PERFORMING ARTS
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
SOC3091	Readings in Urban Studies	Spring Fall	3	0	3	5

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Non-Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Instructor İLHAN ZEYNEP KARAKILIÇ
Recommended Optional Program Components:	"."
Course Objectives:	The course is designed to analyze the major changes in the Mediterranean cities and societies in the Modern Ages. The urban profile of the Mediterranean in the cinquecento, with the emergence of new social classes, (eg. picaroons), social and moral decadence in the urban side, paradoxical coexistence of the Spanish Inquisition and the deviations from the norm, economic boom which ended up in bankruptcy will be interpreted. Peasants who flooded into the growing towns, wages that lagged behind prices, immense expansion of the overseas trade, over-population and many other façades of this social metamorphosis will be analyzed hand in hand with the literary genres, archival data and various readings. The drastic change in the social profile which is perfectly portrayed in the shift from the chivalric romances to the newly-flourishing novel genre will be discussed.

Learning Outcomes

The students who have succeeded in this course;
The students who succeeded in this course will be able to:
(1)Learn the urban structures and societies in the late Middle and Modern Ages in the both sides of the Mediterranean.
(2)Analyse the radical urban changes, -hand in hand with the rural metamorphosis, - in the Mediterranean basin, which simply constitutes a small model for the whole Europe.
(3)Analyze the drastic social changes in the Mediterranean cities with the emerging of the Modern State.
(4)Interpret the classical and new literary genres (e.g. Novel and picaresque novel) to analyze the urban societies of the age.
(5)Develop new skills to interpret the archival data (Avisos, dispacci, etc) to reconstruct the urban profile in the Mediterranean.
(6)Make use of visual data (engravings, miniatures, pictures etc.) to re-draw the social portrait in the Modern Ages.
Investigate the norms and deviations from the norm in the Mediterranean.

Course Content

This course aims to describe the social living of people who live in Mediteranean area.Culture, perceptions, religious views, occupations, art perceptions and other additional componenta will be analysed.

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	General Mediterranean geography: cities, routes, ethnic groups, etc.
2)	The Mediterranean city in the late Middle and Modern ages: transformation and transfiguration
3)	Major social groups in the Mediterranean basin.
4)	: Religion as the basis of outstanding political and economical clashes and its effects on the urban profiles.
5)	Criminal urban social groups and phenomena.
6)	Crime and punishment
7)	Norms and deviation from the norms in the urban societies.
8)	: The Spanish Inquisition and its reflections on social values.
9)	Midterm	Exam preparation and midterm
10)	Corruption and degeneration: Picaresque society.
11)	Seville-Algiers-Constantinople: Babel towers of the Modern Ages.
12)	: A corrupted sea: Corsairs and pirates. Danger in the seas and on land.
13)	Pauperism in the urban side. Oral presentation in the classroom (20 min)	Research project submission
14)	Urban catastrophes: wars, epidemic diseases and famine. Oral presentation in the classroom (10 min)	Research project submission

Sources

Course Notes / Textbooks:

Ders notu yoktur.

References:

Alexandre Cowan (ed.), Mediterranean Urban Culture, 1400-1700, University of Exeter Press, 2004.
Lila Leontidou, The Mediterranean city in transition: social change and urban development, 2006, Athens.
Italo Calvino, Invisible Cities, NY, 1974.
Giovanni Boccacio, The Decameron.
Miguel de Cervantes Saavedra, Don Quixote.
And other partial readings will be provided.
Diğer okumalar dersin hocası tarafından verilecektir.

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	14	% 10
Field Work	2	% 10
Presentation	1	% 10
Project	1	% 10
Midterms	1	% 20
Final	1	% 40
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 50
PERCENTAGE OF FINAL WORK		% 50
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	3	42
Field Work	2	2	4
Study Hours Out of Class	14	4	56
Presentations / Seminar	1	10	10
Project	1	30	30
Midterms	1	2	2
Final	1	2	2
Total Workload			146

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.).	2
2)	They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field.	2
3)	They are aware of national and international values in performing arts.	2
4)	Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works.	1
5)	They have the sensitivity to run a business successfully in their field.	3
6)	Develops the ability to perceive, think, design and implement multidimensional from local to universal.	3
7)	They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field.	2
8)	They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods.	3
9)	They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods.	1
10)	They follow English language resources related to their field and can communicate with foreign colleagues in their field.	1
11)	By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works.	3
12)	They can produce original works within the framework of an interdisciplinary understanding of art.	2
13)	Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field.	3
14)	Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater.	2
15)	They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field.	3