| Week |
Subject |
Related Preparation |
| 1) |
Introduction |
none |
| 2) |
Beginnings: Max Planck and Quantum, Picasso in Paris, Nietzsche, Veblen, Spencer |
Coursebook |
| 3) |
Einstein, Rutherford, Russell and Whitehead, the intellectual consequences of war, Wittgenstein. |
coursebook |
| 4) |
Spengler, Economic consequences of peace, idea of progress, Whig history |
coursebook |
| 5) |
Golden Age of Physics, Freud and the West, Jung and Modern Man. |
coursebook |
| 6) |
Benjamin, Keynes, German Academics in Turkey |
Coursebook |
| 7) |
Sartre, Merleu-Ponty, Camus, Beckett, Hannah Arendt |
coursebook |
| 8) |
Wittgenstein, Skinner vs. Chomsky, Hayek, Martin Luther King. |
coursebook |
| 9) |
Moon Landing, Braudel and Annales Okulu, Pulsars |
coursebook |
| 10) |
Oil Crisis, The contradictions of Capitalism, Studies on Genetics. |
coursebook |
| 11) |
AIDS, Susan Sontag, Lyotard, Rorty. |
coursebook |
| 12) |
Toni Morrison, Salman Rushdie, Edward Said, Culture Wars |
Coursebook |
| 13) |
Revision |
Coursebook |
| 14) |
Final Exam |
Coursebook |
| |
Program Outcomes |
Level of Contribution |
| 1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
4 |
| 2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
| 3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
| 4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
| 5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
2 |
| 6) |
Being able to write a script ready to be shot |
2 |
| 7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
|
| 8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
| 9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
| 10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
| 11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
3 |
| 12) |
Having ethical values and a sense of social responsibility |
5 |
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
