ACL4002 Ethnic LiteratureBahçeşehir UniversityDegree Programs PERFORMING ARTSGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
PERFORMING ARTS
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
ACL4002 Ethnic Literature Spring
Fall
3 0 3 6
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Course Lecturer(s): Prof. Dr. GÖNÜL BAKAY
Recommended Optional Program Components: None
Course Objectives: To introduce the student to the literature of the major ethnic groups in the United States and examine the cultural contexts and literary traditions from which such literature emanates.

Learning Outcomes

The students who have succeeded in this course;
Familiarization with a variety of themes and literary styles outside (what used to be) the traditional canon, and an awareness of the multiple facets of US identity.

Course Content

Diverse issues prevalent in multi-etnic America to be debated through the reading of five novels pertaining to Native Americans, African Americans, Latinos, and Asian Americans, as well as of passages from autobiographies of ethnic authors, and from theoretical work by various scholars. Watching parts of Roots to be added if there is time.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) General Introduction Reading
2) Analysis /Discussion of House Made of Dawn Reading
3) House Made of Dawn continued Reading
4) Passages from theoreticians Reading
5) Discussion /Analysis of The Color Purple Reading
6) The Color Purple continued Reading
7) Roots
8) Discussion /Analysis of Bless Me Ultima Reading
9) Bless Me Ultima continued Reading
10) Jasmine Reading
11) Jasmine continued Reading
12) Discussion /Analysis of Joy-Luck Club Reading
13) Joy-Luck Club continued Reading
14) Passages from autobiographies Reading
15) Final Examination
16) Final Examination

Sources

Course Notes / Textbooks: N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999).
Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006).
Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994).
Amy Tan, The Joy Luck Club (London: Penguin, 2006).
Bharati Mukherjee, Jasmine (New York: N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999).
Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006).
Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994).
The tv series Roots

References: Passages from:
Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism.
Werner Sollors, Beyond Ethnicity
Gloria Anzaldua, Borderlands/La Frontera
W. E. B. Du Bois, The Souls of Black Folk
Edward Said, Out of Place
Richard Rodriguez, Hunger of Memory
Marie Lauret et al., Beginning Ethnic American Literature

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 16 % 20
Midterms 2 % 40
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Study Hours Out of Class 12 4 48
Presentations / Seminar 1 4 4
Homework Assignments 5 8 40
Midterms 1 8 8
Final 1 10 10
Total Workload 152

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). 2
2) They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. 2
3) They are aware of national and international values in performing arts. 2
4) Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. 1
5) They have the sensitivity to run a business successfully in their field. 3
6) Develops the ability to perceive, think, design and implement multidimensional from local to universal. 3
7) They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. 2
8) They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. 3
9) They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. 1
10) They follow English language resources related to their field and can communicate with foreign colleagues in their field. 1
11) By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. 3
12) They can produce original works within the framework of an interdisciplinary understanding of art. 2
13) Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. 3
14) Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. 2
15) They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. 3