| Week |
Subject |
Related Preparation |
| 1) |
Introduction |
|
| 2) |
What is democratization? What are the major analytical tools for studying democratization? How can regimes be classified? What are the two essential conditions of a democratic regime? |
Required reading:
• Democratization-Chapter 2 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
Required reading:
• Democratization-Chapter 3 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 3) |
Approaches to the measurement of democracy, major indices of democracy |
Required reading:
• Democratization-Chapter 3 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 4) |
Classical and contemporary theories of democracy and democratization. Different paths to democratization |
Required reading:
• Democratization-Chapter 6 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 5) |
When and how democratization fails? |
Required reading:
• Democratization-Chapter 17 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 6) |
A general framework for the analysis of democratic political culture |
Required reading:
• Dieter Fuchs. 2007. “The Political Culture Paradigm.” In Russell J. Dalton and Hans-Dieter Klingemann (eds.), The Oxford Handbook of Political Behavior. Oxford: Oxford University Press, pp. 161-184.
|
| 7) |
MIDTERM EXAM |
|
| 8) |
A true classic in the study of political culture: "The Civic Culture" |
Required readings:
• Gabriel A. Almond and Sidney Verba. 1963. The Civic Culture. Princeton: Princeton University Press. esp. chapters 1, 2, 13.
• Gabriel Almond, 1980. “The Intellectual History of the Civic Culture Concept.” In Gabriel Almond and Sidney Verba, eds., The Civic Culture Revisited. Boston: Little Brown, pp. 1-36.
|
| 9) |
Political culture as an essential factor in sustaining a democratic regime. |
Required reading:
• Democratization-Chapter 9 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 10) |
Gender, gender equality, women’s rights and democracy: do we know the answer to this question? |
Required reading:
• Democratization-Chapter 10 (C. W. Haerpfer, P. Bernhagen, R. F. Inglehart, C. Welzel, Oxford University Press, 2009).
|
| 11) |
Religion, religiosity and democracy. |
Required readings:
• Samuel P. Huntington. 1993. “The Clash of Civilizations.” Foreign Affairs 72(3): 22-49.
• Pippa Norris and Ronald Inglehart. 2003. “Islamic Culture and Democracy: Testing the ‘Clash of Civilizations’ Thesis.” In Ronald Inglehart (ed.). Human Values and Social Change. Leiden: Brill, 5-33.
• Yilmaz Esmer, “Is There and Islamic Civilization?” in Ronald Inglehart (ed.) Human Values and Social Change. Leiden: Brill, |
| 12) |
Rising populism and democracy: Can democracy survive the rising tide of populism? |
Required readings:
• Yascha Mounk, 2018 The People vs. Democracy: Why Our Freedom is in Danger and How to Save It? Cambridge: Harvard University Press, 41-61.
• Rick Shenkman, “The Shocking Paper Predicting the End of Democracy,” Sept 08, 2019, Politico.
|
| 13) |
Turkish Political Culture |
Required reading:
• Y. Esmer, A. Okcuoglu, S. Kurutas, “Political Culture: A Tale of Two Civilizations” in E. Canan Sokullu, ed., Turkey in Transition: Politics, Society and Foreign Policy. Peter Lang, 2020, 81-100.
|
| 14) |
General Review
|
|
| |
Program Outcomes |
Level of Contribution |
| 1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
4 |
| 2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
| 3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
| 4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
| 5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
2 |
| 6) |
Being able to write a script ready to be shot |
2 |
| 7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
|
| 8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
| 9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
| 10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
| 11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
3 |
| 12) |
Having ethical values and a sense of social responsibility |
5 |
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
