COMPUTER PROGRAMMING (TURKISH) | |||||
Associate | TR-NQF-HE: Level 5 | QF-EHEA: Short Cycle | EQF-LLL: Level 5 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
POV3337 | Fine Art Photography | Spring Fall |
2 | 2 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Associate (Short Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Prof. Dr. NAZLI EDA NOYAN CELAYİR |
Recommended Optional Program Components: | None |
Course Objectives: | This course aims to introduce the concept of fine art photography and related printing techniques. Students are expected to familiarize with different exhibition methods and put this knowledge into practice. |
The students who have succeeded in this course; 1. Recognize different printing methods. 2. Analyze the effects on presentation and exhibition techniques. 3. Identify fine art printing processes from 20th Century and before. 4. Analyze different practices in photographic history. 5. Practice fine art printing by using different printing methods. |
This course offers knowledge and practice of post-photographic processes like archival prints, alternative processes, different chemical and digital printing within the context of historical and contemporary practices. The effects of these processes on narration and production will also be explained and some of these processes will be put in practice by the students when applicable. |
Week | Subject | Related Preparation |
1) | Notion of fine art photography and its historical evolution – 19th century practices. | |
2) | Notion of fine art photography and its historical evolution - 20th century and contemporary practices. | Weekly readings will be assigned. |
3) | Early theories about fine art and their reviews, examples from notable practitioners. Assignment I | Working on the assignments. |
4) | Fine Art printing techniques and corresponding examples. | Working on the assignments. |
5) | Analyzing Alfred Stieglitz’s works within the context of platinum and palladium print of pictorialism. Assignment II. | Working on the assignments. |
6) | Fine art printing and presentation techniques. | Working on the assignments. |
7) | Exhibiting methods and materials of exhibition. Assignment III. | Working on the assignments. |
8) | Stilistic interpretations of famous photographers within the techical context of photography. | Working on the assignments. |
9) | Analyzing Edward Steichen’s Works from pictorialism to direct photography. Assignment IV | Working on the assignments. |
10) | Printing in the context of galleries and art market | Working on the assignments. |
11) | Archival processes of fine art prints. | Working on the assignments. |
12) | Analyzing Ralph Gibson’s Works and the effects of material choice on representations | Working on the assignments. |
13) | Analyzing Jeff Wall’s Works. Contemporary Examples of Fine Art Printing | Working on the assignments. |
14) | Evaluation Final Assignment; Oral Presentation of the works | Working on the assignments and presentations. |
Course Notes / Textbooks: | 1. Hirsch, R. (2009). Photographic possibilities the expressive use of equipment, ideas, materials, and processes. Amsterdam Boston: Focal Press/Elsevier. 2. Steinmueller, U. & Gulbins, J. (2008). Fine art printing for photographers : exhibition quality prints with inkjet printers. Santa Barbara, CA: Rocky Nook. |
References: | 1. Adams, A. & Baker, R. (1995). The negative. Boston: Little Brown. 2. Adams, A. & Baker, R. (1983). The print. Boston: Little, Brown. 3. Gibson, R. (2001). Ex libris : photographs and constructs. New York, NY: PowerHouse Books. 4. Greenough, S. & Stieglitz, A. (2002). Alfred Stieglitz : the key set : the Alfred Stieglitz collection of photographs. Washington, D.C. New York: National Gallery of Art Harry N. Abrams. 5. Wall, J. & Duve. (2009). Jeff Wall : the complete edition. London: Phaidon. 6. Smith, J. & Steichen, E. (1999). Edward Steichen : the early years. Princeton, N.J: Princeton University Press in association with the Metropolitan Museum of Art. |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 1 | % 10 |
Homework Assignments | 4 | % 40 |
Presentation | 1 | % 10 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 4 | 56 |
Study Hours Out of Class | 13 | 3 | 39 |
Presentations / Seminar | 1 | 1 | 1 |
Homework Assignments | 4 | 7 | 28 |
Final | 1 | 2 | 2 |
Total Workload | 126 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Students will have knowledge of fundemantals of mathemetaics and phsics | |
2) | Students will have konowledge of relevant software and hardware requirements in the office environment | |
3) | Having the ability to define and explain the fundemental concepts, principles and essentilas of software and having the ability to develop software. | |
4) | Having the ability to use tools, machines and having the ability to recognize and diagnose problems in the related computer fields. | |
5) | Having the ability to communicate efficiently in verbal and written Turkish, to know at least one foreign language in order to communicate with the colleagues and customers. | |
6) | Having the ability to setup,diagnose and maintanance of databases | |
7) | Having the ability to design graphical animations for desktop applications and internet programming. | |
8) | Having the ability to develop and control internet projects | |
9) | Having the ability to develop group projects, team work, software and hardware projects | |
10) | Having the ability to set up,diagnose operating systems and network systems |