Language of instruction: |
English |
Type of course: |
Non-Departmental Elective |
Course Level: |
Bachelor’s Degree (First Cycle)
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Mode of Delivery: |
Face to face
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Course Coordinator : |
MEHMET ŞÜKRÜ KURAN |
Recommended Optional Program Components: |
None |
Course Objectives: |
This course aims at equipping students with a deeper understanding of cryptography. It starts by introducing the underlying theory of Galois fields, and targets basic topics of significant practical importance as well as advanced topics of theoretical importance. In the first part of the course, a detailed analysis of standard cryptographic algorithms is made and efficient implementation ideas are discussed, focusing on public key schemes such as RSA, ElGamal and Diffie-Hellman, as well as elliptic curve cryptography and homomorphic encryption. In the second part, application of these algorithms to advanced protocols, such as for authentication, identification, key distribution, zero-knowledge and computationally-private information retrieval, is discussed. In the last part of the course, advanced mathematical algorithms, such as brute-force, baby-step giant-step and the Pohlig-Hellman, for attacking some of the covered cryptographic schemes are discussed. |
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Program Outcomes |
Level of Contribution |
1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
4 |
2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
2 |
6) |
Being able to write a script ready to be shot |
2 |
7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
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8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
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10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
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11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
3 |
12) |
Having ethical values and a sense of social responsibility |
5 |