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Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
FTV4991	New Wave Cinemas	Spring	3	0	3	5

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Assist. Prof. GÖNÜL EDA ÖZGÜL
Course Lecturer(s):	Assist. Prof. GÖNÜL EDA ÖZGÜL
Recommended Optional Program Components:	None
Course Objectives:	This course aims to evaluate the new wave cinemas that have developed after the 1950s with an intertextual perspective.

Learning Outcomes

The students who have succeeded in this course;
i. gain knowledge about new wave cinemas in the world
ii. are able to make connections between the new waves in different countries and the historical, political and cultural context of the time
iii. are able to make creative discussions not just on cinema but alongside cinema
iv. learn to read films from different theoretical perspectives
v. distinguish different forms of storytelling

Course Content

This course focuses on the socio-cultural, historical and ideological background of the new wave cinemas that have developed after the 1950's. The narrative form and content of the chosen films from each wave is analyzed from multiple theoretical perspectives. The course involves lecture, discussion on films from different theoretical perspectives and student presentations.

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Introduction and Meeting
2)	The Politics of New Wave: French New Wave	Film: Jean-Luc Godard - Pierrot le Fou
3)	Artistic Expression and New German Cinema	Film: Wim Wenders - Paris Texas (1984)
4)	British Free Cinema: Angry Young Men	Film: Lindsay Anderson - If... (1968)
5)	The Socialist State and the Czech New Wave	Film: Jaromil Jires - The Joke (1969)
6)	Garbage Aesthetics and Brazilian Cinema Novo	Film: Glauber Rocha - Terra em Transe (1967)
7)	Third Cinema	Film: Fernando Solanas - Sur (1988)
8)	Directors as Critics: Japanese New Wave	Film: Nagisa Oshima - Night and Fog in Japan (1960)
9)	memory and Desire: Chinese Fifth Generation	Film: Tian Zhuangzhuang - The Blue Kite (1993)
10)	The Poetry of Everyday Life: Iranian New Wave	Film: Jafar Panahi - This is not a Film
11)	Parallel Cinema: Indian New Wave	Film: Satyajit Ray - The Apu Trilogy Pather Panchali (1955)
12)	Realistic Tales of Life: Taiwanese New Wave	Film: Tsai Ming-Liang- Rebels of the Neon God (1992)
13)	Postmodernism and Cinema: New Hollywood	Film: Woody Allen - Whatever Works (2009)
14)	Memory and Belonging: New Cinema of Turkey	Film: Nuri Bilge Ceylan - Bir Zamanlar Anadolu'da Zeki Demirkubuz - Üçüncü Sayfa

Sources

Course Notes / Textbooks:
References:

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Midterms	1	% 30
Final	1	% 40
Paper Submission	1	% 20
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 60
PERCENTAGE OF FINAL WORK		% 40
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Study Hours Out of Class	14	3	42
Midterms	1	8	8
Paper Submission	1	10	10
Final	1	12	12
Total Workload			114

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	To prepare students to become communication professionals by focusing on strategic thinking, professional writing, ethical practices, and the innovative use of both traditional and new media	2
2)	To be able to explain and define problems related to the relationship between facts and phenomena in areas such as Advertising, Persuasive Communication, and Brand Management
3)	To critically discuss and interpret theories, concepts, methods, tools, and ideas in the field of advertising
4)	To be able to follow and interpret innovations in the field of advertising
5)	To demonstrate a scientific perspective in line with the topics they are curious about in the field.
6)	To address and solve the needs and problems of the field through the developed scientific perspective
7)	To recognize and understand all the dynamics within the field of advertising
8)	To analyze and develop solutions to problems encountered in the practical field of advertising