| MATHEMATICS (TURKISH, PHD) | |||||
| PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 | ||
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| FTV3985 | Film Sound | Fall | 3 | 0 | 3 | 8 |
| The course opens with the approval of the Department at the beginning of each semester |
| Language of instruction: | En |
| Type of course: | Departmental Elective |
| Course Level: | |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Dr. Öğr. Üyesi CEMAL BARKIN ENGİN |
| Course Lecturer(s): |
Dr. Öğr. Üyesi CEMAL BARKIN ENGİN |
| Course Objectives: | Upon completion of the course,This course examines the principles, the role and the aesthetic values of the production sound in film. Students will be introduced to the stages of audio production & post production and provided with the basic knowledge of audio software. |
|
The students who have succeeded in this course; The students who have succeeded in this course; 1) be able to perceive the fundamentals of sound and sound technology. 2) be able to develop critical listening perspective. 3) be able to investigate the interactive relationship between sound and image. 4) be able to examine the preproduction and production stages of film sound. 5) be able to recognize the individual stages of audio post-production. 6) be able to improve audio software skills. 7) be able to adjust to independent and collective work flows. |
| Acoustics, psychoacoustics, history of audio recording, digital audio, audio software, sound & image, film sound pre-production, production, location recording, dialogue editing, Foley, ADR, voice over, sound design, final mix, surround sound will be taught in this course. |
| Week | Subject | Related Preparation | |
| 1) | Acoustics & Psychoacoustics. | ||
| 2) | History of Audio Recording and Digital Audio Principles. | ||
| 3) | Audio Software I | ||
| 4) | Audio Software II | ||
| 5) | Sound & Image | ||
| 6) | Film Sound Pre-Production & Production | ||
| 7) | Location Recording | ||
| 8) | Midterm | ||
| 9) | Dialogue Editing & Foley | ||
| 10) | ADR & Voice Over | ||
| 11) | Sound Design I | ||
| 12) | Sound Design II | ||
| 13) | Final Mix | ||
| 14) | Principles of Surround Sound | ||
| Course Notes: | Holman, Tomlinson; Sound for Digital Video, Focal Press, 2005 ISBN: 978-0240807201 Rose, Jay; Audio Post Production for Film and Video, 2nd Ed, Focal Press, 2009 ISBN 978-0240809717 |
| References: | Chion, Michel; Audio Vision: Sound on Screen; Columbia University press, 1994 ISBN: 978-0231078993 |
| Semester Requirements | Number of Activities | Level of Contribution |
| Attendance | % 0 | |
| Laboratory | % 0 | |
| Application | % 0 | |
| Field Work | % 0 | |
| Special Course Internship (Work Placement) | % 0 | |
| Quizzes | % 0 | |
| Homework Assignments | 5 | % 15 |
| Presentation | % 0 | |
| Project | 1 | % 25 |
| Seminar | % 0 | |
| Midterms | 1 | % 20 |
| Preliminary Jury | % 0 | |
| Final | 1 | % 40 |
| Paper Submission | % 0 | |
| Jury | % 0 | |
| Bütünleme | % 0 | |
| Total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 35 | |
| PERCENTAGE OF FINAL WORK | % 65 | |
| Total | % 100 | |
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 14 | 3 | 42 |
| Laboratory | 0 | 0 | 0 |
| Application | 0 | 0 | 0 |
| Special Course Internship (Work Placement) | 0 | 0 | 0 |
| Field Work | 0 | 0 | 0 |
| Study Hours Out of Class | 5 | 15 | 75 |
| Presentations / Seminar | 0 | 0 | 0 |
| Project | 1 | 3 | 3 |
| Homework Assignments | 0 | 0 | 0 |
| Quizzes | 0 | 0 | 0 |
| Preliminary Jury | 0 | 0 | 0 |
| Midterms | 1 | 3 | 3 |
| Paper Submission | 0 | 0 | 0 |
| Jury | 0 | 0 | 0 |
| Final | 1 | 10 | 10 |
| Total Workload | 133 | ||
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution |