| Week |
Subject |
Related Preparation |
| 1) |
The End of Empire |
Readings on the break-up of the Otoman Empire; colonialism; independence of colonial states; centralized state systems of Iran and Turkey |
| 2) |
State power in the Arab world |
Authoritarian states; classes and other groups |
| 3) |
Family rule in the Arab world |
Royal family rule in Jordan and Morocco; Libya |
| 4) |
Uses and misuses of oil revenues |
The rentier state: Saudi Arabia and the Gulf states |
| 5) |
Arab nationalism |
Intra-Arab state relations; Arab-Israeli relations |
| 6) |
State and politics outside the Arab world |
Israel, Iran and Turkey |
| 7) |
Re-designing the Middle East after the Gulf War |
Regional effects of the Gulf War; the domestic effect of the Gulf War; developments in the 1990’s. |
| 8) |
Economic and political liberalization |
Egypt; Bin Ali’s Tunisia; and Israel |
| 9) |
Dini uynanış ve dini devrim |
Islamic Republic of Iran; religion and politics in Arab states; religion and politics in Israel; Christians between communalism and nationalism |
| 10) |
Non-state actors I |
Rural politics; organized labor; women in politics; Palestinians |
| 11) |
Non-state actors II |
Civil society in Yemen, Iran, Egypt, Jordan and Turkey |
| 12) |
Economic development of Turkey |
Structural adjustment: 1980’s-2000’s |
| 13) |
The impact of
September 11, 2001
|
The effect of Al-Jazeera; the making of post September 11 US policy |
| 14) |
Review |
|
| 15) |
Final Exam |
|
| 16) |
Final Exam |
|
| |
Program Outcomes |
Level of Contribution |
| 1) |
They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). |
|
| 2) |
They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. |
|
| 3) |
They are aware of national and international values in performing arts. |
|
| 4) |
Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. |
|
| 5) |
They have the sensitivity to run a business successfully in their field. |
|
| 6) |
Develops the ability to perceive, think, design and implement multidimensional from local to universal. |
|
| 7) |
They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. |
|
| 8) |
They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. |
|
| 9) |
They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. |
|
| 10) |
They follow English language resources related to their field and can communicate with foreign colleagues in their field. |
|
| 11) |
By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. |
|
| 12) |
They can produce original works within the framework of an interdisciplinary understanding of art. |
|
| 13) |
Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. |
|
| 14) |
Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. |
|
| 15) |
They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |
|
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
