| MATHEMATICS (TURKISH, PHD) | |||||
| PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 | ||
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| FTV2944 | Film Sound and Music | Fall | 3 | 0 | 3 | 5 |
| The course opens with the approval of the Department at the beginning of each semester |
| Language of instruction: | En |
| Type of course: | Departmental Elective |
| Course Level: | |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Dr. Öğr. Üyesi CEMAL BARKIN ENGİN |
| Course Objectives: | Upon completion of this course, students acquire fundamental information regarding film music production processes and approaches, have knowledge of current digital-based music production technologies, gain a technical and aesthetic perspective on the relationship between cinema and music, and experience issues such as current industry standards and copyrights. |
|
The students who have succeeded in this course; 1) gain fundamental information about the history of cinema and music. 2) develop critical music listening and analysis skills. 3) examine the interactive relationships between cinema and music. 4) recognize and experience the pre & post production phases of music composition for cinema. 5) become familiar with recent music production stages. "6) gain insight about synchronization and copyrights. " 7) be able to adjust to independent and collective work flows. |
| Film music, music analysis, music production stages, film music styles, recent music production technology, copyrights, synchronization. |
| Week | Subject | Related Preparation | |
| 1) | Introduction | ||
| 2) | Music History & Terminology | ||
| 3) | Music Production Stages | ||
| 4) | Film Music Production I: Style and Function Analysis | ||
| 5) | Film Music Production II: Spotting and Production | ||
| 6) | Film Music Production III: Popular Music | ||
| 7) | Project 1 | ||
| 8) | Midterm | ||
| 8) | Current Music Technology I | ||
| 9) | Current Music Technology II | ||
| 10) | Current Music Technology III | ||
| 11) | Workshop I | ||
| 12) | Workshop II | ||
| 13) | Workshop III | ||
| 14) | Final Projesi | ||
| Course Notes: | 1-Audissino, Emilio; Film/Music Analysis, Palgarve MacMillan, 2017 ISBN: 978-3-319-61692-6 2- Kalinak, Kathryn; Film Music: A Very Short Introduction; Oxford University Press, 2010 ISBN: 978-0-19-537087-4 3- Wierzbicki,James; Film Music: A History; Routledge, 2009 ISBN: 0-203-88447-7 |
| References: | 1-Audissino, Emilio; Film/Music Analysis, Palgarve MacMillan, 2017 ISBN: 978-3-319-61692-6 2- Kalinak, Kathryn; Film Music: A Very Short Introduction; Oxford University Press, 2010 ISBN: 978-0-19-537087-4 3- Wierzbicki,James; Film Music: A History; Routledge, 2009 ISBN: 0-203-88447-7 |
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | % 0 | |
| Laboratory | % 0 | |
| Application | % 0 | |
| Field Work | % 0 | |
| Special Course Internship (Work Placement) | % 0 | |
| Quizzes | % 0 | |
| Homework Assignments | % 0 | |
| Presentation | % 0 | |
| Project | 1 | % 20 |
| Seminar | % 0 | |
| Midterms | 1 | % 30 |
| Preliminary Jury | % 0 | |
| Final | 1 | % 50 |
| Paper Submission | % 0 | |
| Jury | % 0 | |
| Bütünleme | % 0 | |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 30 | |
| PERCENTAGE OF FINAL WORK | % 70 | |
| Total | % 100 | |
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 3 | 42 |
| Laboratory | 0 | 0 | 0 |
| Application | 0 | 0 | 0 |
| Special Course Internship (Work Placement) | 0 | 0 | 0 |
| Field Work | 0 | 0 | 0 |
| Study Hours Out of Class | 14 | 3 | 42 |
| Presentations / Seminar | 0 | 0 | 0 |
| Project | 0 | 0 | 0 |
| Homework Assignments | 0 | 0 | 0 |
| Quizzes | 0 | 0 | 0 |
| Preliminary Jury | 0 | 0 | 0 |
| Midterms | 1 | 20 | 20 |
| Paper Submission | 0 | 0 | 0 |
| Jury | 0 | 0 | 0 |
| Final | 1 | 30 | 30 |
| Total Workload | 134 | ||
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution |