BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
| PHOTOGRAPHY AND VIDEO | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
Course Introduction and Application Information
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| ACL4001 | Introduction to Womens Studies | Spring Fall |
3 | 0 | 3 | 5 |
| This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Basic information
| Language of instruction: | English |
| Type of course: | Non-Departmental Elective |
| Course Level: | Bachelor’s Degree (First Cycle) |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
| Course Lecturer(s): |
Prof. Dr. GÖNÜL BAKAY |
| Recommended Optional Program Components: | none |
| Course Objectives: | The objective of this course * to introduce the students to Women’s Studies where they will explore gender as a variable that explains socio-economic status of women in the world that we live in. * to give them a clear understanding of the major movements of feminist thought and related areas of the body of knowledge making up the field of Women's Studies. |
Learning Outcomes
|
The students who have succeeded in this course; Students who complete this course will: * integrate and compare knowledge from this course with other literature courses * learn the terminology related to feminist studies • learn about key feminist theorist and critics • learn about feminist literary criticism and other related schools of criticism • learn to analyse literary texts from a feminist point of view |
Course Content
| Second Wave Feminism: Beauvoir, Millet, Friedan, Greer Myth Criticism: Nancy Chodorow,Virginia Woolf, Mary Dally, Annis Pratt, Bettina L. Knapp Marxist, Socialist , Feminist criticism: Tillie Olsen, Juliette Michele, Michael Barret Psychoanalytic Criticism :Freud and Lacan , Juliette Michele, Ellen Moers and Sandra Gilbert, Susan Gubar,Zora Neale Hurston. Poststructuralism, Deconstruction, Post modernism : Saussure, Foucault, Roland Barth, Hortense Spillers, Alice Jardine, Meaghan Morris, Duplessis Black Feminism: The African Diaspora and Caribbean Feminist Criticizm: Alice Walker, Audre Lorde, Barbara Christian Lesbian feminist criticism: Adrienne Rich, Bonnie Zimmerman,Toni Morrison , Jane Rule , Mary Dally Third World Feminist Criticism: Rosario Castellanos, Chandra Mohanty, Gloria Andalzua, Rey Chow, Diane Bell |
Weekly Detailed Course Contents
| Week | Subject | Related Preparation |
| 1) | Beauvoir-------The Second Sex pages 351- 392 ,445-500 The Feminine Mystique, pages 1-70 Germaine Greer ------The Female Eunuch Kate Millett--------Sexual Politics 60-108,157-176. | Reading |
| 2) | Beauvoir-------The Second Sex pages 351- 392 ,445-500 The Feminine Mystique, pages 1-70 Germaine Greer ------The Female Eunuch Kate Millett--------Sexual Politics 60-108,157-176. | Reading |
| 3) | Beauvoir-------The Second Sex pages 351- 392 ,445-500 The Feminine Mystique, pages 1-70 Germaine Greer ------The Female Eunuch Kate Millett--------Sexual Politics 60-108,157-176. | Reading |
| 4) | Virginia Woolf--------To The Lighthouse D.V.D Nancy Chodorow-------The Reproduction of Mothering 11-39,72-92,191-219. Annis Pratt ---------Archtypal Patterns in Women’s Fiction. 3-12,73-94 | Reading |
| 5) | Tillie Olsen-------Silences 6-21,122-152, Juliette Michele------Psychoanalysis and Feminism ,170-222. 253-273 | Reading |
| 6) | Wittig-----The Straight Mind and other Essays 9-20 Helene Cixous -------Writing The Feminine 3-50 Luce Irigaray------The Speculum of The other Woman Julia Kristeva ----- Women’s Time. 187-211 | Reading |
| 7) | Review | Reading |
| 8) | Sandra Gilbert and Susan Gubar-----The Madwoman in The Attic 45-70 Zora Neale Hurston ------Their Eyes Were Watching God 9-80 | Reading |
| 9) | Sandra Gilbert and Susan Gubar-----The Madwoman in The Attic 45-70 Zora Neale Hurston ------Their Eyes Were Watching God 9-80 | Reading |
| 10) | Foucoult: The Order of Things 30-50 Spivak : In Other Worlds 95-133 | Reading |
| 11) | Alice Walker ----- The Meridian Audre Lorde------ Sister Outsider 13-64,81-109 | Reading |
| 12) | Alice Walker ----- The Meridian Audre Lorde------ Sister Outsider 13-64,81-109 | Reading |
| 13) | Adrienne Rich-----Of Woman Born 21-83 Toni Morrison----- Beloved | Reading |
| 14) | Andalzua---- Borderlands, Making Face, Making Soul 75-114. Diane Bell-----Daughters of The Dreaming | Reading |
| 15) | Final | Reading |
| 16) | Final | Reading |
Sources
| Course Notes / Textbooks: | The Second Sex , The Feminine Mystique, The Female Eunuch, Sexual Politics, To The Lighthouse, The Reproduction of Mothering , Archtypal Patterns in Women’s Fiction, Silences ,Psychoanalysis and Feminism , The Straight Mind and other Essays , Writing The Feminine , The Speculum of The other Woman, Women’s Time, The Madwoman in The Attic Their Eyes Were Watching God, The Order of Things , The Meridian , Sister Outsider, In Other Worlds, Of Woman Born, Beloved , Borderlands, Making Face, Making Soul , Daughters of The Dreaming |
| References: | none |
Evaluation System
| Semester Requirements | Number of Activities | Level of Contribution |
| Quizzes | 3 | % 20 |
| Project | 1 | % 10 |
| Midterms | 1 | % 20 |
| Final | 1 | % 50 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 40 | |
| PERCENTAGE OF FINAL WORK | % 60 | |
| Total | % 100 | |
Contribution of Learning Outcomes to Programme Outcomes
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media. | |
| 2) | Ability to understand, analyze and evaluate theories, concepts and uses of photography and video. | |
| 3) | Ability to employ theoretical knowledge in the areas of the use of photography and video. | |
| 4) | Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video. | |
| 5) | Ability in problem solving in relation to projects in photography and video. | |
| 6) | Ability to generate innovative responses to particular and novel requirements in photography and video. | |
| 7) | Understanding and appreciation of the roles and potentials of the image across visual culture | |
| 8) | Ability to communicate distinctively by means of photographic and video images. | |
| 9) | Experience of image post-production processes and ability to develop creative outcomes through this knowledge. | |
| 10) | Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media. | |
| 11) | Ability to understand, analyze and evaluate global, regional and local problematics in visual culture. | |
| 12) | Knowledge of and ability to make a significant contribution to the goals of public communication. | |
| 13) | Enhancing creativity via interdisciplinary methods to develop skills for realizing projects. | |
| 14) | Gaining general knowledge about the points of intersection of communication, art and technology. |