TEXTILE AND FASHION DESIGN | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
FTV4991 | New Wave Cinemas | Spring | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi GÖNÜL EDA ÖZGÜL |
Course Lecturer(s): |
Dr. Öğr. Üyesi GÖNÜL EDA ÖZGÜL |
Recommended Optional Program Components: | None |
Course Objectives: | This course aims to evaluate the new wave cinemas that have developed after the 1950s with an intertextual perspective. |
The students who have succeeded in this course; i. gain knowledge about new wave cinemas in the world ii. are able to make connections between the new waves in different countries and the historical, political and cultural context of the time iii. are able to make creative discussions not just on cinema but alongside cinema iv. learn to read films from different theoretical perspectives |
This course focuses on the socio-cultural, historical and ideological background of the new wave cinemas that have developed after the 1950's. The narrative form and content of the chosen films from each wave is analyzed from multiple theoretical perspectives. |
Week | Subject | Related Preparation |
1) | Introduction and Meeting | |
2) | The Politics of New Wave: French New Wave | Film: Jean-Luc Godard - Pierrot le Fou |
3) | Artistic Expression and New German Cinema | Film: Wim Wenders - Paris Texas (1984) |
4) | British Free Cinema: Angry Young Men | Film: Lindsay Anderson - If... (1968) |
5) | The Socialist State and the Czech New Wave | Film: Jaromil Jires - The Joke (1969) |
6) | Garbage Aesthetics and Brazilian Cinema Novo | Film: Glauber Rocha - Terra em Transe (1967) |
7) | Third Cinema | Film: Fernando Solanas - Sur (1988) |
8) | Directors as Critics: Japanese New Wave | Film: Nagisa Oshima - Night and Fog in Japan (1960) |
9) | memory and Desire: Chinese Fifth Generation | Film: Tian Zhuangzhuang - The Blue Kite (1993) |
10) | The Poetry of Everyday Life: Iranian New Wave | Film: Jafar Panahi - This is not a Film |
11) | Parallel Cinema: Indian New Wave | Film: Satyajit Ray - The Apu Trilogy Pather Panchali (1955) |
12) | Realistic Tales of Life: Taiwanese New Wave | Film: Tsai Ming-Liang- Rebels of the Neon God (1992) |
13) | Postmodernism and Cinema: New Hollywood | Film: Woody Allen - Whatever Works (2009) |
14) | Memory and Belonging: New Cinema of Turkey | Film: Nuri Bilge Ceylan - Bir Zamanlar Anadolu'da Zeki Demirkubuz - Üçüncü Sayfa |
Course Notes / Textbooks: | |
References: |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 10 | % 10 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Paper Submission | 1 | % 20 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 14 | 3 | 42 |
Midterms | 1 | 8 | 8 |
Paper Submission | 1 | 10 | 10 |
Final | 1 | 12 | 12 |
Total Workload | 114 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution |