| FILM AND TELEVISION (ENGLISH, THESIS) | |||||
| Master | TR-NQF-HE: Level 7 | QF-EHEA: Second Cycle | EQF-LLL: Level 7 | ||
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| FTV5888-1 | Thesis | Fall | 0 | 0 | 0 | 20 |
| The course opens with the approval of the Department at the beginning of each semester |
| Language of instruction: | En |
| Type of course: | Must Course |
| Course Level: | |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Prof. Dr. OSMAN KAYA ÖZKARACALAR |
| Course Lecturer(s): |
Prof. Dr. OSMAN KAYA ÖZKARACALAR Dr. Öğr. Üyesi ERKAN BÜKER |
| Course Objectives: | Initiating the production of a theoratically grounded research thesis in cinema and/or film media with an interdisciplinary perspective |
|
The students who have succeeded in this course; Developing a theoratically grounded research thesis proposal in cinema and/or film media with an interdisciplinary perspective and mapping the available academic literature in the research area |
| Determined according to the thesis topic of the student |
| Week | Subject | Related Preparation | |
| 1) | Thesis proposal | ||
| 2) | Thesis topic | ||
| 3) | The academic literature review chapter of the thesis | Reading and writing | |
| 4) | The academic literature review chapter of the thesis | Reading and writing | |
| 5) | The academic literature review chapter of the thesis | Reading and writing | |
| 6) | The academic literature review chapter of the thesis | Reading and writing | |
| 7) | The academic literature review chapter of the thesis | Reading and writing | |
| 8) | The academic literature review chapter of the thesis | Reading and writing | |
| 9) | The academic literature review chapter of the thesis | Reading and writing | |
| 10) | The academic literature review chapter of the thesis | Reading and writing | |
| 11) | The academic literature review chapter of the thesis | Reading and writing | |
| 12) | The academic literature review chapter of the thesis | Reading and writing | |
| 13) | The academic literature review chapter of the thesis | Reading and writing | |
| 14) | The academic literature review chapter of the thesis | Reading and writing | |
| Course Notes: | Öğrencinin tez sahasına göre değişken / Varies acc. to the student's thesis area |
| References: | Öğrencinin tez sahasına göre değişken / Varies acc. to the student's thesis area |
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | 0 | % 0 |
| Laboratory | 0 | % 0 |
| Application | 0 | % 0 |
| Field Work | 0 | % 0 |
| Special Course Internship (Work Placement) | 0 | % 0 |
| Quizzes | 0 | % 0 |
| Homework Assignments | 0 | % 0 |
| Presentation | 1 | % 100 |
| Project | 0 | % 0 |
| Seminar | 0 | % 0 |
| Midterms | 0 | % 0 |
| Preliminary Jury | 0 | % 0 |
| Final | 0 | % 0 |
| Paper Submission | 0 | % 0 |
| Jury | 0 | % 0 |
| Bütünleme | % 0 | |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 100 | |
| PERCENTAGE OF FINAL WORK | % 0 | |
| Total | % 100 | |
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 3 | 42 |
| Laboratory | 0 | 0 | 0 |
| Application | 0 | 0 | 0 |
| Special Course Internship (Work Placement) | 0 | 0 | 0 |
| Field Work | 0 | 0 | 0 |
| Study Hours Out of Class | 14 | 32 | 448 |
| Presentations / Seminar | 0 | 0 | 0 |
| Project | 0 | 0 | 0 |
| Homework Assignments | 0 | 0 | 0 |
| Quizzes | 0 | 0 | 0 |
| Preliminary Jury | 0 | 0 | 0 |
| Midterms | 0 | 0 | 0 |
| Paper Submission | 0 | 0 | 0 |
| Jury | 1 | 10 | 10 |
| Final | 0 | 0 | 0 |
| Total Workload | 500 | ||
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | Students will gain a broad knowledge of the historical and sociological contexts of global cinema television productions by studying important films from the history of cinema and gain ideas for creating their own works. Students will master the methods of fiction or documentary storytelling through courses based on screenwriting, cinematography and lighting, directing, post-production. | 5 |