MATHEMATICS (TURKISH, PHD) | |||||
PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
FTV2943 | Film and Tv Criticism | Fall | 3 | 0 | 3 | 5 |
The course opens with the approval of the Department at the beginning of each semester |
Language of instruction: | En |
Type of course: | Departmental Elective |
Course Level: | |
Mode of Delivery: | |
Course Coordinator : | Dr. Öğr. Üyesi FUNDA KAYA |
Course Objectives: | This class aims to introduce students critical concepts related to film and television criticism. Starting with a history of narrative forms and film genres, we will watch and discuss various films not only from cinema but also from contemporary televisual media. |
The students who have succeeded in this course; 1.Will be able to know on history of cinema. 2.Will be able to identify narrative elements of cinema 3.Will be able to discuss and determine genre conventions 4. Will be able to analyze and criticize films and television series with renown methods 5. Will be able to discuss contemporary forms of storytelling on quality television |
This class mainly focuses on basic concepts related to film criticism. Students are expected to watch important films that might be fruitful for discussions on film movements, independent cinema, third- cinema, feminist theories, art-house filmmaking and contemporary aesthetics on television screen. |
Week | Subject | Related Preparation | |
1) | Introduction of the syllabus, what is film criticism | ||
2) | European film movements | ||
3) | Realism, verisimilitude, mimesis | ||
4) | Culture and society | ||
5) | Psychoanalysis and cinema | ||
6) | cultural theories | ||
7) | Gender and cinema | ||
8) | Postmodern storytelling | ||
9) | Postcolonial encounters | ||
10) | Cyberpunk, science fiction | ||
11) | Independent cinema | ||
12) | Electronic culture, cyberspace, dystopia | ||
13) | Detective, Neo-Noir | ||
14) | Presentations |
Course Notes: | Bordwell, David. 1985. Narration in Fiction Film. University of Wisconsin Press. Stam, Robert. 2000. Film Theory: An Introduction. Oxford: Blackwell. |
References: | Bordwell, David. 1985. Narration in Fiction Film. University of Wisconsin Press. Stam, Robert. 2000. Film Theory: An Introduction. Oxford: Blackwell. |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 10 |
Laboratory | % 0 | |
Application | % 0 | |
Field Work | % 0 | |
Special Course Internship (Work Placement) | % 0 | |
Quizzes | % 0 | |
Homework Assignments | 2 | % 30 |
Presentation | 1 | % 15 |
Project | % 0 | |
Seminar | % 0 | |
Midterms | % 0 | |
Preliminary Jury | % 0 | |
Final | 1 | % 45 |
Paper Submission | % 0 | |
Jury | % 0 | |
Bütünleme | % 0 | |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 55 | |
PERCENTAGE OF FINAL WORK | % 45 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Laboratory | 0 | 0 | 0 |
Application | 0 | 0 | 0 |
Special Course Internship (Work Placement) | 0 | 0 | 0 |
Field Work | 0 | 0 | 0 |
Study Hours Out of Class | 14 | 5 | 70 |
Presentations / Seminar | 1 | 3 | 3 |
Project | 0 | 0 | 0 |
Homework Assignments | 2 | 5 | 10 |
Quizzes | 0 | 0 | 0 |
Preliminary Jury | 0 | 0 | 0 |
Midterms | 0 | 0 | 0 |
Paper Submission | 0 | 0 | 0 |
Jury | 0 | 0 | 0 |
Final | 1 | 3 | 3 |
Total Workload | 128 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution |