Week |
Subject |
Related Preparation |
1) |
Introduction-General Oveview |
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2) |
What is Political Philosophy? |
Course Note |
3) |
The basic problems of Political Philosophy |
Course Note |
4) |
Politea and the Modern State |
Course Note |
5) |
Governance, Power, Rights, Legitimacy Debate |
Course Note |
6) |
The question of authority |
Course Note |
7) |
God, Nature- Individual. Authority Power |
Course Note |
8) |
Nation-state transitions / Renaissance: Utopias |
Course Note |
9) |
Machiavelli and Hobbes: the Modern State |
Course Note |
10) |
The discussions of Freedom I |
Course Note |
11) |
The discussions of Freedom II |
Course Note |
12) |
The discussions of Freedom III |
Course Note |
13) |
What is Freedom? |
Course Note |
14) |
Public and private Sphere |
Course Note |
Course Notes / Textbooks: |
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References: |
Platon, Devlet, Yasalar,
Aristoteles, Politika, Brian Redhead(Ed.), Siyasal Düşüncenin Temelleri.
M.Tunçay(Ed.), Siyasal Düşünceler Tarihi. Leo Strauss, Politika Felsefesi Nedir? (Paradigma, 2000) Hans Helmuth Gander, Dünya Politika ve Otorite Soruu, Doğumunun Yüzüncü Yılında Hannah Arendt, (Yay. haz. Sanem Yazıcıoğlu, Yapı Kredi yay.,2009)
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Program Outcomes |
Level of Contribution |
1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
4 |
2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
2 |
6) |
Being able to write a script ready to be shot |
2 |
7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
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8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
3 |
12) |
Having ethical values and a sense of social responsibility |
5 |