault: Panopticism, Discipline, Surveillance, Discourse, Body, Population (2) | G. Ritzer (1997) “Michel Foucault Part2: Sexuality, Power, and Self” in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (63-75) |
11) | Feminist Theory | Elizabeth Gross (1986) “What is Feminist Theory?”, in C. Pateman and E. Gross, eds., Feminist Challenges: Social and Political Theory Boston: Northeastern University Press. (190-204) “Feminist Theory”, in James Farganis, ed., Readings in Social Theory: The Classic Tradition to Post-Modernism (Dorothy Smith: Women’s Experience as a Radical Critique of Sociology). (376-87) Gayatri Chakravorty Spivak “Feminism and Critical Theory” In Other Worlds: Essays in Cultural Politics. (77-92) |
12) | Orientalism and Post-Colonial Theory (1) | Leela Gandhi “Edward Said and his Critics” Postcolonial Theory: A Critical Introduction. (64-80) |
13) | Orientalism and Post-Colonial Theory (2) | Leela Gandhi “Postcolonalism and Feminism” Postcolonial Theory: A Critical Introduction. (81-101) |
14) | Globalization and Post-Nationalism | Leela Gandhi “Imagining Community: The Question of Nationalism” Postcolonial Theory: A Critical Introduction. (102-21) Leela Gandhi “One World: The Vision of Postnationalism” Postcolonial Theory: A Critical Introduction. (122-40) |
Course Notes / Textbooks: | Course reader will be given weekly |
References: | D. P. Johnson (2008) “Classical Stage European Sources of Sociological Theory”, ch 1, in D. P. Johnson Contemporary Sociological Theory: An Integrated Multi-level Approach New York: Springer. (23-51) G. Ritzer (1997) “Postmodern Social Theory, Sociology and Sociological Theory”, ch 1, in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (1-17) G. Ritzer (1997) “The Development of Postmodern Sociology”, ch 2, in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (18-36) Ferdinand Saussure, Selection from Course in General Linguistics (8-17, 65-9, 110-9) John E. Joseph “The Linguistic Sign”, Cambridge Companions Online, Cambridge University Press. (59-75) Erich Fromm “The Method and Function of an Analytic Social Psychology”, in A. Arato and E. Gebhardt, eds., The Essential Frankfurt School Reader. (477-96) Wilhelm Reich “The Authoritarian Ideology and the Family in the Mass Psychology of Fascism”, The Mass Psychology of Fascism. (34-74) Max Horkheimer “Authoritarianism and the Family”, in R. N. Anshen, ed., The Family: Its Function and Destiny (359-74) Kaja Silverman “The Subject”, The Subject of Semiotics. (127-193) Thedor W. Adorno (1968) “Late Capitalism or Industrial Society?” (1-11) Fredric Jameson (1991) “Postmodernism or, The Cultural Logic of Late Capitalism” in F. Jameson Postmodernism or, The Cultural Logic of Late Capitalism Verso. (1-14) Jean-Francois Lyotard (1979) “The Postmodern Condition: A Report on Knowledge” in J.F. Lyotard The Postmodern Condition: A report on Knowledge, Manchester: Manchester University Press. (1-14) Bary Smart “The Postmodern Paradox”, Modern Conditions and Postmodern Controversies. (141-82) Elizabeth Gross “Derrida and the Limits of Philosophy” (26-42) Jonathan Culler “Deconstruction”, On Deconstruction: Theory and Criticism After Structuralism. (85-110, 165-91) Ronald Bogue “Anti-Oedipus: Nietzschean Desiring Production and the History of Representation”, Deleuze and Guattari. (83-106) Ronald Bogue “The Grand Proliferation: Regimes of Signs and Abstract Machines in Thousand Plateaus”, Deleuze and Guattari. (124-49) G. Ritzer (1997) “Michel Foucault Part1: Archaeology of Knowledge, Genealogy of Power” in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (37-62) G. Ritzer (1997) “Michel Foucault Part2: Sexuality, Power, and Self” in G. Ritzer Postmodern Social Theory Toronto: McGraw-Hill. (63-75) Elizabeth Gross (1986) “What is Feminist Theory?”, in C. Pateman and E. Gross, eds., Feminist Challenges: Social and Political Theory Boston: Northeastern University Press. (190-204) “Feminist Theory”, in James Farganis, ed., Readings in Social Theory: The Classic Tradition to Post-Modernism (Dorothy Smith: Women’s Experience as a Radical Critique of Sociology). (376-87) Gayatri Chakravorty Spivak “Feminism and Critical Theory” In Other Worlds: Essays in Cultural Politics. (77-92) Leela Gandhi “Edward Said and his Critics” Postcolonial Theory: A Critical Introduction. (64-80) Leela Gandhi “Postcolonalism and Feminism” Postcolonial Theory: A Critical Introduction. (81-101) Leela Gandhi “Imagining Community: The Question of Nationalism” Postcolonial Theory: A Critical Introduction. (102-21) Leela Gandhi “One World: The Vision of Postnationalism” Postcolonial Theory: A Critical Introduction. (122-40) Badiou. Ethics. Ronald Bogue “Deleuze’s Nietzsche: Thought, will to power, and the eternal return”, Deleuze and Guattari. (15-34) Friedrich Nietzsche: The Will to Power. (104-7) |
Ders Öğrenme Kazanımları | |||||||||||
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Program Outcomes | |||||||||||
1) Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | |||||||||||
2) Having comprehensive knowledge regarding different media and branches of art | |||||||||||
3) Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | |||||||||||
4) Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | |||||||||||
5) Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | |||||||||||
6) Being able to write a script ready to be shot | |||||||||||
7) Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |||||||||||
8) Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |||||||||||
9) Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |||||||||||
10) Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |||||||||||
11) Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | |||||||||||
12) Having ethical values and a sense of social responsibility |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | 4 |
2) | Having comprehensive knowledge regarding different media and branches of art | 3 |
3) | Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | 1 |
4) | Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | 1 |
5) | Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | 2 |
6) | Being able to write a script ready to be shot | 2 |
7) | Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |
8) | Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |
9) | Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |
10) | Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |
11) | Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | 3 |
12) | Having ethical values and a sense of social responsibility | 5 |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 15 |
Homework Assignments | 10 | % 30 |
Presentation | 1 | % 15 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 14 | 2 | 28 |
Presentations / Seminar | 1 | 12 | 12 |
Homework Assignments | 10 | 3 | 30 |
Paper Submission | 1 | 40 | 40 |
Total Workload | 152 |