NMD3901 Digital Investigative Journalism Bahçeşehir UniversityDegree Programs PERFORMING ARTSGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
PERFORMING ARTS
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
NMD3901 Digital Investigative Journalism Spring
Fall
2 2 3 10
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi TİRŞE ERBAYSAL FİLİBELİ
Course Lecturer(s): Dr. Öğr. Üyesi AYBERK CAN ERTUNA
Prof. Dr. HASAN KEMAL SUHER
Recommended Optional Program Components: None.
Course Objectives: The journalism industry is always changing. With the new world of the internet comes a new form of journalism: convergence. Media convergence is defined as a form of cross-media cooperation, usually involving broadcast, print, photography and internet sites. This new form of journalism requires the journalist to be skilled in more than one discipline. For example, a convergence journalist could write an article for a newspaper and produce a broadcast package on the same story all in one day. Convergence journalism also adds more elements and details to a story through the use of more than one outlet to tell the story. This course is aimed to focus on the latest developments in journalism practice with underlining the cross-media applications and to give students basic skills to cover stories in a convergent way.

Learning Outcomes

The students who have succeeded in this course;
The students who succeeded in this course;
- will have a view on future of journalism and the place of convergence journalism in this future,
- will be able to analyze convergent and multimedia coverage in a more critical way in both technical and ethical manners,
- will be able to use cross-media in the same coverage,
- will be able to enrich their coverage with blending visual and textual material to tell news stories in a more effective way,
- will be able to use computer and basic editing and publishing software for journalism practice,
- will learn about the mobile technologies in video and podcast production,
- will be equipped with technical and theoretical qualifications to work for news websites as well as televisions, radio stations and other conventional news media,
- will pick the right medium for different kinds of stories,
- learn about basic verification techniques.

Course Content

Students who will be already taken the introductory courses on different sections of journalism will be introduced and re-introduced about the importance of convergence in media as well as technical details about; news writing, photojournalism, fundamentals of multimedia journalism, broadcasting, editing, computer assisted journalism and information graphics. Blogging and podcasting will also be issues during the semester. Students will be obliged to cover convergent real news stories in order to be able to apply what they’ve received from the course.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Overview of the course, the syllabus and the textbooks
2) Basics of convergent journalism and web 2.0
3) Content management systems
4) Introduction to Wordpress
5) Themes
6) Dashboard
7) Plug-ins
8) Midterm
9) Content creating and managing
10) User management
11) Web analytics
12) Presentation of projects
13) Presentation of projects
14) Review of the semester

Sources

Course Notes / Textbooks: Jeffrey S. Wilkinson, August E. Grant and Douglas Fisher. Principles of Convergent Journalism. UK, Oxford University Press, 2008.

Stephen Quinn , Vincent Filak. Convergent Journalism An Introduction: Writing and Producing Across Media. New York, Focal Press, 2005.

NatGeo Guide to Photography:
https://www.nationalgeographic.com/content/dam/ngdotcom/rights-exempt/NatGeo_GuideToPhotography.pdf

KALOW, Nancy (2011). Visual Storytelling. Center for Documentary Studies at Duke University
P. 6-15
https://documentarystudies.duke.edu/books/visual-storytelling-digital-video-documentary

JENKINS, Henry (2006). Convergence Culture: Where Old and New Media Collide, New York: New York University Press.
P.1-24 (Introduction: “Worship at the Altar of Convergence”: A New Paradigm for Understanding Media Change)

FILAK, Vincent F. (2015). Convergent Journalism an Introduction: Writing and Producing Across Media. New York: Focal Press.
P.63-74 (Structure and Storytelling)

Reuters Handbook: A Reporter’s Guide to TV News Production: P.25-31 (Reporting and Writing Basics)

Reuters Video News Handbook: Pictures/Editing/Audio
References: Jeffrey S. Wilkinson, August E. Grant and Douglas Fisher. Principles of Convergent Journalism. UK, Oxford University Press, 2008.

Stephen Quinn , Vincent Filak. Convergent Journalism An Introduction: Writing and Producing Across Media. New York, Focal Press, 2005.

NatGeo Guide to Photography:
https://www.nationalgeographic.com/content/dam/ngdotcom/rights-exempt/NatGeo_GuideToPhotography.pdf

KALOW, Nancy (2011). Visual Storytelling. Center for Documentary Studies at Duke University
P. 6-15
https://documentarystudies.duke.edu/books/visual-storytelling-digital-video-documentary

JENKINS, Henry (2006). Convergence Culture: Where Old and New Media Collide, New York: New York University Press.
P.1-24 (Introduction: “Worship at the Altar of Convergence”: A New Paradigm for Understanding Media Change)

FILAK, Vincent F. (2015). Convergent Journalism an Introduction: Writing and Producing Across Media. New York: Focal Press.
P.63-74 (Structure and Storytelling)

Reuters Handbook: A Reporter’s Guide to TV News Production: P.25-31 (Reporting and Writing Basics)

Reuters Video News Handbook: Pictures/Editing/Audio

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 13 % 10
Midterms 1 % 40
Final 1 % 50
Total % 100
PERCENTAGE OF SEMESTER WORK % 50
PERCENTAGE OF FINAL WORK % 50
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 2 28
Application 14 2 28
Study Hours Out of Class 14 14 196
Midterms 1 4 4
Final 1 4 4
Total Workload 260

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). 2
2) They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. 2
3) They are aware of national and international values in performing arts. 2
4) Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. 1
5) They have the sensitivity to run a business successfully in their field. 3
6) Develops the ability to perceive, think, design and implement multidimensional from local to universal. 3
7) They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. 2
8) They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. 3
9) They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. 1
10) They follow English language resources related to their field and can communicate with foreign colleagues in their field. 1
11) By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. 3
12) They can produce original works within the framework of an interdisciplinary understanding of art. 2
13) Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. 3
14) Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. 2
15) They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. 3