|
Week |
Subject |
Related Preparation |
1) |
Meeting and Introduction |
|
2) |
Media Before Modernity |
|
3) |
Renaissance and the Ideology of Perspective
|
|
4) |
Visual Culture and Modern Scopic Regime
Politics of Seeing
Centrality of the Eye
|
Films:
Hi, Mom [Brian de Palma, 1970]
Rear Window [Hitchcock, 1954] |
5) |
The Enlightenment and Visuality |
Readings:
Italo Calvino - Invisible Cities
Films:
Last Year at Marienbad (Alain Resnais, 1961)
Wings of Desire (Wim Wenders, 1987) |
6) |
Modernity and Media: Photography
Industrial Revolution
Positivism
Liberalism
Marx |
Readings:
Roland Barthes - Camera Lucida
Walter Benjamin - "A Small History of Photography" in Benjamin, Walter (2015). On Photography
Susan Sontag - On Photography
John Berger - Understanding a Photograph |
7) |
Modernity and Media: Cinema
Mass Society
Marxism, leninism, Fascism, Nationalism
Freud
Movement
|
|
8) |
Midterm Project Presentations |
|
9) |
The Economy Politics of Media |
|
10) |
New Media and Culture: Selfie
Media, Self, Identity
Selfie and Renaissance self-portraits
|
|
11) |
Self-Portrait Presentations |
|
12) |
Society of Spectacle/Surveillance/Simulacra |
George Orwell - 1984
Haruki Murakami - 1Q84 |
13) |
Different Regimes of Visuality |
|
14) |
Final Project and Paper Presentations |
|
Course Notes: |
Books:
• Benjamin, Walter (2015). On Photography. London: Reaktion Books [https://bproxy.bahcesehir.edu.tr:4947/lib/bahcesehirebooks/detail.action?docID=4438926]
* Barthes, Roland (1981). Camera Lucida: Reflections on Photography. New York: Hill and Wang [TR 642 .B3713 1981]
* Sontag, Susan (1977). On Photography. New York: Farrar, Straus, Giroux [TR 183 .S65 1977]
* John Berger (2013). Understanding a Photograph. New York: Penguin Books [ TR187.B47 2013]
* Calvino, Italo (1974). Invisible Cities. New York: Harcourt Brace Jovanovich [PQ4809.A45 C35 1974]
* DeLillo, Don (2009). White Noise. Penguin Books [PS 3554 .E447/W419 2002] * Orwell, George (2018). 1984. London: Vintage Books [PR 6029 .R8/N5 1990]
* Murakami, Haruki (2012). 1Q84. London: Vintage Books [PL 856 .U673/A61219 2012]
Diğer kaynaklar itslearning üzerinden duyurulacaktır. |
References: |
Books:
• Benjamin, Walter (2015). On Photography. London: Reaktion Books [https://bproxy.bahcesehir.edu.tr:4947/lib/bahcesehirebooks/detail.action?docID=4438926]
* Barthes, Roland (1981). Camera Lucida: Reflections on Photography. New York: Hill and Wang [TR 642 .B3713 1981]
* Sontag, Susan (1977). On Photography. New York: Farrar, Straus, Giroux [TR 183 .S65 1977]
* John Berger (2013). Understanding a Photograph. New York: Penguin Books [ TR187.B47 2013]
* Calvino, Italo (1974). Invisible Cities. New York: Harcourt Brace Jovanovich [PQ4809.A45 C35 1974]
* DeLillo, Don (2009). White Noise. Penguin Books [PS 3554 .E447/W419 2002] * Orwell, George (2018). 1984. London: Vintage Books [PR 6029 .R8/N5 1990]
* Murakami, Haruki (2012). 1Q84. London: Vintage Books [PL 856 .U673/A61219 2012]
The other sources will be announced via itslearning. |
|
Program Outcomes |
Level of Contribution |
1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
5 |
2) |
Having comprehensive knowledge regarding different media and branches of art |
3 |
3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
3 |
4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
3 |
5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
|
6) |
Being able to write a script ready to be shot |
|
7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
|
8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
5 |
12) |
Having ethical values and a sense of social responsibility |
5 |