TEXTILE AND FASHION DESIGN | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
FTV3966 | Special Topics in TV and Media Studies II | Spring | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi ELENI VARMAZI |
Course Lecturer(s): |
Dr. Öğr. Üyesi ELENI VARMAZI |
Recommended Optional Program Components: | None |
Course Objectives: | The course will explore key concepts, texts and debates in the field of contemporary cinema and media studies. |
The students who have succeeded in this course; 1. Have the knowledge of the main terminology of cinema and media studies. 2. Will be able to analyze films and media products according to official terminology. 3. Have the knowledge of of main theories and movements of cinema and media studies. 4. Will be able to make presentations of films and media products in respect to an academic language and terminology. |
The central focus of the course will be on the intellectual and material histories of cinema studies and media studies as disciplines (and their recent convergence), including the development of different models of film study (film as art, culture, industry, etc.); the development of classical film theory and film criticism; feminist film theory; and the mutual influence of other disciplines in relation to the study of cinema and media. |
Week | Subject | Related Preparation |
1) | Action Movies, Animation, Art Cinema, Auteur Theory, Black cinema, Blaxploitaion, Bollywood, British New Wave. | |
2) | Cinema Novo, Cinema verite (direct cinema), Classical Hollywood cinema, comedy, cult cinema, diegesis, Dogme 95. | |
3) | Ethnographic film, European cinema, Expressionism, Fantasy films, Feminist film theory, Film noir, French poetic realism. | |
4) | Gangster films, Genre, Horror Films, Historical films, Identification, Independent Cinema, Italian Neorealism. | |
5) | Melodrama, Method Acting, Musical, Myth, Narrative, Narration. | |
6) | Parallel sequencing,Plot/ story, Psychoanalysis, Queer cinema. | |
7) | Psychoanalysis (cont.) Oral presentations. | |
8) | Realism, Representation, Resolution, Road movie. | |
9) | Science fiction, Scopophilia, Semiotics, Soviet Cinema/Montage. | |
10) | Spacial and temporal continuity, Star/Star System, Structuralism/Post-Structuralism, Subjective Camera, Surrealism. | |
11) | Third Cinema, 3-D Cinema, Thriller, Transition, Travelling. | |
12) | Underground Cinema, Vampire Movies, Variation, Violence/ Censorship. | |
13) | War Films, Westerns, World Cinema/ 3rd World Cinema. | |
14) | In class fim analyses. |
Course Notes / Textbooks: | |
References: | 1.Hayward, Susan, Cinema Studies, The Key concepts, Routledge, London and New York, 2013 |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 20 |
Quizzes | 3 | % 30 |
Presentation | 1 | % 20 |
Final | 1 | % 30 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 70 | |
PERCENTAGE OF FINAL WORK | % 30 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 12 | 3 | 36 |
Presentations / Seminar | 1 | 2 | 2 |
Homework Assignments | 2 | 8 | 16 |
Quizzes | 3 | 9 | 27 |
Final | 1 | 10 | 10 |
Total Workload | 133 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution |