BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
| PERFORMING ARTS | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
Course Introduction and Application Information
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| POL2513 | Turkish-Greek Relations | Spring Fall |
3 | 0 | 3 | 6 |
| This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Basic information
| Language of instruction: | English |
| Type of course: | Non-Departmental Elective |
| Course Level: | Bachelor’s Degree (First Cycle) |
| Mode of Delivery: | Face to face |
| Course Coordinator : | |
| Course Lecturer(s): |
Dr. BYRON MATARANGAS |
| Recommended Optional Program Components: | None |
| Course Objectives: | This course is built around the notion that only by understanding the past can we make sense of the present and hope to improve the future. Accordingly, it seeks to provide a balanced account of past and present Turkish-Greek relations. It will begin by looking at the experience of co-habitation under Ottoman rule. It will then trace the rise of Greek and Turkish nationalisms which culminated in wars of independence fought against one another. The evolution of relations over the twentieth-century from the Atatürk/Venizelos period through the Cold War up until the 1990s will next be traced. In so doing, we will examine the impact of domestic developments in each country on bilateral relations, the minority question, Cyprus and the Aegean, and the role of the EU. Finally, we will turn to the era of ‘earthquake diplomacy’, taking stock of the recent mushrooming of contacts across the Aegean on one hand, and the persistence of tension at the level of ‘high politics’ on the other. |
Learning Outcomes
|
The students who have succeeded in this course; 1. To develop a historically-informed and critical understanding of Turkish and Greek nationalism vis-à-vis their relationship to one another, 2. To familiarise students with theories of nationalism, 3. To provide students with a realistic assessment of where relations stand today and in what direction(s) they may unfold. |
Course Content
| Topic 1: Introductions; What is a Turk? What is a Greek? Topic 2: Ottoman Co-habitation; What is nationalism? Topic 3: Rise of Greek nationalism; Rise of Turkish nationalism Topic 4: Population exchange; Atatürk and Venizelos Topic 5: Reciprocity and minorities Topic 6: Cyprus and the Aegean Topic 7: The role of ‘Europe’: Then and now Topic 8: Rocky relations: the 1990s; Earthquake diplomacy Topic 9: Rapprochement in the 2000s Topic 10: Whence from here? |
Weekly Detailed Course Contents
| Week | Subject | Related Preparation |
| 1) | Introduction - Who is a Turk? Who is a Greek? | Theodossopolous article |
| 2) | Ottoman Co-habitation; What is nationalism? | Ahmad, Ch 2, Koliopolous and Veremis, Ch 2 |
| 3) | Theories of Nationalism: Primordialism, Perinnelism; Modernism; Ethno-Symbolism | Chpts 1-2, Anthony Smith book on nationalism |
| 4) | Ethnic vs. Civic Nationalism; the case of Ottoman successor states | Ch 2 Ahmad; Ch 2 Gallant |
| 5) | Emergence of Greek nationalism; Emergence of Turkish nationalism | cont'd from previous week |
| 6) | Ataturk and Venizelos; population exchange | Bruce 2 chapters |
| 7) | Lausanne Treaty regime; Minority rights ad reciprocity | Fisher Onar, N. and Ozgunes, M. How Deep a Transformation? The Europeanization of Turkish and Greek Minority Rights Policies, International Journal of MInority and Group Rights, 17 (1) 2010; Baskin Oran chpt 1 |
| 8) | Course Review | All readings and classroom notes to date |
| 9) | ||
| 10) | ||
| 11) | ||
| 12) | ||
| 13) | ||
| 14) | Course Reeview | All readings and classroom notes to date |
Sources
| Course Notes / Textbooks: | Turkey: Feroz Ahmad, The Making of Modern Turkey, (London: Routledge, 1993) Eric Zürcher, Turkey: A Modern History, (London: I.B. Tauris, 1998) Greece: Thomas W. Gallant, Modern Greece, (London: Hoddler, 2001) John S. Koliopoulos and Thanos M. Veremis, Greece: The Modern Sequel, From 1821 to the Present (London: Hurst, 2002) |
| References: | Okuma için her bölüme ait derlenmiş makaleler mevcuttur. Available in reader with compiled articles for each unit. |
Evaluation System
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | 10 | % 10 |
| Quizzes | 1 | % 10 |
| Homework Assignments | 1 | % 10 |
| Presentation | 1 | % 5 |
| Project | 1 | % 10 |
| Midterms | 1 | % 25 |
| Final | 1 | % 30 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 60 | |
| PERCENTAGE OF FINAL WORK | % 40 | |
| Total | % 100 | |
Contribution of Learning Outcomes to Programme Outcomes
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 2 |
| 2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 2 |
| 3) | They are aware of national and international values in performing arts. | 2 |
| 4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 1 |
| 5) | They have the sensitivity to run a business successfully in their field. | 3 |
| 6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
| 7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 2 |
| 8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 3 |
| 9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
| 10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
| 11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 3 |
| 12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 2 |
| 13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 3 |
| 14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 2 |
| 15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. | 3 |