MECHATRONICS (TURKISH) | |||||
Associate | TR-NQF-HE: Level 5 | QF-EHEA: Short Cycle | EQF-LLL: Level 5 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
VCD3134 | Photography for Design | Spring Fall |
2 | 2 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Associate (Short Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi İPEK TORUN |
Course Lecturer(s): |
Dr. Öğr. Üyesi TOLGA HEPDİNÇLER |
Recommended Optional Program Components: | None |
Course Objectives: | This course have two main aims: First, Exploring intermediate and advanced techniques of the photographic medium like design, composition and perception in a formal tendency. Second, Creating the relation between context and photographic medium in a contextual tendency. |
The students who have succeeded in this course; I. Name basic elements of composition II.Acknowledge the narrative role of photography III. Define the relation between concepts, contexts and Photographic Practices IV. Compare use of visual elements in differnet photographic genres. V. Show dexrerity in use of visual elements in various photographic practices and genres VI. Gain ability to control camera variables in order to create a meaning |
Photographic genres like documentary, portrait, abstract and news photography and their relation with formal formation, artistic creation and space will be the main topics of this course. |
Week | Subject | Related Preparation |
1) | Reviewing basic photographic knowledge: Effects of Camera types and Lenses in the photographic image; Effects of negative films and digital imaging on the visual design. Effects of photographic elements (like usage of aperture, shutter, filters etc.) to create various design elements | |
2) | Composition: Getting to know yourself and your photography. Discussion on selected portfolios of photographers Basis of Composition and its elements in Photographic visual design.Definition of Unity, Balance, Coherence, Rules of Thirds and Golden Ratio | |
3) | Light as a visual Element: Historical use of light &shadow. Basic characteristic of light, relation between color and light. | Assignment I: Rule of Thirds |
4) | Recognizing Space in Photographic Practice: Relations between objects and place. Representation of familiar objects within various spatial conditions. | Assignment II: Chiaroscuro |
5) | Picturing Self: Historical evolution of Self-Portrait. Contemporary self-portrait samples. Creating allegories and metaphors within self-portrait style. Usage of environment for creating meanings | Assignment III / Context: Home and Objects Images of anything in / or around your home which define safe or uncanny views about your environment(s). |
6) | Picturing Others: Historical evolution of portrait style in visual art. Contemporary samples from portrait photographers. Family Albums and post memorial function of photographic images. Found images. | Assignment IV / Concept: Allegorical Self-Portraits Pictures define subjects on self |
7) | Genres I : Documentary Photography: History of Documentary Photography, Relation between Documentary, Photojournalism and essay styles. Main topics of contemporary documentary photography, Evolution of Street Photography (1930s-2000s). | Assignment V / Context: Family Photographs Pictures define family within the context of social class, culture etc. |
8) | Genres II : Abstract Photography Meaning of Abstract and abstraction. Modern and Post-Modern Use of abstraction. Definition of metaphor, metonymy and synecdoche in artistic practices. | Assignment VI: Street Photography |
9) | Genres III: Landscape: Historical evolution of genre. Different sub-genres in the practice. Opposition of Rural and Urban Practices of genre. | Assignment VII: Abstraction: abstract or semi-abstract subjects which express metaphor/metonymy or synecdoche |
10) | Genres IV: Fashion: Historical evolution of genre, Artistic methods of genre within artistic eras, Current styles in genre. | Assignment VIII: Concept: Cityscape vs. Landscape Urban or/and Rural spaces which express a critical view to the subject-matter |
11) | Humor: Definition Pastiche and Parody in representation. Meaning and role of reproduction and appropriation. | Assignment IX: Fashion and the City |
12) | Genres V: Definition of Photo-Essay and Photo-Diary Style. | Assignment X: Humor: Pictures including pastiche or parody. |
13) | Ideas of Final Project and Discussion. | |
14) | Final Presentation and comments/critics. |
Course Notes / Textbooks: | Davis, Harold. Creative Composition. John Winley&Sons, 2009. Freeman, Michael. The Photographer’s Eye. Focal Press, 2009 DuChemin, David. Within the Frame: The Journey of Photographic Vision. New Riders, 2009. Branbaum, Bruce. The Art of Photography: An Approach to Personal Expression |
References: |
Semester Requirements | Number of Activities | Level of Contribution |
Homework Assignments | 4 | % 60 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Workload |
Course Hours | 14 | 42 |
Study Hours Out of Class | 13 | 64 |
Homework Assignments | 4 | 12 |
Final | 1 | 6 |
Total Workload | 124 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To improve fundamental computer knowledge, to encourage students using office and package programs. | |
2) | Ability to have and use of fundamental mathematics knowledge and skills the usage of relevant materials. | |
3) | Ability to recognize general structures of machine equipments and the features of shaping | |
4) | Ability to grasp manufacturing processes and cutting tool materials, materials, statics, mechanics and fluid science fundemantal knowledge. | |
5) | Ability to draw assembly and auxilary devices as well as to draw whole or details of a system. | |
6) | Ability to have a knowledge of fundemantal manufacturing process such as turning, milling, punching,grinding and welding techniques and to have a self esteem in order to work behind the bench. | |
7) | Ability to do computer aided design and write program on digital benches. | |
8) | Ability to prepare project report, follow up project process and implement projects. | |
9) | ability to learn the areas of usage of electronic circuit components. Ability to grasp and write programs for micro controllers and for their components. Ability to design relevant circuits. | |
10) | Ability to understand the electric motors principles and AC-DC analysis | |
11) | Ability to gain a dominaion on visual programming | |
12) | Having the ability to communicate efficiently in verbal and written Turkish, to know at least one foreign language in order to communicate with the colleagues and customers. |