ACL4055 Travel WritingBahçeşehir UniversityDegree Programs FILM AND TELEVISIONGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
FILM AND TELEVISION
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
ACL4055 Travel Writing Spring 3 0 3 6
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Recommended Optional Program Components: none
Course Objectives: Students who take this course will understand and be able to identify the definition, traditional elements and development of travel narratives. By means of close reading of selected travel narratives, they will identify, compare and contrast travel writing traditions in different parts of the world.

Learning Outcomes

The students who have succeeded in this course;
Students who complete this course will learn

* to identify the literary, cultural, historical, political impact of travel narratives in different parts of the world.
* the terminology related to travel writiıng theory
• to identify recurrent themes in travel writing such as self-fashioning, the body, Orientalism, imaginative geography and the tourist gaze
• to read critically several travel narratives by writers and explorers from different parts of the world
• to discuss how this genre has evolved through time and place.

Course Content

Examples of travel writing from the
14th-2Oth century

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Introduction to Class -
2) The Art of Travel Reading
3) The Art of Travel Reading
4) The Art of Travel Reading
5) The Oxford Book of Exploration Reading
6) The Oxford Book of Exploration Reading
7) The Oxford Book of Exploration Reading
8) Review -
9) Amongst the Believers Reading
10) Amongst the Believers Reading
11) Amongst the Believers Reading
12) Ghost Train to the Eastern Star Reading
13) Ghost Train to the Eastern Star Reading
14) Ghost Train to the Eastern Star Reading
15) Final -
16) Final -

Sources

Course Notes / Textbooks: The Art of Travel by Alain de Botton
The Oxford Book of Exploration ed. by Robin Hanbury Tenison
Amongst the Believers by V.S.Naipaul
Ghost Train to the Eastern Star by Paul Theroux
References: none

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 16 % 10
Quizzes 2 % 20
Midterms 1 % 30
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Study Hours Out of Class 15 1 15
Quizzes 2 5 10
Midterms 1 10 10
Final 1 20 20
Total Workload 97

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society 4
2) Having comprehensive knowledge regarding different media and branches of art 3
3) Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area 1
4) Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey 1
5) Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product 2
6) Being able to write a script ready to be shot 2
7) Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment
8) Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations
9) Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages
10) Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage
11) Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white 3
12) Having ethical values and a sense of social responsibility 5