TEXTILE AND FASHION DESIGN | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
FTV3911 | Cinema and Dramaturgy I | Spring | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Prof. Dr. NİLAY ULUSOY |
Course Objectives: | The objective of the course is to highlight the significance of questioning how cinema could make use of dramaturgy in scriptwriting shooting and editing. It is also to understand the tools of classical dramaturgy, develop dramaturgical perspective and insight. |
The students who have succeeded in this course; 1. Identify the basic concepts of dramaturgy. 2. Will be able to make use of dramaturgy during script writing. 3. Will be able to make use of dramaturgy during the shooting process. 4. Develop a dramaturgical perspective. 5. Will be able to critically analyze film productions using dramaturgical principles to identify strengths and areas for improvement. |
General content of the course are on understanding tragedy in its ancient to modern forms, understanding dramaturgical rules of classical Hollywood narrative cinema and developing an authentic dramaturgical perspective through the analysis of the films of Reha Erdem. In this course, instruction is delivered through interactive lectures, film screenings, group discussions, and case studies, while student performance is evaluated through written assignments, projects, and in-class participation. |
Week | Subject | Related Preparation |
1) | Historical Development of the concept of Dramatugy and the Function of dramaturgy | Readings on Aristotle, Lessing, Brecht, Boal ve Barba |
2) | Methods of Dramaturgy and dramaturgical perspective | Relationship between theatre dramaturgy and film dramaturgy |
3) | Basic Concepts of classical dramaturgy | Readings on Aristotles Poetics and King Oedipus |
4) | Reinterpretation of Poetics, Classical Narrative Hollywood Cinema | Spielberg's Jaws and Ibsen's Enemy of People |
5) | Tragedy and Shakespeare dramatugy | Reading Joseph Campbell's 'The Hero's Journey' and Hamlet |
6) | Ancient and modern tragedy | Elia Kazan film of A Streetcar Named Desire and Tennesse Williams readings |
7) | Klasik anlatı kavramları üzerinden film analizleri | |
8) | Narrative Theory, Russian Formalists | |
9) | Story- Plot- Structure relationship | |
10) | Story - Plot- Structure relationship: Discussions on a film: Oh Moon | Readings on Sevim Burak's Yanık Saraylar |
11) | Redefine the essential tools of classical narrative | A film of Reha Erdem: Korkuyorum Anne |
12) | Time and space | Time and Space in Reha Erdem's Hayat Var |
13) | Dramaturgical Coherence | Reha Erdem'in filmi Kosmos'un izlenemesi |
14) | An overview of dramaturgical perspectives by going over Reha erdem films |
Course Notes / Textbooks: | Here are the references in APA format: 1. Shakespeare, W. (2012). *Hamlet*. 2. Williams, T. (2009). *Arzu Tramvayı* (*A Streetcar Named Desire*). 3. Sophokles. (2012). *Kral Oidipus* (*Oedipus Rex*). 4. Aristoteles. (2011). *Poetika* (*Poetics*). 5. Genette, G. (2007). *Anlatının Söylemi: Yöntem Hakkında Bir Deneme* (*Narrative Discourse: An Essay in Method*). 6. Bordwell, D. (1985). *Narration in the Fiction Film*. Madison: University of Wisconsin Press. |
References: | Here are the references in APA format: 1. Shakespeare, W. (2012). *Hamlet*. 2. Williams, T. (2009). *Arzu Tramvayı* (*A Streetcar Named Desire*). 3. Sophokles. (2012). *Kral Oidipus* (*Oedipus Rex*). 4. Aristoteles. (2011). *Poetika* (*Poetics*). 5. Genette, G. (2007). *Anlatının Söylemi: Yöntem Hakkında Bir Deneme* (*Narrative Discourse: An Essay in Method*). 6. Bordwell, D. (1985). *Narration in the Fiction Film*. Madison: University of Wisconsin Press. |
Semester Requirements | Number of Activities | Level of Contribution |
Presentation | 2 | % 30 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 12 | 3 | 36 |
Presentations / Seminar | 2 | 20 | 40 |
Midterms | 1 | 4 | 4 |
Final | 1 | 4 | 4 |
Total Workload | 126 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Understands the principles of artistic creation and basic design and applies the art and design objects he creates within this framework. | |
2) | Conducts the multifaceted research required for textile and fashion design processes and analyzes and interprets the results. | |
3) | Creates original and applicable fabric, clothing and pattern designs by using elements from different historical periods and cultures in accordance with his purpose. | |
4) | Recognizes textile raw materials and equipments. | |
5) | Uses computer programs effectively in the garment and fabric surface design process. | |
6) | Has professional technical knowledge regarding the implementation of clothing designs and production; In this context, recognizes and uses technological tools and equipment. | |
7) | Understands the importance of interdisciplinary interaction and communication in textile and clothing design-production-presentation processes and reflects this on the processes. | |
8) | Works in a programmed and disciplined manner in professional practices. | |
9) | Realizes the necessity of lifelong learning to maintain his productivity, creativity and professional competence. | |
10) | Understands, adopts and applies ethical responsibilities in professional practices; Has knowledge of relevant legal regulations. | |
11) | Establishes effective visual, written and verbal communication in the field of textile and fashion design. | |
12) | Reflects his knowledge on current and contemporary issues from all fields to his professional theoretical and practical studies on textile and clothing design; Understands the social and universal effects of these issues. | |
13) | Has sufficient awareness about social justice, environmental awareness, quality culture and protection of cultural values. |