PERFORMING ARTS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
ACL4002 | Ethnic Literature | Spring Fall |
3 | 0 | 3 | 6 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Course Lecturer(s): |
Prof. Dr. GÖNÜL BAKAY |
Recommended Optional Program Components: | None |
Course Objectives: | To introduce the student to the literature of the major ethnic groups in the United States and examine the cultural contexts and literary traditions from which such literature emanates. |
The students who have succeeded in this course; Familiarization with a variety of themes and literary styles outside (what used to be) the traditional canon, and an awareness of the multiple facets of US identity. |
Diverse issues prevalent in multi-etnic America to be debated through the reading of five novels pertaining to Native Americans, African Americans, Latinos, and Asian Americans, as well as of passages from autobiographies of ethnic authors, and from theoretical work by various scholars. Watching parts of Roots to be added if there is time. |
Week | Subject | Related Preparation |
1) | General Introduction | Reading |
2) | Analysis /Discussion of House Made of Dawn | Reading |
3) | House Made of Dawn continued | Reading |
4) | Passages from theoreticians | Reading |
5) | Discussion /Analysis of The Color Purple | Reading |
6) | The Color Purple continued | Reading |
7) | Roots | |
8) | Discussion /Analysis of Bless Me Ultima | Reading |
9) | Bless Me Ultima continued | Reading |
10) | Jasmine | Reading |
11) | Jasmine continued | Reading |
12) | Discussion /Analysis of Joy-Luck Club | Reading |
13) | Joy-Luck Club continued | Reading |
14) | Passages from autobiographies | Reading |
15) | Final Examination | |
16) | Final Examination |
Course Notes / Textbooks: | N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999). Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006). Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994). Amy Tan, The Joy Luck Club (London: Penguin, 2006). Bharati Mukherjee, Jasmine (New York: N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999). Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006). Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994). The tv series Roots |
References: | Passages from: Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism. Werner Sollors, Beyond Ethnicity Gloria Anzaldua, Borderlands/La Frontera W. E. B. Du Bois, The Souls of Black Folk Edward Said, Out of Place Richard Rodriguez, Hunger of Memory Marie Lauret et al., Beginning Ethnic American Literature |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 16 | % 20 |
Midterms | 2 | % 40 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 12 | 4 | 48 |
Presentations / Seminar | 1 | 4 | 4 |
Homework Assignments | 5 | 8 | 40 |
Midterms | 1 | 8 | 8 |
Final | 1 | 10 | 10 |
Total Workload | 152 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 2 |
2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 2 |
3) | They are aware of national and international values in performing arts. | 2 |
4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 1 |
5) | They have the sensitivity to run a business successfully in their field. | 3 |
6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 2 |
8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 3 |
9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 3 |
12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 2 |
13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 3 |
14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 2 |
15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. | 3 |