EUR3342 Theories of European IntegrationBahçeşehir UniversityDegree Programs PERFORMING ARTSGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
PERFORMING ARTS
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
EUR3342 Theories of European Integration Spring
Fall
3 0 3 7
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Hybrid
Course Coordinator : Assoc. Prof. ESRA ALBAYRAKOĞLU
Course Lecturer(s): Assoc. Prof. SEMİHA ÖZGÜR ÜNAL ERİŞ
Recommended Optional Program Components: None
Course Objectives: This course offers an in-depth analysis of the main theories and concepts of European integration and their development since the early 1950s and analyze the factors and preferences initiating and further deepening of integration as well as enlargement.

Learning Outcomes

The students who have succeeded in this course;
The students who have succeeded in this course;
1. Discuss a variety of theoretical approaches seeking to explain integration.
2. Gain an understanding of how integration changed Europe.
3. Possess a robust understanding of the main schools and discussions of the contemporary integration theories.
4. Grasp main differences between different approaches and concepts.
5. Possess knowledge of how to apply integration theories to empirical studies of European integration.

Course Content

The course introduces students the theories such as functionalism, neofunctionalism, intergovernmentalism, multi-level governance, Europeanisation and critical approaches such as Marxism and feminism. The course aims at enhancing students’ capabilities of applying these theories to offer explanations to the contemporary issues in European politics. In doing so, the course will analyze the interdependencies between EU institutions and Member States, discuss the main actors of integration process and delves deeper into the practical problems of integration and prospects of their resolution.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Introduction to the course
2) Historical Evolution of European Integration
3) Theories of European Integration: neofunctionalism and intergovernmentalism Why was Neo-Functionalism the dominant theoretical approach in the early years of European integration, and in what ways is it still useful today? Reading: R.1 (Chapter 1)
4) Theories of EU Governance: Liberal Intergovernmentalism, Supranational governance, Postfunctionalist theory of European integration Readings: R.1. (Chapter 1), R.6.
5) Theories of EU Governance: How the EU political system functions? Governance turn in EU studies in 1990s New institutionalism Reading: R.1 (Chapter 2)
6) Critical Perspectives: Developments in Neo-Marxism, Gender Perspectives Readings: R.1. (Chapter 3), R.3.
7) Midterm Chapter 11 (Brian C. Schumidt), Chapter 12 (Economic statecraft)
8) Theorizing Consequences: Europeanisation: Is Europeanisation the same as European integration? How do the two concepts relate to each other? Reading: R.1 (Chapter 4).
9) Theorizing Consequences: Democracy: What is the conditionality principle and in what ways is it relevant for the EU‘s relations with other states? Reading: R.1 Chapter 4
10) Grand Theories and 21st Century Reading: R.5.
11) Differentiated Integration Reading: R.7.1, R.7.2.
12) Mind-Mapping Presentations
13) “Economic Giant, Political Dwarf, Military Worm”, Is this an appropriate assessment of the EU’s role in the world? Be Ready for Group Discussion Reading R.4.
14) Summary and Wrap up

Sources

Course Notes / Textbooks: Weekly readings will be uploaded on ItsLearning at the beginning of the semester. Please note that all book chapters and articles listed on the syllabus are also accessible through the BAU Library.
The PPT files will be shared on ItsLearning following each class.
R.1. Bache, Ian and Stephen George (2011) Politics in the European Union (3rd ed.). Oxford: Oxford University Press.
R.2. Davis Cross, Mai’a K. (2015). The Limits of Epistemic Communities: EU Security Agencies, Politics and Governance, Vol. 3, Issue. 1, 90,100.
R.3. Roberta Guerrina, Toni Haastrup, Katharine A.M. Wright, Annick Masselot, Heather MacRae & Rosalind Cavaghan (2018) Does European Union studies have a gender problem? Experiences from researching Brexit, International Feminist Journal of Politics, 20:2, 252-257.
R.4. Bossout, Fabienne (2007). An Economic Giant, Political Dwarf and Military Worm? Introducting the Concept of ‘Transnational Power Over’ in Studies of (the EU’s) Power in IR, Paper Presented at the 4th ECPR General Conference, PISA, Italy, 6-8 September 2007.
R.5. Liesbet Hooghe & Gary Marks (2019) Grand theories of European integration in the twenty-first century, Journal of European Public Policy, 26:8, 1113-1133,
R.6. Moravscik, Andrew and Schimmelfennig, Frank. (2019). Liberal Intergovernmentalism, in European Integration Theory (pp. 64- 84), edited by Antje Weiner, Tanza Börzel andThomas Risse, Oxford University Press.
R.7.1. Turhan, E. (2019). Thinking out of the accession box: The potential and limitations of internal and external differentiated integration between Turkey and the EU. Europe–Against the Tide, 43.
R.7.2. Marhold, H. (2019, January). Differentiated integration, reconsidered. In Europe-Against the Tide (pp. 35-42). Nomos Verlagsgesellschaft mbH & Co. KG.
References: Youtube videos on related subjects.

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Homework Assignments 1 % 15
Presentation 1 % 15
Midterms 1 % 30
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Workload
Course Hours 11 33
Study Hours Out of Class 13 131.5
Presentations / Seminar 1 0.5
Homework Assignments 2 6
Midterms 1 2
Final 1 2
Total Workload 175

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). 2
2) They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. 2
3) They are aware of national and international values in performing arts. 2
4) Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. 1
5) They have the sensitivity to run a business successfully in their field. 3
6) Develops the ability to perceive, think, design and implement multidimensional from local to universal. 3
7) They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. 2
8) They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. 3
9) They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. 1
10) They follow English language resources related to their field and can communicate with foreign colleagues in their field. 1
11) By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. 3
12) They can produce original works within the framework of an interdisciplinary understanding of art. 2
13) Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. 3
14) Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. 2
15) They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. 3