FILM AND TELEVISION | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
ACL4003 | Postmodern Literature | Spring | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Course Lecturer(s): |
Prof. Dr. GÖNÜL BAKAY Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Recommended Optional Program Components: | none |
Course Objectives: | Students who take this course will be able to apply close reading techniques to selected works of postmodern literature and identify the distinctive elements of this genre. They will have acquired indepth knowledge of the evolution of postmodernism and postmodern literature in America and Europe.They will |
The students who have succeeded in this course; Students who complete this course will learn * to apply a variety of reading strategies, including making inferences, recognizing the organizational structure of texts. * to recognize the value of multiple perspectives and develop competence in giving and receiving constructive criticism. * to use terminology related to postmodernism • to identify themes and writing strategies common to postmodernism, • to discover what these novels all have in common, and how reading them together helps us form a basic understanding of the principles of postmodern literature. * to compare and differentiate between postmodern and other literary genres |
20th century postmodern novels by English and American writers |
Week | Subject | Related Preparation |
1) | Introduction to class | - |
2) | The Floating Opera | Reading |
3) | The Floating Opera | Reading |
4) | The Floating Opera | Reading |
5) | Cat’s Cradle | Reading |
6) | Cat’s Cradle | Reading |
7) | Cat’s Cradle | Reading |
8) | Review | Reading |
9) | A History of the World in 10 ½ Chapters | Reading |
10) | A History of the World in 10 ½ Chapters | Reading |
11) | A History of the World in 10 ½ Chapters | Reading |
12) | A History of the World in 10 ½ Chapters | Reading |
13) | Infinite Jest | Reading |
14) | Infinite Jest | Reading |
15) | Final | - |
16) | Final | - |
Course Notes / Textbooks: | The Floating Opera by John Barth (1956) Cat’s Cradle by Kurt Vonnegut (1969) A History of the World in 10 ½ Chapters by Julian Barnes (1989) Infinite Jest by David Foster Wallace (1996) |
References: | Postmodernism, or, The Cultural Logic of Late Capitalism by Frederick Jameson The Postmodern Condition: A Report on Knowledge by Jean-Francois Lyotard Postmodernism: A Very Short Introduction by Christopher Butler A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 16 | % 10 |
Quizzes | 2 | % 20 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 15 | 2 | 30 |
Quizzes | 2 | 10 | 20 |
Midterms | 1 | 20 | 20 |
Final | 1 | 32 | 32 |
Total Workload | 144 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | 4 |
2) | Having comprehensive knowledge regarding different media and branches of art | 3 |
3) | Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | 1 |
4) | Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | 1 |
5) | Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | 2 |
6) | Being able to write a script ready to be shot | 2 |
7) | Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |
8) | Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |
9) | Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |
10) | Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |
11) | Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | 3 |
12) | Having ethical values and a sense of social responsibility | 5 |