PERFORMING ARTS
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
ACL3003	American Novel I	Spring Fall	3	0	3	5

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Course Lecturer(s):	Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Recommended Optional Program Components:	None
Course Objectives:	Introducing the novel as a literary form, the course will trace the development of the novel in America from 1800 to 1900. Readings will include stories and novels by W. Irving, N. Hawthorne, H. Melville, M. Twain, T. Dreiser, J. London, O Henry and K. Chopin, together with the study of the literary movements they represent.

Learning Outcomes

The students who have succeeded in this course;
1. The students will do an extensive reading of the 19th Century-American literature, especially that of the American Renaissance.
2. They will develop an insight about the beginnings of American Fiction, especially about how novel writing started.
3. They will develop an insight about the significance of story-telling and narratives.
4. They will learn about the major literary movements of the 19th Century USA, namely romanticism, transcendentalism, realism and naturalism.
5. They will learn about the Puritan influences in the works of the later literary works.
6. They will learn about the basic ideas of the American Adam and the most important concepts in the construction of a new Nation, during their Renaissance.
7. They will develop the ability to analyze and discuss major issues of the American Novel in the 19th Century both orally in class and in their essays in exams.

Course Content

Heath Anthology, ss. between: 3-1178, 1180-1215; “The Legend of Sleepy Hollow”, The Scarlet Letter, “The Fall of the House of Usher”, The Adventures of Huckleberry Finn, “To Build a Fire”, “Psyche & Pskyscraper”, Sister Carrie, The Awakening

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Introduction to the beginnings of American Literary history. Puritanism and the age of the Pioneers, first settlers and their dreams and fears. Colonial Period to 1700	Heath Anthology, selected pages between: 3-1178
2)	The Beginnings of American Fiction: Romanticism/Transcendentalism	Heath Anthology selected pages between: 1180-1215
3)	Washington Irving	“The Legend of Sleepy Hollow”
4)	Nathaniel Hawthorne	The Scarlet Letter
5)	Nathaniel Hawthorne	The Scarlet Letter
6)	Edgar Allan Poe	“The Fall of the House of Usher”
7)	Review
8)	Realism & Local Color Fiction: Mark Twain	The Adventures of Huckleberry Finn
9)	Realism & Local Color Fiction: Mark Twain	The Adventures of Huckleberry Finn
10)	Mark Twain	The Adventures of Huckleberry Finn
11)	Naturalism, Jack London	“To Build a Fire”
12)	Naturalism, O Henry (William Sydney Porter)	“Psyche & Pskyscraper”
13)	Naturalism, Theodore Dreiser	Sister Carrie
14)	Naturalism, Theodore Dreiser	Sister Carrie
15)	Final Exam
16)	Final Exam

Sources

Course Notes / Textbooks:	Okuma Listesi: “The Legend of Sleepy Hollow”, The Scarlet Letter, “The Fall of the House of Usher”, “Bartleby, the Scrivener”, The Adventures of Huckleberry Finn, “To Build a Fire”, “Psyche & Pskyscraper”, Sister Carrie, The Awakening. The Heath Anthology of American Literature, Vol. I. Lexington, Massachusetts: D.C. Heath & Co., 1990.
References:	the reading list (“The Legend of Sleepy Hollow”, The Scarlet Letter, “The Fall of the House of Usher”, “Bartleby, the Scrivener”, The Adventures of Huckleberry Finn, “To Build a Fire”, “Psyche & Pskyscraper”, Sister Carrie, The Awakening The Heath Anthology of American Literature, Vol. I. Lexington, Massachusetts: D.C. Heath & Co., 1990.

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	33	% 10
Quizzes	4	% 10
Presentation	1	% 10
Midterms	1	% 30
Final	1	% 40
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 60
PERCENTAGE OF FINAL WORK		% 40
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Presentations / Seminar	1	5	5
Quizzes	4	10	40
Midterms	1	30	30
Final	1	30	30
Total Workload			147

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.).	2
2)	They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field.	2
3)	They are aware of national and international values in performing arts.	2
4)	Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works.	1
5)	They have the sensitivity to run a business successfully in their field.	3
6)	Develops the ability to perceive, think, design and implement multidimensional from local to universal.	3
7)	They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field.	2
8)	They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods.	3
9)	They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods.	1
10)	They follow English language resources related to their field and can communicate with foreign colleagues in their field.	1
11)	By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works.	3
12)	They can produce original works within the framework of an interdisciplinary understanding of art.	2
13)	Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field.	3
14)	Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater.	2
15)	They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field.	3