PERFORMING ARTS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
STG2111 | Musical Theatre I | Fall | 1 | 2 | 2 | 4 |
Language of instruction: | Turkish |
Type of course: | Must Course |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi SERCAN ÖZİNAN |
Course Objectives: | The aim of lesson; understanding the musical theater form in which acting, music and dance take place in equal weight, is to express the emotional transitions in a drama with song and dance. |
The students who have succeeded in this course; 1- They will learn to use the differences between musical theater acting and theater acting on the stage. 2- Will experience using music and playing with microphone in the story 3- Will be able to express emotion with body and movement in the story. 4- He will learn to play, sing and dance with the team through Ensamble works. 5- It will apply polyphonic music on the stage. |
Studies will be carried out in which the student can learn about musical theater and musical theater acting. |
Week | Subject | Related Preparation |
1) | Orientation Getting to Know the Musical Theater | |
2) | Musical Theater Acting | |
3) | Musical Theater Acting | |
4) | Musical Theater Singing | |
5) | Musical Theater Singing | |
6) | Use of Dance and Movement in Musical Theater | |
7) | Mid-Term | |
8) | Ensamble Studies | |
9) | Ensamble Studies | |
10) | Musical Stage Practices | |
11) | Musical Stage Practices | |
12) | Musical Stage Practices | |
13) | Musical Stage Practices | |
14) | Presentations of Final Projects |
Course Notes / Textbooks: | |
References: | Joe Deer, Rocco Dal Vera / Acting Musical Theatre: A Comprehensive Course: Routledge Joan Melton /2007, Singing in Musical Theatre: The Training of Singers and Actors: Allworth; 1st edition (August 7, 2007) Karen Hall /2014, So You Want to Sing Music Theater: A Guide for Professionals (Volume 1) (So You Want to Sing, 1): Rowman & Littlefield Publishers Stephen Purdy / 2016, Musical Theatre Song: A Comprehensive Course in Selection, Preparation, and Presentation for the Modern Performer (Performance Books): Methuen Drama Joe Deer / 2021, Acting in Musical Theatre: A Comprehensive Course: Routledge; 3rd edition |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Midterms | 1 | 22 | 22 |
Final | 1 | 42 | 42 |
Total Workload | 106 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 5 |
2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 5 |
3) | They are aware of national and international values in performing arts. | 2 |
4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 2 |
5) | They have the sensitivity to run a business successfully in their field. | 1 |
6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 5 |
8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 2 |
9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 1 |
12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 5 |
13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 5 |
14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 5 |
15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |