| Week |
Subject |
Related Preparation |
| 1) |
Social Research/Phenomenology |
Ders Notları |
| 2) |
Prejudice |
Course notes |
| 3) |
Aggression |
Course notes |
| 4) |
Socialization (Family, Peers,School, Media) |
Course notes |
| 5) |
Social Cognition |
Course notes |
| 6) |
Social Perception |
Course notes |
| 7) |
Cognitive Dissonance |
Course notes |
| 8) |
Conformity-Obedience |
Course notes |
| 9) |
Group Effects |
Course notes |
| 10) |
Loving, Liking and Interpersonal Sensitivity |
Course notes |
| 11) |
Propaganda and Persuasion |
Course notes |
| 12) |
Coping Strategies with Aggression, Prejudice, Progaganda and Persuasion |
Course notes |
| 13) |
Modernization and Globalization effects |
Course notes |
| 14) |
Discussions using terminology within real world news context |
Course notes |
| Course Notes / Textbooks: |
-Elliot Aronson, The social animal (10th ed.). New York: Worth/Freeman.
-Anthony Giddens, Sociology (5th ed.), Polity Press, UK.
Films: -Destructive Obedience (Milgram)
-Ageism, ABC TV
|
| References: |
-Elliot Aronson, The social animal (10th ed.). New York: Worth/Freeman.
-Anthony Giddens, Sociology (5th ed.), Polity Press, UK.
Videos:
Milgram, Destructive Obedience (Yıkıcı İtaat)
Ageism, ABC TV (Yaşa Bağlı Ayrımcılık)
|
| |
Program Outcomes |
Level of Contribution |
| 1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
4 |
| 2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
| 3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
| 4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
| 5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
2 |
| 6) |
Being able to write a script ready to be shot |
2 |
| 7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
|
| 8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
| 9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
| 10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
| 11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
3 |
| 12) |
Having ethical values and a sense of social responsibility |
5 |
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
