MATHEMATICS (TURKISH, PHD) | |||||
PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
ACL2052 | Introduction to Film Studies | Fall | 3 | 0 | 3 | 6 |
The course opens with the approval of the Department at the beginning of each semester |
Language of instruction: | En |
Type of course: | Departmental Elective |
Course Level: | |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi ELİF BAŞ |
Course Lecturer(s): |
Dr. Öğr. Üyesi ELİF BAŞ Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Course Objectives: | This course is a survey of the discipline of Film Studies, its methodologies, genres and histories. Through an examination of various cinematic forms, styles, and genres, roughly following a historical chronology, the course aims to develop the critical skills crucial to the discourse of Film Studies. |
The students who have succeeded in this course; 1-Trace the historical developments of world cinema and identify the causes and effects of those developments. 2-Demonstrate how the individual histories of national cinemas have affected international trends in producing, distributing, and exhibiting films. 3-Describe how the uses of the film medium have changed and standardized over time. 4-Explain how sociopolitical, technological, economic, and cultural circumstances have influenced the aesthetics of cinema at given junctures in history. |
Films and reading material related to history of cinema. |
Week | Subject | Related Preparation | |
1) | Introduction to the course. Film terminology. | ||
2) | Birth of the narrative form- D.W. Griffith – Birth of a Nation 1915 | Reading. | |
3) | Soviet Silent Cinema and the Theory of Montage Eisenstein: Battleship Potemkin 1925 (scene: The Odessa Steps) | Reading. | |
4) | German Cinema of the Weimar Period Robert Weine – Das Kabinet des Dr. Caligari 1920 | Reading. | |
5) | Golden Age of Hollywood – Charlie Chaplin Modern Times 1936 | ||
6) | Classical Hollywood Cinema – Casablanca 1942 | ||
7) | A Major Figure of the Studio Era: Hitchcock Alfred Hitchcock – The Birds 1963/or Psycho | ||
8) | Review and discussion. | ||
9) | Italian neorealism - De Sica– The Bicycle Thieves 1948 | Reading. | |
10) | La Dolce Vita - Federico Fellini | Reading. | |
11) | 1970’s era of cynicism: A nervous romance Woody Allen – Annie Hall 1977 | ||
12) | Midterm, 2nd essay. | ||
13) | A German Horror: Das Experiment - Oliver Hirschbiegel 2001 | ||
14) | Turkish cinema | ||
15) | Final. | ||
16) | Final. |
Course Notes: | History of Film / C. Ellis and Virginia Wright Wexman A History of Narrative Film / David A. Cook |
References: |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 16 | % 10 |
Laboratory | % 0 | |
Application | % 0 | |
Field Work | % 0 | |
Special Course Internship (Work Placement) | % 0 | |
Quizzes | % 0 | |
Homework Assignments | % 0 | |
Presentation | 1 | % 15 |
Project | % 0 | |
Seminar | % 0 | |
Midterms | 2 | % 40 |
Preliminary Jury | % 0 | |
Final | 1 | % 35 |
Paper Submission | % 0 | |
Jury | % 0 | |
Bütünleme | % 0 | |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 65 | |
PERCENTAGE OF FINAL WORK | % 35 | |
Total | % 100 |
Activities | Number of Activities | Workload | |
Course Hours | 16 | 48 | |
Laboratory | |||
Application | |||
Special Course Internship (Work Placement) | |||
Field Work | |||
Study Hours Out of Class | 10 | 50 | |
Presentations / Seminar | |||
Project | |||
Homework Assignments | |||
Quizzes | |||
Preliminary Jury | |||
Midterms | 2 | 40 | |
Paper Submission | |||
Jury | |||
Final | 1 | 20 | |
Total Workload | 158 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution |