FILM AND TELEVISION | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
GEP0515 | New Religious Movements | Spring | 3 | 0 | 3 | 4 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | GE-Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. BURCU ALARSLAN ULUDAŞ |
Course Lecturer(s): |
Prof. Dr. İSMAİL TAŞPINAR |
Recommended Optional Program Components: | none |
Course Objectives: | Students on completion of this course, acquire a general knowledge of modern religious movements as of the beginning of the 20th century till today. While doing this, they aknowledge the different religious movements of the century and learn to relate them to other religious and cultures. |
The students who have succeeded in this course; Learning Outcomes 1)To analyze and recognition of the modern religious movements 2)To define status of modern religious movements in the traditional religious. 3)To analyze of the new religious movements. 4)To understand the development process and appearance of new religious movements. 5)To understand inner workings of new religious movements. 6)To recognize some negative consequences of the new religious movements in the community. |
This course will analyze and recognize of new religious movements. |
Week | Subject | Related Preparation |
1) | Definition of new religious movements, subjects, sources | |
2) | Indian and Far Eastern New Religious Movements and their general specificities. The Hare Krishna movement | |
3) | Sai Baba Movement | |
4) | Transandantal Meditasyon ve Bagwam Osho Movement | |
5) | Properties of New Religious Movements in the Christians and Jehovah's Witnesses | |
6) | The Mormons Movement | |
7) | The Moons Movement | |
8) | The Scientology Movement | |
9) | The Satanism Movement | |
10) | The Evangelical Christianity Movement | |
11) | New Religious Movements in the İslam and Bâbî ve Bahâî Movement | |
12) | Kadıyani Movement | |
13) | İsmaîlî Movement | |
14) | General Property of New Religious Movements in Turkey |
Course Notes / Textbooks: | 1. İsmail Taşpınar, Günümüzde Yeni Dini Hareketler, yayına hazırlanmakta olan ders kitabı ve notları. 1. John A. Saliba, Understanding New Religious Mouvements. |
References: | 1. Encyclopedia pf New Religious Mouvements, edit. Peter b. Clarke. 2. Michael York, Historical Dictionnary of New Age Movements. 3. New Religious Movements in the 21th Century, edit.: Philip C. Lucas, Thomas Robbins |
Semester Requirements | Number of Activities | Level of Contribution |
Total | % | |
PERCENTAGE OF SEMESTER WORK | % 0 | |
PERCENTAGE OF FINAL WORK | % | |
Total | % |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | 4 |
2) | Having comprehensive knowledge regarding different media and branches of art | 3 |
3) | Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | 1 |
4) | Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | 1 |
5) | Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | 2 |
6) | Being able to write a script ready to be shot | 2 |
7) | Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |
8) | Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |
9) | Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |
10) | Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |
11) | Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | 3 |
12) | Having ethical values and a sense of social responsibility | 5 |