PERFORMING ARTS
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
GEP0707	Modern Turkish Poetry	Fall	3	0	3	4

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	GE-Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Dr. BURCU ALARSLAN ULUDAŞ
Recommended Optional Program Components:	None
Course Objectives:	To teach changes and new movements at Turkish poetry

Learning Outcomes

The students who have succeeded in this course;
will be able to identify how a poet uses the language and different meanings he has given to the words.
•will define basic poetic differences among the poets who had lived in the same period.
•will be able to critically and analytically compare the poetic language with contemporary Turkish.
•will be able to identify historical and cultural motivations behind the classical poetry.
•will be able to identify every single characteristics and difference among the poets by comparing him/her with the others analyzed in class.

Course Content

New developments of Turkish poetry especially since 1950

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	General overview to Turkish Poetry at Republic Period	Ana Çizgileriyle Cumhuriyet Devri Türk Şiirine Teorik Bir Yaklaşım, Adem Çalışkan- http://www.sosyalarastirmalar.com/cilt3/sayi10pdf/caliskan_adem.pdf
2)	The founders of modern poetry Yahya Kemal-Ahmet Haşim	Yahya Kemal ve Ahmet Haşim Rekabeti http://www.lalilardergi.com/haci-fisfis-yahya-kemal-ve-ahmet-hasim-rekabeti.html
3)	1940 socialist poetry	1940 KUŞAĞI TOPLUMCU ŞAİRLERİ VE HALK ŞİİRİ Prof. Dr. Yakup ÇELİK http://www.millifolklor.com/tr/sayfalar/87/08.pdf
4)	Nazım Hikmet and Necip Fazıl Kısakürek	http://denizykaya.blogcu.com/nazim-hikmet-ve-necip-fazil-kisakurek-atismalari/9904046 http://internetbudur.blogspot.com/2012/03/nazm-hikmet-necip-fazl-ksakurek.html
5)	Great Poetry: Fazıl Hüsnü Dağlarca	http://dipnotkitap.net/SIIR/SAIRLER/FazilHusnuDaglarca.htm
6)	The first new:”Garip”	http://www.turkceciler.com/garip_akimi.htm
7)	independent poets	http://arifegulsun.blogcu.com/garip-disinda-kalan-bagimsiz-sairler-1940-sonrasi/1368156
8)	General overview to the second new poets	http://edebiyol.com/ikinci-yeni-siiri-ve-sairleri.html
9)	The second new- The First New distinctions	http://www.turkceciler.com/turk-edebiyatinda-akimlar.html
10)	İlhan Berk-Cemal Süreya-Turgut Uyar	http://www.turkceciler.com/ikinci-yeni-siiri-ozellikleri-temsilcileri.html
11)	Edip Cansever-Sezai Karakoç-Ece Ayhan	http://www.turkceciler.com/ikinci_yeni_siiri.html
12)	Generation of 1960: İsmet Özel-Ataol Behramoğlu	http://www.edebiyatogretmeni.org/ikinci-yeni-sonrasi-toplumcu-siir-1960-1980/
13)	Generation of 1970	http://www.edebiyadvesanatakademisi.com/edebiyad/623-son_d%C3%B6nem_turk_siiri_ve_sairleri.html
14)	Turkish Poetry in 1980 since	http://www.siirpenceresi.com/soylesiler/siirdefterisoylesi.htm

Sources

Course Notes / Textbooks:

References:

Memet Fuat, Mehmet H. Doğan Türk Şiiri Antolojileri, ders konusu olan şairlerin şiir ve düzyazı kitapları, dönemin dergileri....
Çağdaş Türk Şiiri Antolojisi, Memet Fuat
Modern Türk Şiiri, Ahmet Necdet
Çağdaş Türk Şiiri Antolojisi, Metin Celal
1980 Sonrası Şiiri ve Eleştiri Kemal Gündüzalp
1980 Kuşağı: Türk Şiirinin Poetikası, Baki Asiltürk
20. Yüzyıl Türk Şiiri: 100 Şair Şiir, Enis Batur
20. Yüzyıl Türk Şiiri Antolojisi İlhami Soysal
1975–2000 Son Çeyrek Yüzyıl Şiir Antolojisi, Yılmaz Odabaşı
Son Yüzyıl Büyük Türk Şiiri Antolojisi Modern Şiirimizin İki Yüzyılı, Ataol Behramoğlu

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 5
Application	1	% 5
Quizzes	1	% 5
Presentation	1	% 10
Project	1	% 5
Midterms	1	% 30
Final	1	% 40
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 55
PERCENTAGE OF FINAL WORK		% 45
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Application	1	2	2
Field Work	3	3	9
Presentations / Seminar	1	2	2
Project	1	3	3
Quizzes	3	6	18
Midterms	1	10	10
Final	1	10	10
Total Workload			96

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.).
2)	They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field.
3)	They are aware of national and international values in performing arts.
4)	Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works.
5)	They have the sensitivity to run a business successfully in their field.
6)	Develops the ability to perceive, think, design and implement multidimensional from local to universal.
7)	They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field.
8)	They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods.
9)	They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods.
10)	They follow English language resources related to their field and can communicate with foreign colleagues in their field.
11)	By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works.
12)	They can produce original works within the framework of an interdisciplinary understanding of art.
13)	Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field.
14)	Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater.
15)	They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field.