PERFORMING ARTS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
CMP3005 | Analysis of Algorithms | Spring Fall |
3 | 0 | 3 | 6 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi CEMAL OKAN ŞAKAR |
Course Lecturer(s): |
Dr. Öğr. Üyesi TEVFİK AYTEKİN Prof. Dr. NAFİZ ARICA Dr. Öğr. Üyesi CEMAL OKAN ŞAKAR |
Recommended Optional Program Components: | None |
Course Objectives: | The objective of the course is to introduce the fundamental mathematical tools needed to analyze algorithms, basic algorithm design techniques, advanced data structures, and important algorithms from different problem domains. |
The students who have succeeded in this course; I. Become familiar with some major advanced data structures and algorithms. II. Become familiar with mathematical tools used in analyzing algorithms. III. Be able to analyze the asymptotic running time of an (iterative/recursive) algorithm. IV. Be able to make best/worst/average case analysis of algorithms. V. Become familiar with important algorithm design paradigms. VI. Be able to decide which data structure/algorithm among a set of possible choices is best for a particular application. VII. Be able to recognize and distinguish efficient and inefficient algorithms. VIII. Be able to design efficient algorithms for new problems using the techniques learned and apply/report these solutions in an intra-discipline project group. |
Introduction, asymptotic notation, empirical analysis of algorithms, designing algorithms, amortized analysis, brute force algorithms, divide and conquer algorithms, transform and conquer algorithms, space and time trade-offs, dynamic programming, greedy algorithms, advanced data structures, B-trees, Insertion and Deletion from B-trees, graphs and graph algorithms, P, NP, and NP-complete problems. |
Week | Subject | Related Preparation |
1) | Introduction, asymptotic notation. | |
2) | Empirical analysis of algorithms, analysis of algorithms, amortized analysis | |
3) | Recurrences, substitution method, recursion-tree method, master method. | |
4) | Brute Force Algorithms | |
5) | Divide and Conquer Algorithms | |
6) | Merge sort, quicksort, randomized quicksort, binary search | |
7) | Transform and Conquer Algorithms: Solving systems of linear equations with Gaussian ination elimination, Balanced Search Trees, Heaps and Heapsort, Horner's Rule and Binary Exponentiation | |
8) | Space and Time Trade-offs: Input Enhancement (Counting based sorting, string matching), Prestructuring (Hashing, Hash functions, open addressing). | |
9) | Midterm | |
10) | Dynamic Programming: Coin-row problem, Knapsack problem, Longest common subsequence. | |
11) | Dynamic Programming: Knapsack problem, Longest common subsequence. | |
12) | Greedy Algorithms: Activity selection, Huffman codes, Prim’s algorithm, Kruskal’s Algorithm | |
13) | Single-source shortest paths: The Bellman-Ford algorithm, Dijkstra's algorithm. | |
14) | P, NP, and NP-complete problems |
Course Notes / Textbooks: | Anany Levitin, The Design and Analysis of Algorithms, Pearson International Third Edition. Cormen, T. H., Leiserson, C. E., Rivest, R. L. and Stein, C., Introduction to Algorithms (3rd Edition), MIT Press, 2009. Sanjoy Dasgupta , Christos Papadimitriou, Umesh Vazirani, Algorithms, McGraw-Hill Education. |
References: | Yok - None |
Semester Requirements | Number of Activities | Level of Contribution |
Quizzes | 2 | % 10 |
Project | 1 | % 20 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
Total | % 100 |
Activities | Number of Activities | Workload |
Course Hours | 14 | 42 |
Project | 7 | 21 |
Quizzes | 6 | 12 |
Midterms | 5 | 28 |
Final | 5 | 35 |
Total Workload | 138 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 2 |
2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 2 |
3) | They are aware of national and international values in performing arts. | 2 |
4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 1 |
5) | They have the sensitivity to run a business successfully in their field. | 3 |
6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 2 |
8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 3 |
9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 3 |
12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 2 |
13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 3 |
14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 2 |
15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. | 3 |