FTV4966 Cinema and Dramaturgy IIBahçeşehir UniversityDegree Programs ADVERTISINGGeneral Information For StudentsDiploma SupplementErasmus Policy StatementBologna CommissionNational Qualifications
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Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
FTV4966 Cinema and Dramaturgy II Spring 3 0 3 5
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Prof. Dr. NİLAY ULUSOY
Recommended Optional Program Components: None
Course Objectives: The main goal of this course is to explore the concept of identification and discuss the aesthetic values produced from different cinematic perspectives.Additionally, the course will comprehensively analyze how cinematic language, character development, and dramatic tension impact the audience, exploring the evolution of narrative strategies in contemporary cinema.

Learning Outcomes

The students who have succeeded in this course;
1. Will be able to develop dramaturgical perspective
2. Will be able to discuss the concept of identification and spectator
3. İdentify theories about gaze and film aesthetics
4. Will be able to discuss the relationship between the concept of identification and the political

Course Content

Relationship between gaze and identification will be elaborated through the works of Aristotle, Brecht, Lacan and Mulvey.In this course, theory and practice are integrated through discussions, case studies, seminars, and group work, while student performance is evaluated through project presentations, written assignments, and active participation.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Identification theories
2) Exploring identification with selected films Watching the following films: - Play it again, Sam - Being John Malkovich - Hayallerim Aşkım ve Sen
3) Identification and Aristotle's theoratical writings, discussing on catharsis concept
4) the politics of representation and identification in the genre melodrama
5) The process of identification in melodramas. Analysis of Dougles Sirk's film 'Imıtation of Life'
6) Exploring of Metz's thought in terms of Lacan's concept of the mirror stage Readings on Lacan and Metz
7) Elaborating the concept of identification and analysing a film though the concept.
8) Yabancılaşma ve Brehtyen Estetik
9) The impact of Brecht on Godard Film Screening; Le Mepris by Godard
10) Impacts of Brechtian structure on cinema Watching Lars von Trier's Dogville
11) The masculine gaze and identification in cinema, Laura Mulvey readings Watching Hitchcock's Rear Window
12) Identification and queer cinema Watching Almadovar's Todo Sobre mi Madre
13) Hybrid identities, identification and accented cinema
14) General overview and analysis over films

Sources

Course Notes / Textbooks:
References: 1. An Accented Cinema, Naficy, 2001
2. Bertolt Brecht, Lellis, 1982Brecht'i Anlamak, Benjamin, 2004
3. Melodram ve Anlam, Klinger, 1994
4. Film theories, A. Dudley, 2000
5. Poetica, Aristoteles, 2011
6. Visual Pleasure and Narrative Cinema, Mulvey
7. Narration in Fiction Film, Bordwell, 1985

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 14 % 10
Homework Assignments 2 % 10
Midterms 1 % 30
Final 1 % 50
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Study Hours Out of Class 8 5 40
Homework Assignments 1 10 10
Midterms 1 15 15
Final 1 20 20
Total Workload 127

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) To prepare students to become communication professionals by focusing on strategic thinking, professional writing, ethical practices, and the innovative use of both traditional and new media 2
2) To be able to explain and define problems related to the relationship between facts and phenomena in areas such as Advertising, Persuasive Communication, and Brand Management
3) To critically discuss and interpret theories, concepts, methods, tools, and ideas in the field of advertising
4) To be able to follow and interpret innovations in the field of advertising
5) To demonstrate a scientific perspective in line with the topics they are curious about in the field.
6) To address and solve the needs and problems of the field through the developed scientific perspective
7) To recognize and understand all the dynamics within the field of advertising
8) To analyze and develop solutions to problems encountered in the practical field of advertising