ADVERTISING | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
VCD4142 | Digital Compositing | Spring | 2 | 2 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Assist. Prof. ECE ARIHAN |
Recommended Optional Program Components: | None |
Course Objectives: | The main objective of this course is to introduce students to digital compositing, a key field in visual effects and animation for television and cinema, by using examples to convey essential concepts and techniques. The course emphasizes hands-on learning, offering students both artistic and technical experience through project-based work. Additionally, students develop a foundational understanding of digital compositing principles. |
The students who have succeeded in this course; 1) Recognize the categories of digital compositing. 2) Analyze the national and global examples of the area. 3) Define the digital compositing workflow. 4) Display technical skills for visual effects and digital compositing. 5) Execute the steps for digital compositing workflow. 6) Execute preliminary visual effects and compositing projects for TV and cinema |
This course covers subjects on the various techniques on compositing and altering moving image as well as application examples, classworks and projects. The necessary software skills to make these applications are presented to the students on a weekly basis. Teaching Methods: Lecture, Individual Study, Discussion, Project, Implementation, Technology-Enhanced Learning |
Week | Subject | Related Preparation |
1) | Detailed information about lessons, program and calendar. | |
2) | Digital compositing categories. What's going in Turkey and the World. Adobe After Effects as a compositing tool. | |
3) | Digital Compositing workflow. Terms of set extension, matte painting, motion control, original plate, principal photography versus digital cinematography. Rotoscoping, tracking, matchmoving, chroma keying tools in After Effects. | |
4) | Preparing materials for a painless workflow. Different approaches to similar shots. Adobe After Effects: Basic compositing tools of After Effects. Photoshop - AE intercourse. | |
5) | Sky Replacement Çalıştayı Adobe After Effects: Chroma Key, BlueBox-Greenbox, Alpha-Luma matte, garbage matte, travelling matte. | |
6) | Basic Matte painting workshop. Adobe After Effects: Rotoscoping. | |
7) | Advanced matte painting workshop. Adobe After Effects: Stablizing, motion tracking. | |
8) | Basic rotoscoping workshop. Adobe After Effects: 3d camera and 3d layers. | |
9) | Advanced rotoscoping workshop. Adobe After Effects: 3d camera, multipass render, z-buffer. | |
10) | Chroma keying workshop. Adobe After Effects: Primary & secondary color correction, animating filters, optical effects. | |
11) | Motion tracking & matchmoving workshop. Adobe After Effects: Corner pin, perspective distortion. | |
12) | Final Project workshop 1 | |
13) | Final Project workshop 2 | |
14) | Final Project workshop 3 |
Course Notes / Textbooks: | The course notes will be given weekly. |
References: | 1) The Art & Science of Digital Compositing, Ron Brinkmann, May, 1999, ISBN-10: 0121339602, ISBN-13: 978-0121339609 2) The Invisible Art, Mark Cotta Vaz, Nov 2002, ISBN-10: 0811831361, ISBN-13: 978-0811831369 3) www.vfxworld.com 4) www.fxguide.com www.creativecow.net |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 10 |
Project | 1 | % 50 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 10 | |
PERCENTAGE OF FINAL WORK | % 90 | |
Total | % 100 |
Activities | Number of Activities | Workload |
Course Hours | 14 | 42 |
Project | 14 | 38 |
Homework Assignments | 14 | 42 |
Final | 1 | 3 |
Total Workload | 125 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To prepare students to become communication professionals by focusing on strategic thinking, professional writing, ethical practices, and the innovative use of both traditional and new media | 2 |
2) | To be able to explain and define problems related to the relationship between facts and phenomena in areas such as Advertising, Persuasive Communication, and Brand Management | |
3) | To critically discuss and interpret theories, concepts, methods, tools, and ideas in the field of advertising | |
4) | To be able to follow and interpret innovations in the field of advertising | |
5) | To demonstrate a scientific perspective in line with the topics they are curious about in the field. | |
6) | To address and solve the needs and problems of the field through the developed scientific perspective | |
7) | To recognize and understand all the dynamics within the field of advertising | |
8) | To analyze and develop solutions to problems encountered in the practical field of advertising |