BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
| PHOTOGRAPHY AND VIDEO | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
Course Introduction and Application Information
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| ACL4003 | Postmodern Literature | Spring Fall |
3 | 0 | 3 | 5 |
| This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Basic information
| Language of instruction: | English |
| Type of course: | Non-Departmental Elective |
| Course Level: | Bachelor’s Degree (First Cycle) |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
| Course Lecturer(s): |
Prof. Dr. GÖNÜL BAKAY Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
| Recommended Optional Program Components: | none |
| Course Objectives: | Students who take this course will be able to apply close reading techniques to selected works of postmodern literature and identify the distinctive elements of this genre. They will have acquired indepth knowledge of the evolution of postmodernism and postmodern literature in America and Europe.They will |
Learning Outcomes
|
The students who have succeeded in this course; Students who complete this course will learn * to apply a variety of reading strategies, including making inferences, recognizing the organizational structure of texts. * to recognize the value of multiple perspectives and develop competence in giving and receiving constructive criticism. * to use terminology related to postmodernism • to identify themes and writing strategies common to postmodernism, • to discover what these novels all have in common, and how reading them together helps us form a basic understanding of the principles of postmodern literature. * to compare and differentiate between postmodern and other literary genres |
Course Content
| 20th century postmodern novels by English and American writers |
Weekly Detailed Course Contents
| Week | Subject | Related Preparation |
| 1) | Introduction to class | - |
| 2) | The Floating Opera | Reading |
| 3) | The Floating Opera | Reading |
| 4) | The Floating Opera | Reading |
| 5) | Cat’s Cradle | Reading |
| 6) | Cat’s Cradle | Reading |
| 7) | Cat’s Cradle | Reading |
| 8) | Review | Reading |
| 9) | A History of the World in 10 ½ Chapters | Reading |
| 10) | A History of the World in 10 ½ Chapters | Reading |
| 11) | A History of the World in 10 ½ Chapters | Reading |
| 12) | A History of the World in 10 ½ Chapters | Reading |
| 13) | Infinite Jest | Reading |
| 14) | Infinite Jest | Reading |
| 15) | Final | - |
| 16) | Final | - |
Sources
| Course Notes / Textbooks: | The Floating Opera by John Barth (1956) Cat’s Cradle by Kurt Vonnegut (1969) A History of the World in 10 ½ Chapters by Julian Barnes (1989) Infinite Jest by David Foster Wallace (1996) |
| References: | Postmodernism, or, The Cultural Logic of Late Capitalism by Frederick Jameson The Postmodern Condition: A Report on Knowledge by Jean-Francois Lyotard Postmodernism: A Very Short Introduction by Christopher Butler A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon |
Evaluation System
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | 16 | % 10 |
| Quizzes | 2 | % 20 |
| Midterms | 1 | % 30 |
| Final | 1 | % 40 |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 60 | |
| PERCENTAGE OF FINAL WORK | % 40 | |
| Total | % 100 | |
ECTS / Workload Table
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 3 | 42 |
| Study Hours Out of Class | 15 | 2 | 30 |
| Quizzes | 2 | 10 | 20 |
| Midterms | 1 | 20 | 20 |
| Final | 1 | 32 | 32 |
| Total Workload | 144 | ||
Contribution of Learning Outcomes to Programme Outcomes
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media. | |
| 2) | Ability to understand, analyze and evaluate theories, concepts and uses of photography and video. | |
| 3) | Ability to employ theoretical knowledge in the areas of the use of photography and video. | |
| 4) | Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video. | |
| 5) | Ability in problem solving in relation to projects in photography and video. | |
| 6) | Ability to generate innovative responses to particular and novel requirements in photography and video. | |
| 7) | Understanding and appreciation of the roles and potentials of the image across visual culture | |
| 8) | Ability to communicate distinctively by means of photographic and video images. | |
| 9) | Experience of image post-production processes and ability to develop creative outcomes through this knowledge. | |
| 10) | Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media. | |
| 11) | Ability to understand, analyze and evaluate global, regional and local problematics in visual culture. | |
| 12) | Knowledge of and ability to make a significant contribution to the goals of public communication. | |
| 13) | Enhancing creativity via interdisciplinary methods to develop skills for realizing projects. | |
| 14) | Gaining general knowledge about the points of intersection of communication, art and technology. |