PHOTOGRAPHY AND VIDEO
Bachelor	TR-NQF-HE: Level 6	QF-EHEA: First Cycle	EQF-LLL: Level 6

Course Introduction and Application Information

Course Code	Course Name	Semester	Theoretical	Practical	Credit	ECTS
POV3333	Icons and Symbols	Spring Fall	2	2	3	5

This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction:	English
Type of course:	Departmental Elective
Course Level:	Bachelor’s Degree (First Cycle)
Mode of Delivery:	Face to face
Course Coordinator :	Instructor DENİZ EYÜCE ŞANSAL
Recommended Optional Program Components:	None
Course Objectives:	This class aims to introduce students into the logic, the way of function and the impact of icons and symbols in culture. Introducing the medial differences between image and text will open the field to discuss artistic approaches to this problem especially in photography, but also in literature, film and painting.

Learning Outcomes

The students who have succeeded in this course;
1. Identify the logic and function of icons and symbols in culture.
2. Discuss the artistic approaches to icons and symbols in literature, art, painting and photography in particular.
3. Analyze artistic products based on different approaches.
4. Execute photographic experiments with respect to icons and symbols.
5. Evaluate the cultural impacts of icons and symbols in their own image and text productions.
6. Construct a theoretical framework with respect to icons and symbols to build upon.

Course Content

In this class students discuss theoretical texts and analyse artwork, but also do some photographic experiments with respect to symbols and icons. In the last part of each class we will discuss these photographical experiments. In this way the students develop a deep understanding of the cultural impacts of these medial differences and their own image and text production.

Weekly Detailed Course Contents

Week	Subject	Related Preparation
1)	Introduction to the Course
2)	Iconic Communication: Barker: Human Communication Processes King: On the Possibility and Impossibility of a Universal Iconic Communication System	Weekly readings will be assigned.
3)	Roscoe: The Limits of Iconic Communication	Weekly readings will be assigned.
4)	McLaren: Some Pictorial Symbol Systems for Public Spaces ISOTYPES a.o.	Weekly readings will be assigned.
5)	Exhibition Visit	Weekly readings will be assigned.
6)	Mitchell: Picture Theory: Introduction & The Pictorial Turn	Weekly readings will be assigned.
7)	Metapictures	Weekly readings will be assigned.
8)	Beyond Comparison: Picture, Text, and Method	Weekly readings will be assigned.
9)	Ekphrasis and the Other	Weekly readings will be assigned.
10)	Ut Pictura Poesis: Abstract Painting and Language	Weekly readings will be assigned.
11)	Theorising film and television	Weekly readings will be assigned.
12)	Continued: The Photographic Essay: Four Case Studies	Weekly readings will be assigned.
13)	Realism, Irrealism, and Ideology: After Nelson Goodman & Conclusion: Some Pictures of Representation	Weekly readings will be assigned.
14)	Conclusion and Review for the Final Exam	Weekly readings will be assigned.

Sources

Course Notes / Textbooks:
References:

Evaluation System

Semester Requirements	Number of Activities	Level of Contribution
Attendance	1	% 15
Midterms	1	% 25
Final	1	% 60
Total		% 100
PERCENTAGE OF SEMESTER WORK		% 40
PERCENTAGE OF FINAL WORK		% 60
Total		% 100

ECTS / Workload Table

Activities	Number of Activities	Duration (Hours)	Workload
Course Hours	14	4	56
Study Hours Out of Class	14	4	56
Midterms	1	2	2
Final	1	2	2
Total Workload			116

Contribution of Learning Outcomes to Programme Outcomes

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media.	1
2)	Ability to understand, analyze and evaluate theories, concepts and uses of photography and video.	5
3)	Ability to employ theoretical knowledge in the areas of the use of photography and video.	4
4)	Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video.	5
5)	Ability in problem solving in relation to projects in photography and video.	1
6)	Ability to generate innovative responses to particular and novel requirements in photography and video.	1
7)	Understanding and appreciation of the roles and potentials of the image across visual culture	5
8)	Ability to communicate distinctively by means of photographic and video images.	4
9)	Experience of image post-production processes and ability to develop creative outcomes through this knowledge.	1
10)	Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media.	1
11)	Ability to understand, analyze and evaluate global, regional and local problematics in visual culture.	3
12)	Knowledge of and ability to make a significant contribution to the goals of public communication.	1
13)	Enhancing creativity via interdisciplinary methods to develop skills for realizing projects.
14)	Gaining general knowledge about the points of intersection of communication, art and technology.