ACL4002 Ethnic LiteratureBahçeşehir UniversityDegree Programs PHOTOGRAPHY AND VIDEOGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
PHOTOGRAPHY AND VIDEO
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
ACL4002 Ethnic Literature Spring
Fall
3 0 3 6
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Course Lecturer(s): Prof. Dr. GÖNÜL BAKAY
Recommended Optional Program Components: None
Course Objectives: To introduce the student to the literature of the major ethnic groups in the United States and examine the cultural contexts and literary traditions from which such literature emanates.

Learning Outcomes

The students who have succeeded in this course;
Familiarization with a variety of themes and literary styles outside (what used to be) the traditional canon, and an awareness of the multiple facets of US identity.

Course Content

Diverse issues prevalent in multi-etnic America to be debated through the reading of five novels pertaining to Native Americans, African Americans, Latinos, and Asian Americans, as well as of passages from autobiographies of ethnic authors, and from theoretical work by various scholars. Watching parts of Roots to be added if there is time.

Weekly Detailed Course Contents

Week Subject Related Preparation
1) General Introduction Reading
2) Analysis /Discussion of House Made of Dawn Reading
3) House Made of Dawn continued Reading
4) Passages from theoreticians Reading
5) Discussion /Analysis of The Color Purple Reading
6) The Color Purple continued Reading
7) Roots
8) Discussion /Analysis of Bless Me Ultima Reading
9) Bless Me Ultima continued Reading
10) Jasmine Reading
11) Jasmine continued Reading
12) Discussion /Analysis of Joy-Luck Club Reading
13) Joy-Luck Club continued Reading
14) Passages from autobiographies Reading
15) Final Examination
16) Final Examination

Sources

Course Notes / Textbooks: N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999).
Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006).
Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994).
Amy Tan, The Joy Luck Club (London: Penguin, 2006).
Bharati Mukherjee, Jasmine (New York: N. Scott Momaday, House Made of Dawn ( New York: Harper Perennial, 1999).
Alice Walker, The Color Purple (Orlando, FL: Mariner Books, 2006).
Rudolfo Anaya, Bless Me Ultima (New York: Grand Central Publishing, 1994).
The tv series Roots

References: Passages from:
Henry Louis Gates Jr., The Signifying Monkey: A Theory of African-American Literary Criticism.
Werner Sollors, Beyond Ethnicity
Gloria Anzaldua, Borderlands/La Frontera
W. E. B. Du Bois, The Souls of Black Folk
Edward Said, Out of Place
Richard Rodriguez, Hunger of Memory
Marie Lauret et al., Beginning Ethnic American Literature

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 16 % 20
Midterms 2 % 40
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Study Hours Out of Class 12 4 48
Presentations / Seminar 1 4 4
Homework Assignments 5 8 40
Midterms 1 8 8
Final 1 10 10
Total Workload 152

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media.
2) Ability to understand, analyze and evaluate theories, concepts and uses of photography and video.
3) Ability to employ theoretical knowledge in the areas of the use of photography and video.
4) Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video.
5) Ability in problem solving in relation to projects in photography and video.
6) Ability to generate innovative responses to particular and novel requirements in photography and video.
7) Understanding and appreciation of the roles and potentials of the image across visual culture
8) Ability to communicate distinctively by means of photographic and video images.
9) Experience of image post-production processes and ability to develop creative outcomes through this knowledge.
10) Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media.
11) Ability to understand, analyze and evaluate global, regional and local problematics in visual culture.
12) Knowledge of and ability to make a significant contribution to the goals of public communication.
13) Enhancing creativity via interdisciplinary methods to develop skills for realizing projects.
14) Gaining general knowledge about the points of intersection of communication, art and technology.