FILM AND TELEVISION
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
NMD3120	Media and Conflict	Fall	3	0	3	5

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Dr. Öğr. Üyesi TİRŞE ERBAYSAL FİLİBELİ
Course Lecturer(s):	Dr. Öğr. Üyesi AYBERK CAN ERTUNA
Course Objectives:	In this course the challenges that journalists face when reporting on war will be examined through historical examples. We will assess the role of the media in conflicts and conflict resolution and discuss the moral and ethical issues about reporting wars.

Learning Outcomes

The students who have succeeded in this course;
This course aims to help students develop following skills:

1. A knowledge of historical progress of reporting wars and conflicts
2. Ability to assess conflict coverage in the media from a critical perspective
3. A knowledge of different types of written and audio visual dispatches from front lines
4. An understanding of concepts; peace journalism and conflict sensitive journalism

Course Content

“Nothing in the field of journalism is more glamorous than being a war correspondent” said famous American broadcast journalist Walter Cronkite. However, it is also the most challenging one, not only because of the potential physical and psychological hazards of the field, but also because of the political, social, economic and sometimes technological pressures. Therefore in this course the role of media in times of conflict and resolution, reporting from the war zone and journalistic ethics will be discussed throughout the term.

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Introduction to the course
2)	Wars, conflicts and journalism: Introduction of basic definitions, discussing the transformation of the armed conflicts
3)	From Crimean War to World War II: Discussing how technology transformed war reporting (telegraph, photography and cinema), analyzing the effects of propaganda and censorship
4)	Vietnam War and Falkland War: Discussing the effects of TV journalism and political repercussions
5)	24/7 News reporting and war in Afghanistan: Analyzing the framing and "spinning" of wars; CNN Vs. Al Jazeera
6)	Gulf War and Iraq Wars: Discussing the effects of press pools and embedding on journalistic practice
7)	Class discussion
8)	Ethical issues in war journalism: Discussing the international efforts in defining ethical standards
9)	Peace journalism: Analyzing the concepts of peace journalism and conflict sensitive journalism
10)	Reporting conflicts in the age of Internet: Analyzing the role of social media and open source intelligence in conflict reporting
11)	Safety of journalists: Understanding how journalists prepare for missions in conflict zones and safety in the field
12)	Guest Speaker: Learning from the experiences of a seasoned war reporter
13)	Presentation of projects
14)	Presentation of projects

Sources

Course Notes / Textbooks:

- Cottle, S. (2006). Mediatized Conflict: Developments in Media and Conflict Studies, Berkshire: Open University Press.
- Entman, R (1993). Framing: Toward Clarification of a Fractured Paradigm, Journal of Communication 43(4), 51-58.
- Galtung J., Fischer D. (2013) High Road, Low Road: Charting the Course for Peace Journalism. SpringerBriefs on Pioneers in Science and Practice, vol 5. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-32481-9_8
- Hanitzsch, T. (2004). Journalists as Peacekeeping Force? Peace Journalism and mass communication theory. Journalism Studies, 5 (4), 483-495.
- McLaughlin, G. (2002). The War Correspondent, London: Pluto Press.
- Noris, P., Kern, M., Just, M. (2003). Framing Terrorism: The News Media, the Government and the Public, New York: Routledge.
- Thussu, D.K., Freeman, D. (2003). War and the Media (pp. 87-98). London: Sage Publications.
- Zeitoff, T. (2017). How Social Media Is Changing Conflict, Journal of Conflict Resolution. 61 (9). 1970-1991.

References:

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Homework Assignments	1	% 10
Midterms	1	% 30
Final	1	% 50
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 50
PERCENTAGE OF FINAL WORK		% 50
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Study Hours Out of Class	14	5	70
Homework Assignments	1	4	4
Midterms	1	3	3
Final	1	3	3
Total Workload			122

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society	4
2)	Having comprehensive knowledge regarding different media and branches of art	3
3)	Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area	1
4)	Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey	1
5)	Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product	2
6)	Being able to write a script ready to be shot	2
7)	Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment
8)	Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations
9)	Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages
10)	Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage
11)	Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white	3
12)	Having ethical values and a sense of social responsibility	5