| Week |
Subject |
Related Preparation |
| 1) |
The definition and history of art directing/ watching a film |
|
| 2) |
The first art directors in Turkey |
|
| 3) |
Art directing as an established concept in the sector |
|
| 4) |
The psychological codes of colors and their effect on decor and costumes. |
|
| 5) |
Cinema and architecture. Sample film screening and discussion |
|
| 6) |
The function of decor and costume in a film |
|
| 7) |
Film screening and class discussion |
|
| 8) |
Examining the decor-costume and budget list for the film watched on the 7th week. |
|
| 9) |
Decor-costume list will be made in class for the film watched on the 7th week |
|
| 10) |
Conversation with the director and the director of photography of the film screened on the 7th week |
|
| 11) |
What is dramaturgy? |
|
| 12) |
The importance of dramaturgy in art directing |
|
| 13) |
Film screening |
|
| 14) |
Discussion on the practice of art directing; determination of decor, costumes and accessories. Film and photo shooting practice
|
|
| |
Program Outcomes |
Level of Contribution |
| 1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
1 |
| 2) |
Having comprehensive knowledge regarding different media and branches of art |
1 |
| 3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
1 |
| 4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
1 |
| 5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
4 |
| 6) |
Being able to write a script ready to be shot |
4 |
| 7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
5 |
| 8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
5 |
| 9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
4 |
| 10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
2 |
| 11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
1 |
| 12) |
Having ethical values and a sense of social responsibility |
4 |
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
