| Week |
Subject |
Related Preparation |
| 1) |
Introduction to Sustainable Design:
A discussion of ecological design principles and broad scale urban approaches to sustainable developments.
A selection of case studies will be used to discuss various approaches to incorporating sustainable design objectives into architectural design. Discussion will include material selection, embodied energy, recycling initiatives, quality and durability as attitudes, implications of life cycle costing. |
None |
| 2) |
Verifying and Marketing Green Buildings:
Selling environmental design requires quantification and data. We will look at some of the Green Building
tools and evaluation methods; including Green Building Advisor software, Athena Environmental Impact Estimator, ENVest, LEED, and Green Globe Standards. |
Peruse the website of the U.S. Green Building Council (authors of LEED): http://www.usgbc.org/
Peruse the website of the British Research Establishment Environmental Assessment Method (authors of BREEAM): http://www.breeam.org/ |
| 3) |
Lighting in Buildings:
Detailed look at the use of light in buildings from the point of view of issues of source, quantity, quality, human response, glare, room use, control, strategies, applications. The importance of natural lighting, both from an energy conservation point of view, as well as the aesthetic impact of natural light on interior architecture and the function of space. |
Read Sinopoli: pp. 47-56 |
| 4) |
Passive solar design |
None |
| 5) |
At the heart of it all: Energy from the sun |
Readings: Droege pp. 307-312 (100% Renewable: One Man’s Journey for a Solar World); Simon pp. 87-102 (Solar Energy) |
| 6) |
Wind energy |
Reading: Simon pp. 103-122 (Wind Energy)
|
| 7) |
Midterm exam |
|
| 8) |
Conserving water, gray water recycling, rainwater harvesting |
Read: Moxon: Chapter 3 (pp. 78-83) |
| 9) |
Sustainable materials, embodied energy |
Read: Moxon: Chapter 3 (pp. 84-106) |
| 10) |
Cradle 2 cradle design and sustainable material certification schemes |
Read: McDonough and Braungart: Introduction (pp. 3-16) |
| 11) |
Social sustainability |
Read: Simon Guy, & Steven A. Moore, pp. 47-58 |
| 12) |
The future of sustainable design |
None |
| 13) |
Student presentations |
Presentations related to the final assignment |
| 14) |
Student presentations |
Presentations related to the final assignment |
| |
Program Outcomes |
Level of Contribution |
| 1) |
They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). |
2 |
| 2) |
They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. |
2 |
| 3) |
They are aware of national and international values in performing arts. |
2 |
| 4) |
Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. |
1 |
| 5) |
They have the sensitivity to run a business successfully in their field. |
3 |
| 6) |
Develops the ability to perceive, think, design and implement multidimensional from local to universal. |
3 |
| 7) |
They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. |
2 |
| 8) |
They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. |
3 |
| 9) |
They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. |
1 |
| 10) |
They follow English language resources related to their field and can communicate with foreign colleagues in their field. |
1 |
| 11) |
By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. |
3 |
| 12) |
They can produce original works within the framework of an interdisciplinary understanding of art. |
2 |
| 13) |
Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. |
3 |
| 14) |
Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. |
2 |
| 15) |
They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |
3 |
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
