VCD3134 Photography for DesignBahçeşehir UniversityDegree Programs SOFTWARE ENGINEERINGGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
SOFTWARE ENGINEERING
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
VCD3134 Photography for Design Fall 2 2 3 5
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi İPEK TORUN
Course Lecturer(s): Dr. Öğr. Üyesi TOLGA HEPDİNÇLER
Recommended Optional Program Components: None
Course Objectives: This course have two main aims:
First, Exploring intermediate and advanced techniques of the photographic medium like design, composition and perception in a formal tendency.
Second, Creating the relation between context and photographic medium in a contextual tendency.

Learning Outcomes

The students who have succeeded in this course;
I. Name basic elements of composition
II.Acknowledge the narrative role of photography
III. Define the relation between concepts, contexts and Photographic Practices
IV. Compare use of visual elements in differnet photographic genres.
V. Show dexrerity in use of visual elements in various photographic practices and genres
VI. Gain ability to control camera variables in order to create a meaning

Course Content

Photographic genres like documentary, portrait, abstract and news photography and their relation with formal formation, artistic creation and space will be the main topics of this course.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Reviewing basic photographic knowledge: Effects of Camera types and Lenses in the photographic image; Effects of negative films and digital imaging on the visual design. Effects of photographic elements (like usage of aperture, shutter, filters etc.) to create various design elements
2) Composition: Getting to know yourself and your photography. Discussion on selected portfolios of photographers Basis of Composition and its elements in Photographic visual design.Definition of Unity, Balance, Coherence, Rules of Thirds and Golden Ratio
3) Light as a visual Element: Historical use of light &shadow. Basic characteristic of light, relation between color and light. Assignment I: Rule of Thirds
4) Recognizing Space in Photographic Practice: Relations between objects and place. Representation of familiar objects within various spatial conditions. Assignment II: Chiaroscuro
5) Picturing Self: Historical evolution of Self-Portrait. Contemporary self-portrait samples. Creating allegories and metaphors within self-portrait style. Usage of environment for creating meanings Assignment III / Context: Home and Objects Images of anything in / or around your home which define safe or uncanny views about your environment(s).
6) Picturing Others: Historical evolution of portrait style in visual art. Contemporary samples from portrait photographers. Family Albums and post memorial function of photographic images. Found images. Assignment IV / Concept: Allegorical Self-Portraits Pictures define subjects on self
7) Genres I : Documentary Photography: History of Documentary Photography, Relation between Documentary, Photojournalism and essay styles. Main topics of contemporary documentary photography, Evolution of Street Photography (1930s-2000s). Assignment V / Context: Family Photographs Pictures define family within the context of social class, culture etc.
8) Genres II : Abstract Photography Meaning of Abstract and abstraction. Modern and Post-Modern Use of abstraction. Definition of metaphor, metonymy and synecdoche in artistic practices. Assignment VI: Street Photography
9) Genres III: Landscape: Historical evolution of genre. Different sub-genres in the practice. Opposition of Rural and Urban Practices of genre. Assignment VII: Abstraction: abstract or semi-abstract subjects which express metaphor/metonymy or synecdoche
10) Genres IV: Fashion: Historical evolution of genre, Artistic methods of genre within artistic eras, Current styles in genre. Assignment VIII: Concept: Cityscape vs. Landscape Urban or/and Rural spaces which express a critical view to the subject-matter
11) Humor: Definition Pastiche and Parody in representation. Meaning and role of reproduction and appropriation. Assignment IX: Fashion and the City
12) Genres V: Definition of Photo-Essay and Photo-Diary Style. Assignment X: Humor: Pictures including pastiche or parody.
13) Ideas of Final Project and Discussion.
14) Final Presentation and comments/critics.

Sources

Course Notes / Textbooks: Davis, Harold. Creative Composition. John Winley&Sons, 2009.
Freeman, Michael. The Photographer’s Eye. Focal Press, 2009
DuChemin, David. Within the Frame: The Journey of Photographic Vision. New Riders, 2009.
Branbaum, Bruce. The Art of Photography: An Approach to Personal Expression
References:

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Homework Assignments 4 % 60
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Workload
Course Hours 14 42
Study Hours Out of Class 13 64
Homework Assignments 4 12
Final 1 6
Total Workload 124

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) Be able to specify functional and non-functional attributes of software projects, processes and products.
2) Be able to design software architecture, components, interfaces and subcomponents of a system for complex engineering problems.
3) Be able to develop a complex software system with in terms of code development, verification, testing and debugging.
4) Be able to verify software by testing its program behavior through expected results for a complex engineering problem.
5) Be able to maintain a complex software system due to working environment changes, new user demands and software errors that occur during operation.
6) Be able to monitor and control changes in the complex software system, to integrate the software with other systems, and to plan and manage new releases systematically.
7) Be able to identify, evaluate, measure, manage and apply complex software system life cycle processes in software development by working within and interdisciplinary teams.
8) Be able to use various tools and methods to collect software requirements, design, develop, test and maintain software under realistic constraints and conditions in complex engineering problems.
9) Be able to define basic quality metrics, apply software life cycle processes, measure software quality, identify quality model characteristics, apply standards and be able to use them to analyze, design, develop, verify and test complex software system.
10) Be able to gain technical information about other disciplines such as sustainable development that have common boundaries with software engineering such as mathematics, science, computer engineering, industrial engineering, systems engineering, economics, management and be able to create innovative ideas in entrepreneurship activities.
11) Be able to grasp software engineering culture and concept of ethics and have the basic information of applying them in the software engineering and learn and successfully apply necessary technical skills through professional life.
12) Be able to write active reports using foreign languages and Turkish, understand written reports, prepare design and production reports, make effective presentations, give clear and understandable instructions.
13) Be able to have knowledge about the effects of engineering applications on health, environment and security in universal and societal dimensions and the problems of engineering in the era and the legal consequences of engineering solutions.