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Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
ARC3907	Architecture and Cinema	Spring	2	0	2	4

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Prof. Dr. AYŞE İREM KIRIŞ
Course Lecturer(s):	Prof. Dr. AYŞE İREM KIRIŞ
Recommended Optional Program Components:	Watching the films to be studied, before coming to class Çalışma konusu filmlerin ders öncesi izlenmesi
Course Objectives:	The objective of this course is to improve students’ understanding of the architectural and urban space through shared elements –spaces, settings, visual language- between architecture and cinema within the context of real/artificial environments, cultures and the arts, and open key issues to discussion and interpretation. - Understanding of the diverse needs, values, behavioral norms, and social and spatial patterns that characterize different cultures and individuals and the implication of this diversity on Visual Arts: Cinema and Architecture - Develop understanding and discussion abilities on Films and Architecture - Understanding the role of multidisciplinary influence on architecture - Perceive the built environment as representation / expression of socio-cultural, aesthetic and art-related issues - Recognize the forms and technologies used in architecture related with specific genres in Cinema - Ability to raise clear and precise questions, use abstract ideas to interpret information, consider diverse points of view, reach well-reasoned conclusions, and test alternative outcomes against relevant criteria and standards - Studying specified films on issues of Modernity / Postmodernity, Visual / Architectural Language and Effects, Globalization, Urban Environment and Cities, Dystopia, Science-Fiction, Suspense etc., having discussions about expressions of architectural space used and produced in Cinema, through examining examples

Learning Outcomes

The students who have succeeded in this course;
1. Develop understanding and discussion abilities on Films and relevant Architecture
2. Discuss forms and technologies used in the architecture related with specific genres in cinema
3. Perceive and use Cinema as a medium for research on Architecture

Course Content

Within the scope of the course, spatial and architectural readings and discussions about the selected films are held. Among the themes are Space-time / memory, critical approach to modernity, metropolitan/ suburban life, spaces and elements related with utopia and dystopia...

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Early Film and Its Use of Architecture as Significant Set	The Cabinet of Dr. Caligari (1920, Robert Wiene Metropolis (1927, Fritz Lang
2)	Space and Time	Battleship Potemkin (1925), Sergei Eisenstein Dogville (2003, Lars von Trier
3)	Social Criticism and Modernity	Modern Zamanlar (1936), Charlie Chaplin Playtime (1967) Jacques Tati
4)	Criticism of Suburban Life	The Truman Show (1999) Peter Weir La Haine (1995) Mathieu Kossovitz
5)	Criticism of Capitalist Space	Fight Club (1999), David Fincher Empty House (2004), Kim Ki Duk
6)	Vision of Architecture of Future- Utopia/Dystopia	Alphaville (1965) Jean-Luc Godard Blade Runner (multiple versions) [1982] Ridley Scott
7)	Vision of Architecture of the Future -Utopia/Dystopia	Minority Report (2002) Steven Spielberg Matrix (1999) Larry ve Andy Wachowski
8)	Midterm
9)	The Architecture of Space
10)	The Architect in Film	The Fountainhead (1949), King Vidor My Architect (2003), Nathaniel Kahn
11)	City and Cinema	Pier Paolo Pasolini Mamma Roma (1962) medea (1969) Amarcord (1973), Federico Fellini Tiffany’de Kahvaltı, 1961, Blake Edwards
12)	City and Cinema	(limited city) Berlin Üzerinde Gökyüzü (1987), Wim Wenders (post-modern city Falling Down (1992), Joel Shumacher Night on Earth (1992) Jim Jarmush
13)	Istanbul in Cinema	Ağır Roman (1996), Mustafa Altıoklar Uzak (2002), Nuri Bilge Ceylan
14)	Presentations

Sources

Course Notes / Textbooks:	Students' notes Öğrenci notları
References:	Architecture and Film, M.Lamster (Ed.), Princeton Arch. P., 2000 Designing Dreams: Modern Architecture in the Movies, D.Albrecht, Hennesay + Ingalls, 2000 Cinema & Architecture: Melies, Mallet-Stevens, Multimedia, F. Penz (Ed.), British Film Institute, 1997

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Homework Assignments	1	% 15
Presentation	1	% 15
Midterms	1	% 20
Final	1	% 40
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 60
PERCENTAGE OF FINAL WORK		% 40
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Workload
Course Hours	13	26
Study Hours Out of Class	14	56
Presentations / Seminar	1	3
Homework Assignments	1	3
Midterms	1	2
Total Workload		90

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	To be able to apply theoretical concepts related to mass communication, consumer behavior, psychology, persuasion,sociology, marketing, and other related fields to understand how advertising and brand communication works in a free-market economy.	2
2)	To be able to critically discuss and interpret theories, concepts, methods, tools and ideas in the field of advertising.	2
3)	To be able to research, create, design, write, and present an advertising campaign and brand strategies of their own creation and compete for an account as they would at an advertising agency.	2
4)	To be able to analyze primary and secondary research data for a variety of products and services.	2
5)	To be able to develop an understanding of the history of advertising as it relates to the emergence of mass media outlets and the importance of advertising in the marketplace.	2
6)	To be able to follow developments, techniques, methods, as well as research in advertising field; and to be able to communicate with international colleagues in a foreign language. (“European Language Portfolio Global Scale”, Level B1)	2
7)	To be able to take responsibility in an individual capacity or as a team in generating solutions to unexpected problems that arise during implementation process in the Advertising field.	3
8)	To be able to understand how advertising works in a global economy, taking into account cultural, societal, political, and economic differences that exist across countries and cultures.	2
9)	To be able to approach the dynamics of the field with an integrated perspective, with creative and critical thinking, develop original and creative strategies.	2
10)	To be able to to create strategic advertisements for print, broadcast, online and other media, as well as how to integrate a campaign idea across several media categories in a culturally diverse marketplace.	2
11)	To be able to use computer software required by the discipline and to possess advanced-level computing and IT skills. (“European Computer Driving Licence”, Advanced Level)	2
12)	To be able to identify and meet the demands of learning requirements.	2
13)	To be able to develop an understanding and appreciation of the core ethical principles of the advertising profession.	2