FTV3911 Cinema and Dramaturgy IBahçeşehir UniversityDegree Programs ADVERTISINGGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
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Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
FTV3911 Cinema and Dramaturgy I Fall 3 0 3 5
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Prof. Dr. NİLAY ULUSOY
Recommended Optional Program Components: None
Course Objectives: The objective of the course is to highlight the significance of questioning how cinema could make use of dramaturgy in scriptwriting shooting and editing. It is also to understand the tools of classical dramaturgy, develop dramaturgical perspective and insight.

Learning Outcomes

The students who have succeeded in this course;
1. Identify the basic concepts of dramaturgy.
2. Will be able to make use of dramaturgy during script writing.
3. Will be able to make use of dramaturgy during the shooting process.
4. Develop a dramaturgical perspective.

Course Content

General content of the course are on understanding tragedy in its ancient to modern forms, understanding dramaturgical rules of classical Hollywood narrative cinema and developing an authentic dramaturgical perspective through the analysis of the films of Reha Erdem.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Historical Development of the concept of Dramatugy and the Function of dramaturgy Readings on Aristotle, Lessing, Brecht, Boal ve Barba
2) Methods of Dramaturgy and dramaturgical perspective Relationship between theatre dramaturgy and film dramaturgy
3) Basic Concepts of classical dramaturgy Readings on Aristotles Poetics and King Oedipus
4) Reinterpretation of Poetics, Classical Narrative Hollywood Cinema Spielberg's Jaws and Ibsen's Enemy of People
5) Tragedy and Shakespeare dramatugy Reading Joseph Campbell's 'The Hero's Journey' and Hamlet
6) Ancient and modern tragedy Elia Kazan film of A Streetcar Named Desire and Tennesse Williams readings
7) Klasik anlatı kavramları üzerinden film analizleri
8) Narrative Theory, Russian Formalists
9) Story- Plot- Structure relationship
10) Story - Plot- Structure relationship: Discussions on a film: Oh Moon Readings on Sevim Burak's Yanık Saraylar
11) Redefine the essential tools of classical narrative A film of Reha Erdem: Korkuyorum Anne
12) Time and space Time and Space in Reha Erdem's Hayat Var
13) Dramaturgical Coherence Reha Erdem'in filmi Kosmos'un izlenemesi
14) An overview of dramaturgical perspectives by going over Reha erdem films

Sources

Course Notes / Textbooks:
References: 1. Hamlet, Shakespeare, 2012
2. Arzu Tramvayı, Williams, 2009
3. Kral Oidipus, Sophokles, 2012
4. Poetika, Aristoteles, 2011
5. Anlatının Söylemi, Yöntem Hakkında Bir Deneme, Genette, 2007
6. Narration in the Fiction Film, Bordwell, 1985

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Presentation 2 % 30
Midterms 1 % 30
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Study Hours Out of Class 12 3 36
Presentations / Seminar 2 20 40
Midterms 1 4 4
Final 1 4 4
Total Workload 126

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) To be able to apply theoretical concepts related to mass communication, consumer behavior, psychology, persuasion,sociology, marketing, and other related fields to understand how advertising and brand communication works in a free-market economy. 2
2) To be able to critically discuss and interpret theories, concepts, methods, tools and ideas in the field of advertising. 2
3) To be able to research, create, design, write, and present an advertising campaign and brand strategies of their own creation and compete for an account as they would at an advertising agency. 2
4) To be able to analyze primary and secondary research data for a variety of products and services. 2
5) To be able to develop an understanding of the history of advertising as it relates to the emergence of mass media outlets and the importance of advertising in the marketplace. 2
6) To be able to follow developments, techniques, methods, as well as research in advertising field; and to be able to communicate with international colleagues in a foreign language. (“European Language Portfolio Global Scale”, Level B1) 2
7) To be able to take responsibility in an individual capacity or as a team in generating solutions to unexpected problems that arise during implementation process in the Advertising field. 3
8) To be able to understand how advertising works in a global economy, taking into account cultural, societal, political, and economic differences that exist across countries and cultures. 2
9) To be able to approach the dynamics of the field with an integrated perspective, with creative and critical thinking, develop original and creative strategies. 2
10) To be able to to create strategic advertisements for print, broadcast, online and other media, as well as how to integrate a campaign idea across several media categories in a culturally diverse marketplace. 2
11) To be able to use computer software required by the discipline and to possess advanced-level computing and IT skills. (“European Computer Driving Licence”, Advanced Level) 2
12) To be able to identify and meet the demands of learning requirements. 2
13) To be able to develop an understanding and appreciation of the core ethical principles of the advertising profession. 2