PERFORMING ARTS
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
ARC3921	Selected Topics in Architecture	Spring Fall	2	0	2	4

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :
Course Lecturer(s):	Dr. Öğr. Üyesi SUNA ÇAĞAPTAY Assoc. Prof. ALİ DEVRİM IŞIKKAYA Dr. Öğr. Üyesi BELİNDA TORUS
Recommended Optional Program Components:	Students are expected to associate history and design courses.
Course Objectives:	since a field of social and cultural production, to review architecture as a milieu of actuality that is effective in particularities of every cultural-social formation within primary/specific texts, that can be updated virtually every semestre.

Learning Outcomes

The students who have succeeded in this course;
I. Assess architecture as social formation within techno-cultural and socio-cultural projections.

II. Develop a critical thinking through texts related to architecture in focus of a primary and particular event and/ or concept.

III. Conclude that texts change in each and every socio-cultural formation, that they are pluralistic and hence, they are historical.

IV. Associate correlations of architecture-history-theory-criticism to recognise architecture as a field of reproduction and relate this comprehension to design implementation.

Course Content

Texts on architecture and/or texts on architectural issues and literal and visual texts produced by architectural thought comprise the course content.

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Introduction: Time-space and architecture	1.1 Simpson, L.C., (1995). Technology, Time and The Conversations of Modernity, Routledge, New York. 1.2 Kern, S., (1983). The Culture of Time and Space, 1880-1913, Harvard University Press, Cambridge.
2)	Becoming acquainted with the concepts and the phenomena: time, space, modern, temporal time&space, modern time&space, architecture, İstanbul.	2.1 metapolis dictionary of advanced architecture 2.2 Becoming İstanbul 2.3 Webster Online Dictionary, temporal, http://www.merriamwebster.com/dictionary/temporal 2.4 The Oxford Dictionary of English, (2005). Oxford University Press, Oxford, 1816. 2.5 Cambridge İnternational Dictionary of English, (1995). Cambridge University Press, Cambridge, 1499. 2.6 The New Webster’s Dictionary of The English Language, (1986). Delair Publishing, New York, 1011. 2.7 Temporal, http://www.etymonline.com/temporal 2.8 TDK, (2005). Türkçe Sözlük, Atatürk Kültür, Dil ve Tarih Yüksek Kurumu, 10. baskı, Ankara. 2.9 Devellioğlu, F., (2008). Osmanlıca-Türkçe Ansiklopedik Lûgat, 25. baskı, Aydın Kitabevi Yayınları, Ankara.
3)	In the focus on the "selected topics" Architecture and Realities.	reading 3.1: Giddens, A., (1996). The Consequences of Modernity, 6. baskı, Polity Press, Cambridge. reading 3.2: Mumford, L., (1934).Technics and Civilization, Brace and Company, Newyork.
4)	In the focus of the "selected topics" architecture andrealities. lecture: Time&space conception and architecture.	reading 4.1: Tanju, B., (2005). “Mekân-Zaman ve Mimarlıklar”, Zaman-Mekân, 168-185; Derleyen: Ural, Ş., Şentürer, A., Uz Sönmez, F. ve Berber, Ö., (2008) Zaman-Mekân, birinci baskı, YEM, İstanbul. reading 4.2: Davidson, C., C., (1999). Anytime, MIT Press, Cambridge.
5)	In the focus of the "selected topics" architecture and realities. lecture: time&space and architecture in premodern world.	reading 5.1: Landes, D., S., (1983). Revolution of Time: Clocks and The Making of The Modern World, Belknap Press of Harvard University, Cambridge, Massachusetts, London. reading 5.2: Rossum, G., D., (1996). History of The Hour: Clocks and Modern Temporal Orders, Çeviren: Dunlap Thomas, The University of Chicago Press, Chicago.
6)	in the focus of the "selected topics" architecture and realities. lecture: Ottoman time&space and architecture in premodern world	reading 6.1: Tanyeli, U., (1998). “The Emergence of Modern Time Consciousness in the Islamic World and the Problematics of Spatial Perception”, 159-167; Derleyen: Davidson, C., C., (1999). Anytime, MIT Press, Cambridge. reading 6.2: Akın, N., (2002). 19. Yüzyılın İkinci Yarısında Galata ve Pera, ikinci baskı, Literatür Yayınları, İstanbul. quiz 1.
7)	in the focus of the "selected realities" architecture and realities. lecture: Nignt in Ottoman time&space conception and architecture	reading 7.1: Çelik, Z., (1993). Remaking of İstanbul: Portrait of an Ottoman City in the Nineteenth Century, University of California Press, California.; Çeviren: Deringil, S., (1996). 19. Yüzyılda Değişen İstanbul, birinci baskı, Tarih Vakfı Yurt Yayınları, İstanbul. reading 7.2: Işın, E., (2006). Everyday Life in İstanbul, Tarih, Kültür ve Mekan İlişkileri Üzerine Tarih Denemeleri, birinci baskı, YKY, İstanbul.
8)	in the focus of the "selected topics" and architecture. discussion: premodern realities and architecture	submission of term paper topic
9)	in the focus of the "selected topics", "realities", "change" and "architecture". lecture: change in time&space conception and architecture	reading 9.1: Mumford, L., (1934).Technics and Civilization, Brace and Company, Newyork. reading 9.2: Bartky, I.R. (1989). “The Adoption of Standart Time”, Technology and Culture(30): 25-56. reading 9.3: Simpson, L.C., (1995). Technology, Time and The Conversations of Modernity, Routledge, New York. reading 9.4: Giddens, A., (1996). The Consequences of Modernity, 6. baskı, Polity Press, Cambridge.
10)	in the focus of the "selected topics", "realities", "change" and "architecture". lecture: time&space and architecture in modern world	reading 10.1: Sigfried Giedion,Space,Time and Architecture
11)	in the focus of the "selected topics", "realities", "change" and "architecture". lecture: change in the ottoman time&space conception and architecture	reading 11.1: Atay, F., R. (1933). Eski Saat, Akşam Matbaası, İstanbul. reading 11.2: Haşim, A. (1921). “Müslüman Saati”, Dergâh, cilt 1, (3): 1-1. quiz 2
12)	in the focus of the "selected topics", "realities", "change" and "architecture". lecture: new time&space organization of ottoman istanbul and architecture	reading 12.1: Tanyeli, U., (1997). “Osmanlı Kentsel Ulaştırma Düzeni ve Batılılaşması: Tekno-Kültürel Bir Değerlendirme”, 350-360; Derleyen: III. Symposium of History of Sciences, Modern Transportation and Communication Techniques in the Ottoman State, first draft issue, İstanbul. reading 12.2: Ahmet Rasim, (2005). Şehir Mektupları; Derleyen: Akbayar, N., Oğlak Klasikleri, İstanbul. reading 12.3: Wishnitzer, A. (2009). The Transformation Of Ottoman Temporal Culture During The Long Nineteenth Century, Doktora Tezi, Tel Aviv University The Graduate School of Historical Studies, Tel Aviv.
13)	in the focus of the "selected topics", the relations of "realities", "change" and architecture	term paper presentations.
14)	in the focus of the "selected topics", the relations of "realities", "change" and "architecture" conclusion	term paper presentations
15)	getting ready for final
16)	final	final exam

Sources

Course Notes / Textbooks:

Wishnitzer, A. (2009). The Transformation Of Ottoman Temporal Culture During The Long Nineteenth Century, Doktora Tezi, Tel Aviv University The Graduate School of Historical Studies, Tel Aviv.

Mumford, L., (1934).Technics and Civilization, Brace and Company, Newyork.

Bartky, I.R. (1989). “The Adoption of Standart Time”, Technology and Culture(30): 25-56.

Simpson, L.C., (1995). Technology, Time and The Conversations of Modernity, Routledge, New York.

Kern, S., (1983). The Culture of Time and Space, 1880-1913, Harvard University Press, Cambridge.

Işın, E., (2006). İstanbul’da Gündelik Hayat, Tarih, Kültür ve Mekan İlişkileri Üzerine Tarih Denemeleri, birinci baskı, YKY, İstanbul.

Derviş, P., Tanju, B. ve Tanyeli, U., (2009). İstanbullaşmak: Olgular, Sorunsallar, Metaforlar, birinci baskı, Garanti Galeri, İstanbul.

Akın, N., (2002). 19. Yüzyılın İkinci Yarısında Galata ve Pera, ikinci baskı, Literatür Yayınları, İstanbul.

Çelik, Z., (1993). Remaking of İstanbul: Portrait of an Ottoman City in the Nineteenth Century, University of California Press, California.; Çeviren: Deringil, S., (1996). 19. Yüzyılda Değişen İstanbul, birinci baskı, Tarih Vakfı Yurt Yayınları, İstanbul.

Giddens, A., (1996). The Consequences of Modernity, 6. baskı, Polity Press, Cambridge.

Atay, F., R. (1933). Eski Saat, Akşam Matbaası, İstanbul.

Haşim, A. (1921). “Müslüman Saati”, Dergâh, cilt 1, (3): 1-1.

Tanpınar, A.H., (1961). Saatleri Ayarlama Enstitüsü, Remzi Kitabevi, İstanbul.

Ahmet Rasim, (2005). Şehir Mektupları; Derleyen: Akbayar, N., Oğlak Klasikleri, İstanbul.

References:

Ders sürecinde konu ile ilişkilendirilebilecek metinler eklenebilecektir.

Supplementary material can be added during the course.

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Quizzes	2	% 10
Homework Assignments	1	% 20
Presentation	1	% 20
Final	1	% 40
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 60
PERCENTAGE OF FINAL WORK		% 40
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Workload
Course Hours	16	32
Study Hours Out of Class	1	2
Presentations / Seminar	10	20
Homework Assignments	12	24
Quizzes	2	2
Final	1	2
Total Workload		82

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.).	2
2)	They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field.	2
3)	They are aware of national and international values in performing arts.	2
4)	Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works.	1
5)	They have the sensitivity to run a business successfully in their field.	3
6)	Develops the ability to perceive, think, design and implement multidimensional from local to universal.	3
7)	They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field.	2
8)	They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods.	3
9)	They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods.	1
10)	They follow English language resources related to their field and can communicate with foreign colleagues in their field.	1
11)	By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works.	3
12)	They can produce original works within the framework of an interdisciplinary understanding of art.	2
13)	Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field.	3
14)	Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater.	2
15)	They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field.	3