Week |
Subject |
Related Preparation |
1) |
Introduction |
|
2) |
Models of democracy |
• David Held. Models of Democracy. (Cambridge, UK: Polity Press, 2006), Chapter 1.
• Mark Bevir, “Representative Democracy” in The Encyclopedia of Political Theory (2010): 1188 – 1190.
|
3) |
Participatory and Deliberative Democracy |
• Mark Bevir, “Participatory Democracy” in The Encyclopedia of Political Theory (2010): 1018-1019.
• Benjamin Barber, Selections from Strong Democracy (1984)*
• Carole Pateman, “Participatory Democracy Revisited.” Perspectives on Politics 10:1 (2012): 7-19.
• James S. Fishkin, “Deliberative Polling: Executive Summary.” Center for Deliberative Democracy.
http://cdd.stanford.edu/polls/docs/summary/
|
4) |
Philosophical Underpinnings of Democracy |
• Aristotle, Selections from Politics (335-323 B.C.)*
• John Locke, Selections from The Second Treatise on Government (1688) *
• John Stuart Mill, Selections from On Liberty (1859)*
Suggested:
• David Held. Models of Democracy. (Cambridge, UK: Polity Press, 2006), Chapters 2 and 3. |
5) |
Pluralism vs. Elitism |
• Curtis V. Smith, “Elitism vs. Pluralism: Of Robert Dahl, the Working Middle Class Vote and the 2008 Presidential Election”, Kansas City, Kansas Community College, E-Journal, vol 2. No.2 (October 2008), Section Review of Who Governs?
http://www.kckcc.edu/docs/default-source/ejournal/archives/elitism-vs-pluralism-of-robert-dahl-the-working-middle-class-vote-and-the-2008-presidential-election.pdf
• C. Wright Mills. “The Mass Society” and “The Higher Circles” in The Power Elite. (Oxford Press, 1956)
• Joseph Schumpeter. Capitalism, Socialism and Democracy. (London and New York: Routledge, 2003), 269-273.
Suggested:
• David Held. Models of Democracy. (Cambridge, UK: Polity Press, 2006), Chapter 5: 141-157. |
6) |
Democracy and Distribution |
• Ian Shapiro. The State of Democratic Theory. (Princeton University Press, 2006), Chapter 5 |
7) |
Midterm |
|
8) |
Multiculturalism: Philosophical Justifications |
• Charles Taylor, “The Politics of Recognition.” In Multiculturalism, edited by Amy Gutmann (Princeton University Press, 1994): 25-44, 51-73
• Will Kymlicka. Multicultural Citizenship. (Clarendon Press, Oxford: 1996), Chapter 5.
• Song, Sarah, "Multiculturalism", The Stanford Encyclopedia of Philosophy (Spring 2017 Edition), Edward N. Zalta (ed.), forthcoming
https://plato.stanford.edu/entries/multiculturalism/
|
9) |
Multiculturalism: Criticisms I |
• Susan Moller Okin, “Is Multiculturalism Bad for Women?,” Princeton University Press, 1999, 7-24. |
10) |
Multiculturalism: Criticisms II |
• Kenan Malik, “The Failure of Multiculturalism,” The Foreign Affairs, 2015
https://www.foreignaffairs.com/articles/western-europe/failure-multiculturalism
• Will Kymlicka, “Multiculturalism: Success, Failure and the Future”, Transatlantic Council on Migration
http://www.migrationpolicy.org/sites/default/files/publications/TCM-Multiculturalism-Web.pdf
|
11) |
Globalization and Democracy |
• David Held. “The transformation of political community: rethinking democracy in the context of globalization” in Democracy’s Edges, edited by Ian Shapiro and Casiano Hacker-Cordon. (Cambridge, UK: Cambridge University Press, 1999): 84-111. |
12) |
Democracy Promotion |
• Peter Burnell, “Does International Democracy Promotion Work?” Bonn : Dt. Inst. für Entwicklungspolitik, 2007. – (Discussion Paper / Deutsches Institut für Entwicklungspolitik ; 17/2007) ISBN 978-3-88985-354-7 |
13) |
Is democracy the only alternative |
• Eric Li, “Why China’s Political Model is Superior,” The New York Times. Feb 16., 2012.
http://www.nytimes.com/2012/02/16/opinion/why-chinas-political-model-is-superior.html
• Yasheng Huang, “Why Democracy Still Wins”, Global Policy Journal Blog, April 25, 2014. http://www.globalpolicyjournal.com/blog/25/04/2014/why-democracy-still-wins-critique-eric-x-li%E2%80%99s-%E2%80%9C-tale-two-political-systems%E2%80%9D
|
14) |
GENERAL EVALUATION |
|
|
Program Outcomes |
Level of Contribution |
1) |
They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). |
2 |
2) |
They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. |
2 |
3) |
They are aware of national and international values in performing arts. |
2 |
4) |
Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. |
1 |
5) |
They have the sensitivity to run a business successfully in their field. |
3 |
6) |
Develops the ability to perceive, think, design and implement multidimensional from local to universal. |
3 |
7) |
They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. |
2 |
8) |
They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. |
3 |
9) |
They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. |
1 |
10) |
They follow English language resources related to their field and can communicate with foreign colleagues in their field. |
1 |
11) |
By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. |
3 |
12) |
They can produce original works within the framework of an interdisciplinary understanding of art. |
2 |
13) |
Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. |
3 |
14) |
Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. |
2 |
15) |
They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |
3 |