FILM AND TELEVISION | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | POV1115 | ||||||||
Ders İsmi: | Photography | ||||||||
Ders Yarıyılı: | Fall | ||||||||
Ders Kredileri: |
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Language of instruction: | English | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | No | ||||||||
Type of course: | Must Course | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr. Öğr. Üyesi TOLGA HEPDİNÇLER | ||||||||
Course Lecturer(s): | |||||||||
Course Assistants: |
Course Objectives: | This course is designed to provide a basic knowledge and understanding of photography by introducing technical, theoretical and historical issues that surround camera-made images. Classes will take place in an interactive setting comprised of lectures, screenings, assignments and discussion sessions. Students will be encouraged to develop a critical familiarity with the medium through personal experimentation and collective critique. |
Course Content: | The topics of this course includes: a detailed history of photography: cameras (35 mm, medium and large format cameras); lenses; (standard, wide angle, narrow angle (tele) and zoom lenses); exposure control mechanisms (aperture, shutter; stop motion; depth of field control); light measuring; exposure modes, filters and asset accessories; image design; digital photography processing and editing |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Introduction: Reviving the course structure and objectives | |
2) | What is Photography? Understanding contemporary practices of photography | |
3) | Camera Types and Formats & Basic Camera modes and Operations. | |
4) | Exposure Control I: (Depth of Field and Aperture) | |
5) | Exposure Control II: (Shutter/Movement/Blur/ISO) | |
6) | Lenses (Use of different types of lenses, focal lenght) | |
7) | Principals of Composition (Unity, Variety, Emphasis, Movement, Perspective, Balance Aspect Ratio) | |
8) | Elements of Composition: (Space, Line, Color, Size, Shape, Value) | |
9) | Concept and Practice of Digital Photography | |
10) | Visual Storytelling I: Basics (Subject & Concept; Signs & Symbols, Textuality, Narrative) | |
11) | Visual Storytelling II: Photographer’s Eye (Detail, Frame, Vantage Point, Time) | |
12) | Genres and Practices: Portrait Landscape, Still Life, Self-Portrait | |
13) | Genres and Practices: Documentary, Photojournalism, Fashion, Body, Image Manipulation | |
14) | Contemporary Photography Practices: Understanding Photography of Today's Visual Culture |
Course Notes / Textbooks: | Langford, Michael (2010) Langford's Basic Photography: The guide for serious photographers. (Accessible through Barbaros Library online books) Hamilton, Trenton (2017) Photography: Equipment, techniques, styles and Practice. (Accessible through Barbaros Library online books) |
References: | Bull, Stephen (2010) Photography. (Accessible through Barbaros Library online books) Weels, Liz, et al. (2003) The photography reader. (Barbaros Library Catalogue Number TR 146. P46 2003) Ingledew, John & Gullachasen, Lorenz (2013) Photography (Accessible through Barbaros Library online books) |
Ders Öğrenme Kazanımları | |||||||||||
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Program Outcomes | |||||||||||
1) Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | |||||||||||
2) Having comprehensive knowledge regarding different media and branches of art | |||||||||||
3) Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | |||||||||||
4) Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | |||||||||||
5) Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | |||||||||||
6) Being able to write a script ready to be shot | |||||||||||
7) Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |||||||||||
8) Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |||||||||||
9) Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |||||||||||
10) Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |||||||||||
11) Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | |||||||||||
12) Having ethical values and a sense of social responsibility |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | 2 |
2) | Having comprehensive knowledge regarding different media and branches of art | 3 |
3) | Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | |
4) | Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | |
5) | Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | |
6) | Being able to write a script ready to be shot | 1 |
7) | Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |
8) | Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |
9) | Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |
10) | Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |
11) | Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | 1 |
12) | Having ethical values and a sense of social responsibility | 3 |
Semester Requirements | Number of Activities | Level of Contribution |
Homework Assignments | 4 | % 60 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 4 | 56 |
Study Hours Out of Class | 13 | 2 | 26 |
Homework Assignments | 4 | 10 | 40 |
Final | 1 | 3 | 3 |
Total Workload | 125 |