DIGITAL GAME DESIGN
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
GEP0702	Critical Thinking and Literary Criticism	Fall	3	0	3	4

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	GE-Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Dr. BURCU ALARSLAN ULUDAŞ
Course Lecturer(s):	Assoc. Prof. GÖKSEL AYMAZ
Recommended Optional Program Components:	None
Course Objectives:	This course is a survey of major critical approaches, from Aristotle's Poetics to Romanticism. It aims to familiarize students with some of the main themes and currents of literary theory by dealing with the questions as what is literature, how is it produced, how can it be understood, and what is its purpose?

Learning Outcomes

The students who have succeeded in this course;
• understanding of major critical approaches;
• knowledge of selected prominent critics and their works;
• some of the skills necessary for critical thinking and literary criticism.
• to demonstrate an understanding of the importance of the literature and the role of criticism in deciphering cultural production and social change;
• to demonstrate knowledge of the terminology related to literary criticism;
• to demonstrate oral presentation skills as they relate to literary and cultural studies;
• to demonstrate skills to integrate and compare the knowledge from this course with other culture courses
• to recognize the value of multiple perspectives and develop competence in giving and receiving constructive criticism;
• to identify and decipher the aesthetic, political, and cultural importance of literature.

Course Content

Literary Criticim and Classical Antiquity
Medieval Literary Criticism
Literary Criticism in the Renaissance Period
Literary Criticism in the 17th and 18th centuries
End of the Classical Tradition
Romanticism(s)

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Giriş
2)	On critical thinking and literary criticism
3)	Literary Criticism and Classical Antiquity	Plato (excerpts from Republic Book II, III & X; Ion) Aristotle (Poetics)
4)	Literary Criticim and Classical Antiquity	Horace (excerpts from Ars Poetica) Longinus (excerpts from “On The Sublime”)
5)	Medieval Literary Criticism	St. Augustine (excerpts from On Christian Doctrine) Aquinas, (excerpts from The Nature and Domain of Sacred Doctrine)
6)	Medieval Literary Criticism	Dante (excerpts from “Letter to Can Grande Della Scala”) Boccaccio (excerpts from Life of Dante, Genealogy of the Gentile Gods)
7)	Literary Criticism in the Renaissance Period	Sir Philip Sidney (excerpts from “An Apology for Poetry”) Francis Bacon (excerpts from The Advancement of Learning)
8)	Literary Criticism in the 17th and 18th centuries	John Dryden (excerpts from Essay on Dramatic Poesy) Jonathan Swift (excerpts from The Battle of the Books)
9)	Literary Criticism in the 17th and 18th centuries	Alexander Pope (excerpts from An Essay on Criticism)
10)	End of the Classical Tradition	Samuel Johnson (excerpts from “Preface to Shakespeare”)
11)	Romanticism(s)	Criticism:The Major Texts, “Introduction” (Romanticism and After)
12)	Romanticism(s)	Kant (excerpts from Critique of Judgement) Schelling (excerpts On the Relation of the Plastic Arts to Nature)
13)	Romanticism(s)	William Wordsworth (excerpts from “Preface to Lyrical Ballads”) Samuel Taylor Coleridge (excerpts from Biographia Literaria)
14)	Concluding Remarks & General Review

Sources

Course Notes / Textbooks:	T. S. Dorsch, Classical Literary Criticism, London: Penguin Books, 1969. M. H. Abrams, The Mirror and the Lamp, New York: Oxford Univ. Press, 1953. Berna Moran, Edebiyat Kuramları ve Eleştiri, İstanbul: İletişim Yayınları, 1999. The Norton Anthology of Theory and Criticism, ed.Vincent B. Leitch, New York: Norton, 2001
References:

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Midterms	1	% 40
Final	1	% 50
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 50
PERCENTAGE OF FINAL WORK		% 50
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Study Hours Out of Class	14	2	28
Midterms	1	10	10
Final	1	20	20
Total Workload			100

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	Comprehend the conceptual importance of the game in the field of communication, ability to implement the player centered application to provide design.
2)	Analyze, synthesize, and evaluate information and ideas from various perspectives.
3)	Analyze the key elements that make up specific game genres, forms of interactions, mode of narratives and understand how they are employed effectively to create a successful game.
4)	Understand game design theories and methods as well as implement them during game development; to make enjoyable, attractive, instructional and immersive according to the target audience.
5)	Understand the technology and computational principles involved in developing games and master the use of game engines.
6)	Understand the process of creation and use of 2D and 3D assets and animation for video games.
7)	Understand and master the theories and methodologies of understanding and measuring player experience and utilize them during game development process.
8)	Comprehend and master how ideas, concepts and topics are conveyed via games followed by the utilization of these aspects during the development process.
9)	Manage the game design and development process employing complete documentation; following the full game production pipeline via documentation.
10)	Understand and employ the structure and work modes of game development teams; comprehend the responsibilities of team members and collaborations between them while utilizing this knowledge in practice.
11)	Understand the process of game publishing within industry standards besides development and utilize this knowledge practice.
12)	Pitching a video game to developers, publishers, and players; mastering the art of effectively communicating and marketing the features and commercial potential of new ideas, concepts or games.