BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
| PERFORMING ARTS | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
Course Introduction and Application Information
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| SOC2001 | Urbanization | Spring Fall |
3 | 0 | 3 | 6 |
| This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Basic information
| Language of instruction: | English |
| Type of course: | Non-Departmental Elective |
| Course Level: | Bachelor’s Degree (First Cycle) |
| Mode of Delivery: | Hybrid |
| Course Coordinator : | Assoc. Prof. ULAŞ SUNATA ÖZDEMİR |
| Course Lecturer(s): |
Assoc. Prof. ULAŞ SUNATA ÖZDEMİR |
| Recommended Optional Program Components: | "." |
| Course Objectives: | This course aims to teach students how to analyze the city where they live through theoretical readings and field work in urban sociology. |
Learning Outcomes
|
The students who have succeeded in this course; 1) Identify the main theories and theorists in urban sociology 2) Appraise several case-studies applying these theories to the particular context of Istanbul 3) Develop their academic reading skills 4) Apply two small non-participant observation research projects 5) Apply two small participant observation research projects 6) Apply actively their sociological imagination to analyzing urban spaces. |
Course Content
| This class explores major themes in urban sociology and urban theory from their inception at the beginning of the 20th century until today. While our theoretical readings will deal with more general questions facing metropolises around the world, our empirical examples will stem from research by sociologists and geographers often focused on the city of Istanbul. Students will be asked to do four individual practical observation exercises in the city in application of the weekly readings. |
Weekly Detailed Course Contents
| Week | Subject | Related Preparation |
| 1) | Introduction to the course | Mumford, "What is a City?" (1938) |
| 2) | The Industrial City | Engels, "The condition of the working class in England - selection" (1845) |
| 3) | Observing the City | De Certeau, “Walking in the city”(1984) & Scarboro on "Everyday life encounters in Istanbul" (2011) |
| 4) | The first urban sociologists | Simmel “The Metropolis and Mental Life” (1903) |
| 5) | Recent urban theorists | Henri Lefebvre “The right to the city” (1968) |
| 6) | Center and Periphery / Public and Private spaces | Aysegul Baykana and Tali Hatukab: "Politics and culture in the making of public space: Taksim Square, 1 May 1977, Istanbul" (2010) |
| 7) | Project discussions | |
| 8) | Course review | |
| 9) | Embodied Spaces / Gender in the city | Tonkiss: "Embodied Spaces: Gender, Sexuality and the City" (2005) & Dağtaş: "Bodily transgression" (2009) |
| 10) | Disabilities in the city | Gleeson "Geographies of Disability" (1999) |
| 11) | The city and culture / The Economy of culture | Zukin: "Whose culture? Whose city?" (1995) |
| 12) | Urban Culture in Istanbul | Ozgur "Arabesk Music in Turkey in the 1990s and Changes in National Demography, Politics, and Identity" (2006) |
| 13) | Minorities & Inequalities in the city: Representation and Difference | Mills: "Boundaries of the nation in the space of the urban: landscape and social memory in Istanbul" (2006) & Ayata: "Migrants and Changing Urban Periphery" (2008) |
| 14) | The city and its natural environment | Bezmez: "The politics of urban Waterfront Regeneration: The case of Haliç Istanbul" (2009) |
Sources
| Course Notes / Textbooks: | A special course reader containing all the readings plus additional optional texts will be given weekly |
| References: | Mumford: "What is a City?" (1938) Engels: "The condition of the working class in England - selection" (1845) De Certeau: “Walking in the city”(1984) & Scarboro on "Everyday life encounters in Istanbul" (2011) Simmel: “The Metropolis and Mental Life” (1903) Henri Lefebvre: “The right to the city” (1968) Aysegul Baykana and Tali Hatukab: "Politics and culture in the making of public space: Taksim Square, 1 May 1977, Istanbul" (2010) Tonkiss: "Embodied Spaces: Gender, Sexuality and the City" (2005) & Dağtaş: "Bodily transgression" (2009) Gleeson: "Geographies of Disability" (1999) Zukin: "Whose culture? Whose city?" (1995) Ozgur: "Arabesk Music in Turkey in the 1990s and Changes in National Demography, Politics, and Identity" (2006) Mills: "Boundaries of the nation in the space of the urban: landscape and social memory in Istanbul" (2006) & Ayata: "Migrants and Changing Urban Periphry" (2008) Bezmez: "The politics of urban Waterfront Regeneration: The case of Haliç Istanbul" (2009) Richard Sennett Marshall Berman |
Evaluation System
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | 14 | % 15 |
| Field Work | 1 | % 15 |
| Homework Assignments | 1 | % 10 |
| Presentation | 1 | % 20 |
| Final | 1 | % 40 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 60 | |
| PERCENTAGE OF FINAL WORK | % 40 | |
| Total | % 100 | |
ECTS / Workload Table
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 3 | 42 |
| Field Work | 1 | 20 | 20 |
| Study Hours Out of Class | 14 | 2 | 28 |
| Homework Assignments | 1 | 10 | 10 |
| Paper Submission | 1 | 40 | 40 |
| Total Workload | 140 | ||
Contribution of Learning Outcomes to Programme Outcomes
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 2 |
| 2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 2 |
| 3) | They are aware of national and international values in performing arts. | 2 |
| 4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 1 |
| 5) | They have the sensitivity to run a business successfully in their field. | 3 |
| 6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
| 7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 2 |
| 8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 3 |
| 9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
| 10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
| 11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 3 |
| 12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 2 |
| 13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 3 |
| 14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 2 |
| 15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. | 3 |