VCD3135 Animation FilmBahçeşehir UniversityDegree Programs PHOTOGRAPHY AND VIDEOGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
PHOTOGRAPHY AND VIDEO
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
VCD3135 Animation Film Spring
Fall
2 2 3 5
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi İPEK TORUN
Recommended Optional Program Components: None
Course Objectives: This course focuses on teaching the students the basic principles of animation film; providing the ability to visualize a concept or a story by transferring to the storyboard based on a created scenario; gaining skills to have a control over scenerio-storyboard-movie process and getting the students to produce an animation short-film.

Learning Outcomes

The students who have succeeded in this course;
1) Identify the general essentials of an animation film
2) Recognize the scenerio and grammer of film
3) Recognize the connections between storyboard and scenerio
4) Recognize the unity of scenerio and visual dialect
5) Learn how to use the model-sheet
6) Learn the releations among the background, foreground and scene
7) Study the releations between movement and rhythm
8) Gain skills to synchronize visual, dialogue, sound and music
9) Gain knowledge and skills about editing and effect
10) Study necessary software skills in order to realize an animation film

Course Content

Decision making process of an animation film's topic, according to the students ideas. Viewing of animation examples. Research the conceptual idea of the film and collect the visual and concept documentations. Evaluation of the student’s researchs. Study about scripting a scenerio, instruct about film gramer. Critique and advise about scenario sketches. instruct about storyboard. Plan the story visually suitable for the language of cinema. Study about Model-sheet. Planning the backgrounds, foregrounds and scenes in order to animate one to one. Animation studies, animate the plans. Montage the films of plans which are animated. Set the rhythm of film. Sound studies and effecks. Montage, join the visual and sound materials.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Decision making process of an animation film's topic, according to the students ideas. Viewing of animation examples. HW: research the conceptual idea of the film and collect the visual and concept documentations
2) Evaluation of the student’s researchs. Study about scripting a scenerio, instruct about film gramer. HW: making sketches about scenario
3) Critique and advise about scenario sketches. instruct about storyboard. HW: conclude the scenario and making sketches about storyboard
4) Critique the storyboards: Plan the story visually suitable for the language of cinema. HW: conclude the storyboard and making sketches about lay-out and background
5) Study about Model-sheet. HW: conclude the applications on class
6) Planning the backgrounds, foregrounds and scenes in order to animate one to one HW: conclude the applications on class.
7) Animation studies, animate the plans HW: conclude the applications on class, study about photoshop ve premiere
8) Animation studies, animate the plans HW: conclude the applications on class, study about photoshop ve premiere
9) Animation studies, animate the plans HW: conclude the applications on class, study about photoshop ve premiere
10) Animation studies, animate the plans HW: conclude the applications on class, study about photoshop ve premiere
11) Animation studies, animate the plans HW: conclude the applications on class, study about photoshop ve premiere
12) Montage the films of plans which are animated. Set the rhythm of film HW: conclude the applications on class. Preparation of the dialague, sound and music suggestions
13) Critique the montage and rhythm of film. Application of sound and music HW: conclude the applications on class, works about lay-out of credits and titles
14) Montage, join the visual and sound materials HW: conclude the applications on class sound studies and - effecks HW: conclude the applications on class

Sources

Course Notes / Textbooks:
References: 'Understanding Animation’, Paul Wells
‘Understanding Comics’, Scott McCloud
‘Graphic Storytelling’, Will Eisner
‘Visualizing Ideas – From Scribbles to Storyboards’, Gregor Krisztian and Nesrin Schlempp

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Project 5 % 60
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 0
PERCENTAGE OF FINAL WORK % 100
Total % 100

ECTS / Workload Table

Activities Number of Activities Workload
Course Hours 14 42
Study Hours Out of Class 13 73
Project 2 8
Final 1 7
Total Workload 130

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media.
2) Ability to understand, analyze and evaluate theories, concepts and uses of photography and video.
3) Ability to employ theoretical knowledge in the areas of the use of photography and video.
4) Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video.
5) Ability in problem solving in relation to projects in photography and video.
6) Ability to generate innovative responses to particular and novel requirements in photography and video.
7) Understanding and appreciation of the roles and potentials of the image across visual culture
8) Ability to communicate distinctively by means of photographic and video images.
9) Experience of image post-production processes and ability to develop creative outcomes through this knowledge.
10) Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media.
11) Ability to understand, analyze and evaluate global, regional and local problematics in visual culture.
12) Knowledge of and ability to make a significant contribution to the goals of public communication.
13) Enhancing creativity via interdisciplinary methods to develop skills for realizing projects.
14) Gaining general knowledge about the points of intersection of communication, art and technology.