FILM AND TELEVISION | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
NMD4112 | News Writing in English | Fall | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi SİNAN AŞÇI |
Recommended Optional Program Components: | None |
Course Objectives: | This course provides students news writing skills for different areas in English. The students can compare and evaluate the foreign newspapers, TVs, radios and web pages in terms on their contents. This course is very useful for the new media students in the sense that it covers news writing and reporting in English. |
The students who have succeeded in this course; 1) Students will be able to teach fundamental skills about writing news dispatches in English 2) To explore different styles of news language 3) To compare various media outlets on style (TV, print, online, radio, wire services etc.) 4) To explore and compare products of English language news outlets. |
This course is to be the guide to the knowledge, skills and attitude of the professional journalists. It teaches to write news for all media platforms like print, online, TV, radio. And also, this course specializes in different languages for different areas. |
Week | Subject | Related Preparation |
1) | Relations between language characteristics and newspeak | |
2) | Basic styles in English language news writing | |
3) | Clichés and how to avoid them | |
4) | Word economy | |
5) | Writing for print media and headline skills | |
6) | Writing for TV radio | |
7) | Spoken word, reporting on the field and language of the street | |
8) | Writing online texts | |
9) | Comparing different outlets | |
10) | Language and content. How they affect each other | |
11) | Different areas and different languages | |
12) | Explore quality and tabloid examples and compare them | |
13) | Compare different titles in English media word | |
14) | General review |
Course Notes / Textbooks: | News Writing, the Gathering, Handling and Writing of News Stories. Matthew Lyle Spencer. 2012. ISBN-1103879855 |
References: |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 1 | % 20 |
Project | 1 | % 20 |
Midterms | 1 | % 20 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 14 | 4 | 56 |
Homework Assignments | 14 | 1 | 14 |
Midterms | 1 | 3 | 3 |
Final | 1 | 3 | 3 |
Total Workload | 118 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society | 4 |
2) | Having comprehensive knowledge regarding different media and branches of art | 3 |
3) | Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area | 1 |
4) | Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey | 1 |
5) | Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product | 2 |
6) | Being able to write a script ready to be shot | 2 |
7) | Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment | |
8) | Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations | |
9) | Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages | |
10) | Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage | |
11) | Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white | 3 |
12) | Having ethical values and a sense of social responsibility | 5 |